best written essays of all time

40 Best Essays of All Time (Including Links & Writing Tips)

I had little money (buying forty collections of essays was out of the question) so I’ve found them online instead. I’ve hacked through piles of them, and finally, I’ve found the great ones. Now I want to share the whole list with you (with the addition of my notes about writing). Each item on the list has a direct link to the essay, so please click away and indulge yourself. Also, next to each essay, there’s an image of the book that contains the original work.

About this essay list:

40 best essays of all time (with links and writing tips), 1. david sedaris – laugh, kookaburra, writing tips from the essay:, 2. charles d’ambrosio – documents, 3. e. b. white – once more to the lake, 4. zadie smith – fail better, 5. virginia woolf – death of the moth, 6. meghan daum – my misspent youth.

Many of us, at some point or another, dream about living in New York. Meghan Daum’s take on the subject differs slightly from what you might expect. There’s no glamour, no Broadway shows, and no fancy restaurants. Instead, there’s the sullen reality of living in one of the most expensive cities in the world. You’ll get all the juicy details about credit cards, overdue payments, and scrambling for survival. It’s a word of warning. But it’s also a great story about shattered fantasies of living in a big city. Word on the street is: “You ain’t promised mañana in the rotten manzana.”

7. Roger Ebert – Go Gentle Into That Good Night

8. george orwell – shooting an elephant.

Even after one reading, you’ll remember this one for years. The story, set in British Burma, is about shooting an elephant (it’s not for the squeamish). It’s also the most powerful denunciation of colonialism ever put into writing. Orwell, apparently a free representative of British rule, feels to be nothing more than a puppet succumbing to the whim of the mob.

9. George Orwell – A Hanging

10. christopher hitchens – assassins of the mind.

In one of the greatest essays written in defense of free speech, Christopher Hitchens shares many examples of how modern media kneel to the explicit threats of violence posed by Islamic extremists. He recounts the story of his friend, Salman Rushdie, author of Satanic Verses who, for many years, had to watch over his shoulder because of the fatwa of Ayatollah Khomeini. With his usual wit, Hitchens shares various examples of people who died because of their opinions and of editors who refuse to publish anything related to Islam because of fear (and it was written long before the Charlie Hebdo massacre). After reading the essay, you realize that freedom of expression is one of the most precious things we have and that we have to fight for it. I highly recommend all essay collections penned by Hitchens, especially the ones written for Vanity Fair.

11. Christopher Hitchens – The New Commandments

12. phillip lopate – against joie de vivre.

While reading this fantastic essay, this quote from Slavoj Žižek kept coming back to me: “I think that the only life of deep satisfaction is a life of eternal struggle, especially struggle with oneself. If you want to remain happy, just remain stupid. Authentic masters are never happy; happiness is a category of slaves”. I can bear the onus of happiness or joie de vivre for some time. But this force enables me to get free and wallow in the sweet feelings of melancholy and nostalgia. By reading this work of Lopate, you’ll enter into the world of an intelligent man who finds most social rituals a drag. It’s worth exploring.

13. Philip Larkin – The Pleasure Principle

14. sigmund freud – thoughts for the times on war and death.

This essay reveals Freud’s disillusionment with the whole project of Western civilization. How the peaceful European countries could engage in a war that would eventually cost over 17 million lives? What stirs people to kill each other? Is it their nature, or are they puppets of imperial forces with agendas of their own? From the perspective of time, this work by Freud doesn’t seem to be fully accurate. Even so, it’s well worth your time.

15. Zadie Smith – Some Notes on Attunement

“You are privy to a great becoming, but you recognize nothing” – Francis Dolarhyde. This one is about the elusiveness of change occurring within you. For Zadie, it was hard to attune to the vibes of Joni Mitchell – especially her Blue album. But eventually, she grew up to appreciate her genius, and all the other things changed as well. This top essay is all about the relationship between humans, and art. We shouldn’t like art because we’re supposed to. We should like it because it has an instantaneous, emotional effect on us. Although, according to Stansfield (Gary Oldman) in Léon, liking Beethoven is rather mandatory.

16. Annie Dillard – Total Eclipse

My imagination was always stirred by the scene of the solar eclipse in Pharaoh, by Boleslaw Prus. I wondered about the shock of the disoriented crowd when they saw how their ruler could switch off the light. Getting immersed in this essay by Annie Dillard has a similar effect. It produces amazement and some kind of primeval fear. It’s not only the environment that changes; it’s your mind and the perception of the world. After the eclipse, nothing is going to be the same again.

17. Édouard Levé – When I Look at a Strawberry, I Think of a Tongue

This suicidally beautiful essay will teach you a lot about the appreciation of life and the struggle with mental illness. It’s a collection of personal, apparently unrelated thoughts that show us the rich interior of the author. You look at the real-time thoughts of another person, and then recognize the same patterns within yourself… It sounds like a confession of a person who’s about to take their life, and it’s striking in its originality.

18. Gloria E. Anzaldúa – How to Tame a Wild Tongue

19. kurt vonnegut – dispatch from a man without a country.

In terms of style, this essay is flawless. It’s simple, conversational, humorous, and yet, full of wisdom. And when Vonnegut becomes a teacher and draws an axis of “beginning – end”, and, “good fortune – bad fortune” to explain literature, it becomes outright hilarious. It’s hard to find an author with such a down-to-earth approach. He doesn’t need to get intellectual to prove a point. And the point could be summed up by the quote from Great Expectations – “On the Rampage, Pip, and off the Rampage, Pip – such is Life!”

20. Mary Ruefle – On Fear

Most psychologists and gurus agree that fear is the greatest enemy of success or any creative activity. It’s programmed into our minds to keep us away from imaginary harm. Mary Ruefle takes on this basic human emotion with flair. She explores fear from so many angles (especially in the world of poetry-writing) that at the end of this personal essay, you will look at it, dissect it, untangle it, and hopefully be able to say “f**k you” the next time your brain is trying to stop you.

21. Susan Sontag – Against Interpretation

In this highly intellectual essay, Sontag fights for art and its interpretation. It’s a great lesson, especially for critics and interpreters who endlessly chew on works that simply defy interpretation. Why don’t we just leave the art alone? I always hated it when at school they asked me: “What did the author have in mind when he did X or Y?” Iēsous Pantocrator! Hell if I know! I will judge it through my subjective experience!

22. Nora Ephron – A Few Words About Breasts

This is a heartwarming, coming-of-age story about a young girl who waits in vain for her breasts to grow. It’s simply a humorous and pleasurable read. The size of breasts is a big deal for women. If you’re a man, you may peek into the mind of a woman and learn many interesting things. If you’re a woman, maybe you’ll be able to relate and at last, be at peace with your bosom.

23. Carl Sagan – Does Truth Matter – Science, Pseudoscience, and Civilization

24. paul graham – how to do what you love.

How To Do What You Love should be read by every college student and young adult. The Internet is flooded with a large number of articles and videos that are supposed to tell you what to do with your life. Most of them are worthless, but this one is different. It’s sincere, and there’s no hidden agenda behind it. There’s so much we take for granted – what we study, where we work, what we do in our free time… Surely we have another two hundred years to figure it out, right? Life’s too short to be so naïve. Please, read the essay and let it help you gain fulfillment from your work.

25. John Jeremiah Sullivan – Mister Lytle

A young, aspiring writer is about to become a nurse of a fading writer – Mister Lytle (Andrew Nelson Lytle), and there will be trouble. This essay by Sullivan is probably my favorite one from the whole list. The amount of beautiful sentences it contains is just overwhelming. But that’s just a part of its charm. It also takes you to the Old South which has an incredible atmosphere. It’s grim and tawny but you want to stay there for a while.

26. Joan Didion – On Self Respect

Normally, with that title, you would expect some straightforward advice about how to improve your character and get on with your goddamn life – but not from Joan Didion. From the very beginning, you can feel the depth of her thinking, and the unmistakable style of a true woman who’s been hurt. You can learn more from this essay than from whole books about self-improvement . It reminds me of the scene from True Detective, where Frank Semyon tells Ray Velcoro to “own it” after he realizes he killed the wrong man all these years ago. I guess we all have to “own it”, recognize our mistakes, and move forward sometimes.

27. Susan Sontag – Notes on Camp

I’ve never read anything so thorough and lucid about an artistic current. After reading this essay, you will know what camp is. But not only that – you will learn about so many artists you’ve never heard of. You will follow their traces and go to places where you’ve never been before. You will vastly increase your appreciation of art. It’s interesting how something written as a list could be so amazing. All the listicles we usually see on the web simply cannot compare with it.

28. Ralph Waldo Emerson – Self-Reliance

29. david foster wallace – consider the lobster.

When you want simple field notes about a food festival, you needn’t send there the formidable David Foster Wallace. He sees right through the hypocrisy and cruelty behind killing hundreds of thousands of innocent lobsters – by boiling them alive. This essay uncovers some of the worst traits of modern American people. There are no apologies or hedging one’s bets. There’s just plain truth that stabs you in the eye like a lobster claw. After reading this essay, you may reconsider the whole animal-eating business.

30. David Foster Wallace – The Nature of the Fun

The famous novelist and author of the most powerful commencement speech ever done is going to tell you about the joys and sorrows of writing a work of fiction. It’s like taking care of a mutant child that constantly oozes smelly liquids. But you love that child and you want others to love it too. It’s a very humorous account of what it means to be an author. If you ever plan to write a novel, you should read that one. And the story about the Chinese farmer is just priceless.

31. Margaret Atwood – Attitude

This is not an essay per se, but I included it on the list for the sake of variety. It was delivered as a commencement speech at The University of Toronto, and it’s about keeping the right attitude. Soon after leaving university, most graduates have to forget about safety, parties, and travel and start a new life – one filled with a painful routine that will last until they drop. Atwood says that you don’t have to accept that. You can choose how you react to everything that happens to you (and you don’t have to stay in that dead-end job for the rest of your days).

32. Jo Ann Beard – The Fourth State of Matter

Read that one as soon as possible. It’s one of the most masterful and impactful essays you’ll ever read. It’s like a good horror – a slow build-up, and then your jaw drops to the ground. To summarize the story would be to spoil it, so I recommend that you just dig in and devour this essay in one sitting. It’s a perfect example of “show, don’t tell” writing, where the actions of characters are enough to create the right effect. No need for flowery adjectives here.

33. Terence McKenna – Tryptamine Hallucinogens and Consciousness

34. eudora welty – the little store.

By reading this little-known essay, you will be transported into the world of the old American South. It’s a remembrance of trips to the little store in a little town. It’s warm and straightforward, and when you read it, you feel like a child once more. All these beautiful memories live inside of us. They lay somewhere deep in our minds, hidden from sight. The work by Eudora Welty is an attempt to uncover some of them and let you get reacquainted with some smells and tastes of the past.

35. John McPhee – The Search for Marvin Gardens

The Search for Marvin Gardens contains many layers of meaning. It’s a story about a Monopoly championship, but also, it’s the author’s search for the lost streets visible on the board of the famous board game. It also presents a historical perspective on the rise and fall of civilizations, and on Atlantic City, which once was a lively place, and then, slowly declined, the streets filled with dirt and broken windows.

36. Maxine Hong Kingston – No Name Woman

A dead body at the bottom of the well makes for a beautiful literary device. The first line of Orhan Pamuk’s novel My Name Is Red delivers it perfectly: “I am nothing but a corpse now, a body at the bottom of a well”. There’s something creepy about the idea of the well. Just think about the “It puts the lotion in the basket” scene from The Silence of the Lambs. In the first paragraph of Kingston’s essay, we learn about a suicide committed by uncommon means of jumping into the well. But this time it’s a real story. Who was this woman? Why did she do it? Read the essay.

37. Joan Didion – On Keeping A Notebook

38. joan didion – goodbye to all that, 39. george orwell – reflections on gandhi, 40. george orwell – politics and the english language, other essays you may find interesting, oliver sacks – on libraries.

One of the greatest contributors to the knowledge about the human mind, Oliver Sacks meditates on the value of libraries and his love of books.

Noam Chomsky – The Responsibility of Intellectuals

Sam harris – the riddle of the gun.

Sam Harris, now a famous philosopher and neuroscientist, takes on the problem of gun control in the United States. His thoughts are clear of prejudice. After reading this, you’ll appreciate the value of logical discourse overheated, irrational debate that more often than not has real implications on policy.

Tim Ferriss – Some Practical Thoughts on Suicide

Edward said – reflections on exile.

The life of Edward Said was a truly fascinating one. Born in Jerusalem, he lived between Palestine and Egypt and finally settled down in the United States, where he completed his most famous work – Orientalism. In this essay, he shares his thoughts about what it means to be in exile.

Richard Feynman – It’s as Simple as One, Two, Three…

Rabindranath tagore – the religion of the forest, richard dawkins – letter to his 10-year-old daughter.

Every father should be able to articulate his philosophy of life to his children. With this letter that’s similar to what you find in the Paris Review essays , the famed atheist and defender of reason, Richard Dawkins, does exactly that. It’s beautifully written and stresses the importance of looking at evidence when we’re trying to make sense of the world.

Albert Camus – The Minotaur (or, The Stop In Oran)

Koty neelis – 21 incredible life lessons from anthony bourdain.

I included it as the last one because it’s not really an essay, but I just had to put it somewhere. In this listicle, you’ll find the 21 most original thoughts of the high-profile cook, writer, and TV host, Anthony Bourdain. Some of them are shocking, others are funny, but they’re all worth checking out.

Lucius Annaeus Seneca – On the Shortness of Life

Bertrand russell – in praise of idleness, james baldwin – stranger in the village.

It’s an essay on the author’s experiences as an African-American in a Swiss village, exploring race, identity, and alienation while highlighting the complexities of racial dynamics and the quest for belonging.

Bonus – More writing tips from two great books

The sense of style – by steven pinker, on writing well – by william zinsser, now immerse yourself in the world of essays, rafal reyzer.

Hey there, welcome to my blog! I'm a full-time entrepreneur building two companies, a digital marketer, and a content creator with 10+ years of experience. I started RafalReyzer.com to provide you with great tools and strategies you can use to become a proficient digital marketer and achieve freedom through online creativity. My site is a one-stop shop for digital marketers, and content enthusiasts who want to be independent, earn more money, and create beautiful things. Explore my journey here , and don't miss out on my AI Marketing Mastery online course.

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The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era.  –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it.  –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read.  –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.”  –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture.  –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think.  –Jonny Diamond, Editor-in-Chief 

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done.  –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay  Tell Me How It Ends: An Essay in Forty Questions  was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel  Lost Children Archive  (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a  good  conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment.  Tell Me How It Ends  is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country.  –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.”  –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital.  –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing  Bad Feminist  that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell.  This Young Monster  (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from  Artforum ,  Dazed & Confused , and  Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic,  This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) ·  Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012)  · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014)  · Meghan Daum, The Unspeakable (2014)  · Daphne Merkin, The Fame Lunches (2014)  · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) ·  Renee Gladman, Calamities (2016)  · Jesmyn Ward, ed. The Fire This Time (2016)  · Lindy West, Shrill (2016)  · Mary Oliver, Upstream (2016)  · Emily Witt, Future Sex (2016)  · Olivia Laing, The Lonely City (2016)  · Mark Greif, Against Everything (2016)  · Durga Chew-Bose, Too Much and Not the Mood (2017)  · Sarah Gerard, Sunshine State (2017)  · Jim Harrison, A Really Big Lunch (2017)  · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017)  · Louise Glück, American Originality (2017)  · Joan Didion, South and West (2017)  · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017)  · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017)  · Ta-Nehisi Coates, We Were Eight Years in Power (2017)  ·  Samantha Irby, We Are Never Meeting in Real Life (2017)  · Alexander Chee, How to Write an Autobiographical Novel (2018)  · Alice Bolin, Dead Girls (2018)  · Marilynne Robinson, What Are We Doing Here? (2018)  · Lorrie Moore, See What Can Be Done (2018)  · Maggie O’Farrell, I Am I Am I Am (2018)  · Ijeoma Oluo, So You Want to Talk About Race (2018)  · Rachel Cusk, Coventry (2019)  · Jia Tolentino, Trick Mirror (2019)  · Emily Bernard, Black is the Body (2019)  · Toni Morrison, The Source of Self-Regard (2019)  · Margaret Renkl, Late Migrations (2019)  ·  Rachel Munroe, Savage Appetites (2019)  · Robert A. Caro,  Working  (2019) · Arundhati Roy, My Seditious Heart (2019).

Emily Temple

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The Top 10 Essays Since 1950

Robert Atwan, the founder of The Best American Essays series, picks the 10 best essays of the postwar period. Links to the essays are provided when available.

Fortunately, when I worked with Joyce Carol Oates on The Best American Essays of the Century (that’s the last century, by the way), we weren’t restricted to ten selections. So to make my list of the top ten essays since 1950 less impossible, I decided to exclude all the great examples of New Journalism--Tom Wolfe, Gay Talese, Michael Herr, and many others can be reserved for another list. I also decided to include only American writers, so such outstanding English-language essayists as Chris Arthur and Tim Robinson are missing, though they have appeared in The Best American Essays series. And I selected essays , not essayists . A list of the top ten essayists since 1950 would feature some different writers.

To my mind, the best essays are deeply personal (that doesn’t necessarily mean autobiographical) and deeply engaged with issues and ideas. And the best essays show that the name of the genre is also a verb, so they demonstrate a mind in process--reflecting, trying-out, essaying.

James Baldwin, "Notes of a Native Son" (originally appeared in Harper’s , 1955)

“I had never thought of myself as an essayist,” wrote James Baldwin, who was finishing his novel Giovanni’s Room while he worked on what would become one of the great American essays. Against a violent historical background, Baldwin recalls his deeply troubled relationship with his father and explores his growing awareness of himself as a black American. Some today may question the relevance of the essay in our brave new “post-racial” world, though Baldwin considered the essay still relevant in 1984 and, had he lived to see it, the election of Barak Obama may not have changed his mind. However you view the racial politics, the prose is undeniably hypnotic, beautifully modulated and yet full of urgency. Langston Hughes nailed it when he described Baldwin’s “illuminating intensity.” The essay was collected in Notes of a Native Son courageously (at the time) published by Beacon Press in 1955.

Norman Mailer, "The White Negro" (originally appeared in Dissent , 1957)

An essay that packed an enormous wallop at the time may make some of us cringe today with its hyperbolic dialectics and hyperventilated metaphysics. But Mailer’s attempt to define the “hipster”–in what reads in part like a prose version of Ginsberg’s “Howl”–is suddenly relevant again, as new essays keep appearing with a similar definitional purpose, though no one would mistake Mailer’s hipster (“a philosophical psychopath”) for the ones we now find in Mailer’s old Brooklyn neighborhoods. Odd, how terms can bounce back into life with an entirely different set of connotations. What might Mailer call the new hipsters? Squares?

Read the essay here .

Susan Sontag, "Notes on 'Camp'" (originally appeared in Partisan Review , 1964)

Like Mailer’s “White Negro,” Sontag’s groundbreaking essay was an ambitious attempt to define a modern sensibility, in this case “camp,” a word that was then almost exclusively associated with the gay world. I was familiar with it as an undergraduate, hearing it used often by a set of friends, department store window decorators in Manhattan. Before I heard Sontag—thirty-one, glamorous, dressed entirely in black-- read the essay on publication at a Partisan Review gathering, I had simply interpreted “campy” as an exaggerated style or over-the-top behavior. But after Sontag unpacked the concept, with the help of Oscar Wilde, I began to see the cultural world in a different light. “The whole point of camp,” she writes, “is to dethrone the serious.” Her essay, collected in Against Interpretation (1966), is not in itself an example of camp.

John McPhee, "The Search for Marvin Gardens" (originally appeared in The New Yorker , 1972)

“Go. I roll the dice—a six and a two. Through the air I move my token, the flatiron, to Vermont Avenue, where dog packs range.” And so we move, in this brilliantly conceived essay, from a series of Monopoly games to a decaying Atlantic City, the once renowned resort town that inspired America’s most popular board game. As the games progress and as properties are rapidly snapped up, McPhee juxtaposes the well-known sites on the board—Atlantic Avenue, Park Place—with actual visits to their crumbling locations. He goes to jail, not just in the game but in fact, portraying what life has now become in a city that in better days was a Boardwalk Empire. At essay’s end, he finds the elusive Marvin Gardens. The essay was collected in Pieces of the Frame (1975).

Read the essay here (subscription required).

Joan Didion, "The White Album" (originally appeared in New West , 1979)

Huey Newton, Eldridge Cleaver, and the Black Panthers, a recording session with Jim Morrison and the Doors, the San Francisco State riots, the Manson murders—all of these, and much more, figure prominently in Didion’s brilliant mosaic distillation (or phantasmagoric album) of California life in the late 1960s. Yet despite a cast of characters larger than most Hollywood epics, “The White Album” is a highly personal essay, right down to Didion’s report of her psychiatric tests as an outpatient in a Santa Monica hospital in the summer of 1968. “We tell ourselves stories in order to live,” the essay famously begins, and as it progresses nervously through cuts and flashes of reportage, with transcripts, interviews, and testimonies, we realize that all of our stories are questionable, “the imposition of a narrative line upon disparate images.” Portions of the essay appeared in installments in 1968-69 but it wasn’t until 1979 that Didion published the complete essay in New West magazine; it then became the lead essay of her book, The White Album (1979).

Annie Dillard, "Total Eclipse" (originally appeared in Antaeus , 1982)

In her introduction to The Best American Essays 1988 , Annie Dillard claims that “The essay can do everything a poem can do, and everything a short story can do—everything but fake it.” Her essay “Total Eclipse” easily makes her case for the imaginative power of a genre that is still undervalued as a branch of imaginative literature. “Total Eclipse” has it all—the climactic intensity of short fiction, the interwoven imagery of poetry, and the meditative dynamics of the personal essay: “This was the universe about which we have read so much and never before felt: the universe as a clockwork of loose spheres flung at stupefying, unauthorized speeds.” The essay, which first appeared in Antaeus in 1982 was collected in Teaching a Stone to Talk (1982), a slim volume that ranks among the best essay collections of the past fifty years.

Phillip Lopate, "Against Joie de Vivre" (originally appeared in Ploughshares , 1986)

This is an essay that made me glad I’d started The Best American Essays the year before. I’d been looking for essays that grew out of a vibrant Montaignean spirit—personal essays that were witty, conversational, reflective, confessional, and yet always about something worth discussing. And here was exactly what I’d been looking for. I might have found such writing several decades earlier but in the 80s it was relatively rare; Lopate had found a creative way to insert the old familiar essay into the contemporary world: “Over the years,” Lopate begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” He goes on to dissect in comic yet astute detail the rituals of the modern dinner party. The essay was selected by Gay Talese for The Best American Essays 1987 and collected in Against Joie de Vivre in 1989 .

Edward Hoagland, "Heaven and Nature" (originally appeared in Harper’s, 1988)

“The best essayist of my generation,” is how John Updike described Edward Hoagland, who must be one of the most prolific essayists of our time as well. “Essays,” Hoagland wrote, “are how we speak to one another in print—caroming thoughts not merely in order to convey a certain packet of information, but with a special edge or bounce of personal character in a kind of public letter.” I could easily have selected many other Hoagland essays for this list (such as “The Courage of Turtles”), but I’m especially fond of “Heaven and Nature,” which shows Hoagland at his best, balancing the public and private, the well-crafted general observation with the clinching vivid example. The essay, selected by Geoffrey Wolff for The Best American Essays 1989 and collected in Heart’s Desire (1988), is an unforgettable meditation not so much on suicide as on how we remarkably manage to stay alive.

Jo Ann Beard, "The Fourth State of Matter" (originally appeared in The New Yorker , 1996)

A question for nonfiction writing students: When writing a true story based on actual events, how does the narrator create dramatic tension when most readers can be expected to know what happens in the end? To see how skillfully this can be done turn to Jo Ann Beard’s astonishing personal story about a graduate student’s murderous rampage on the University of Iowa campus in 1991. “Plasma is the fourth state of matter,” writes Beard, who worked in the U of I’s physics department at the time of the incident, “You’ve got your solid, your liquid, your gas, and there’s your plasma. In outer space there’s the plasmasphere and the plasmapause.” Besides plasma, in this emotion-packed essay you will find entangled in all the tension a lovable, dying collie, invasive squirrels, an estranged husband, the seriously disturbed gunman, and his victims, one of them among the author’s dearest friends. Selected by Ian Frazier for The Best American Essays 1997 , the essay was collected in Beard’s award-winning volume, The Boys of My Youth (1998).

David Foster Wallace, "Consider the Lobster" (originally appeared in Gourmet , 2004)

They may at first look like magazine articles—those factually-driven, expansive pieces on the Illinois State Fair, a luxury cruise ship, the adult video awards, or John McCain’s 2000 presidential campaign—but once you uncover the disguise and get inside them you are in the midst of essayistic genius. One of David Foster Wallace’s shortest and most essayistic is his “coverage” of the annual Maine Lobster Festival, “Consider the Lobster.” The Festival becomes much more than an occasion to observe “the World’s Largest Lobster Cooker” in action as Wallace poses an uncomfortable question to readers of the upscale food magazine: “Is it all right to boil a sentient creature alive just for our gustatory pleasure?” Don’t gloss over the footnotes. Susan Orlean selected the essay for The Best American Essays 2004 and Wallace collected it in Consider the Lobster and Other Essays (2005).

Read the essay here . (Note: the electronic version from Gourmet magazine’s archives differs from the essay that appears in The Best American Essays and in his book, Consider the Lobster. )

I wish I could include twenty more essays but these ten in themselves comprise a wonderful and wide-ranging mini-anthology, one that showcases some of the most outstanding literary voices of our time. Readers who’d like to see more of the best essays since 1950 should take a look at The Best American Essays of the Century (2000).

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The Greatest Books of All Time on Essays

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This list represents a comprehensive and trusted collection of the greatest books. Developed through a specialized algorithm, it brings together 343 'best of' book lists to form a definitive guide to the world's most acclaimed books. For those interested in how these books are chosen, additional details can be found on the rankings page .

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Essays are a category of books that typically consist of a collection of written works by a single author or multiple authors. These works are typically non-fiction and explore a wide range of topics, from personal experiences and opinions to social and political issues. Essays are often characterized by their informal tone, personal voice, and the author's unique perspective on the subject matter. They can be thought-provoking, informative, and entertaining, and are often used as a means of exploring complex ideas and issues in a more accessible and engaging way.

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1. Essays by Michel de Montaigne

The complete essays.

This collection of essays explores a wide range of topics such as solitude, cannibals, the power of the imagination, the education of children, and the nature of friendship. The author employs a unique and personal approach to philosophy, using anecdotes and personal reflections to illustrate his points. The essays provide a profound insight into human nature and condition, and are considered a significant contribution to both literature and philosophy.

2. Pensées by Blaise Pascal

"Pensées" is a collection of philosophical and theological thoughts and ideas by a renowned French mathematician and physicist. The book delves into various aspects of human existence, exploring the nature of faith, reason, and the human condition. It also presents arguments for the existence of God, including the famous wager argument. The book is known for its profound insights into the human experience and its exploration of the complexities of belief and doubt.

3. Poems of W. H. Auden by W. H. Auden

This book is a collection of poems by a renowned 20th-century poet. The poems cover a wide range of themes, including love, politics, religion, and the human condition. The poet's unique style combines traditional forms with modernist free verse and his work is known for its technical achievement, emotional depth, and engagement with moral and political issues. The collection provides an overview of the poet's career, showcasing his development and evolution as a writer.

4. The Myth of Sisyphus by Albert Camus

And other essays.

This book is a philosophical essay that explores the concept of absurdity, and how individuals should respond to life's inherent meaninglessness. It posits that life is essentially absurd due to the conflict between our desire for understanding and the chaotic, indifferent universe. The author argues that the only proper response to this absurdity is to live life to its fullest, embracing and rebelling against the absurdity, rather than resorting to suicide or turning to religion or philosophy for false comfort. The story of Sisyphus, condemned to eternally roll a boulder up a hill only for it to roll back down, is used as a metaphor for the human condition.

5. Slouching Towards Bethlehem by Joan Didion

This book is a collection of essays that capture the essence of the 1960s in California. It portrays a society in the midst of social and cultural upheaval, as traditional norms are challenged by the counterculture movement. The author explores various themes including morality, self-respect, and the nature of good and evil, while providing a vivid picture of the era through her insightful and incisive observations.

6. Notes of a Native Son by James Baldwin

This book is a collection of essays that vividly capture the author's life in Harlem, his travels in Europe, and his views on everything from the sweet music of black church revivals to the biting prejudice of the 'then' contemporary world. It's an exploration of racial, sexual, and class distinctions in both Western societies and the American society. The author's reflections on his experiences as a black man in white America are profoundly insightful and continue to resonate today.

7. Tristes Tropiques by Claude Lévi-Strauss

An anthropological study of primitive societies.

"Tristes Tropiques" is a blend of autobiography, travel literature, and anthropology by a renowned scholar. The book is a recounting of the author's travels and anthropological work, primarily in Brazil, in the 1930s. It provides a critical and philosophical reflection on his experiences and observations, offering insights into indigenous tribes like the Nambikwara and Tupi-Kawahib, and exploring themes of cultural change, the nature of anthropology, and the author's own disillusionment with Western civilization.

8. Christ Stopped at Eboli by Carlo Levi

The story of a year.

The book is a memoir about the author's year of exile in a remote region of southern Italy during the fascist regime. It depicts the harsh living conditions, poverty, and backwardness of the area, where the peasants' lives are ruled by superstition and tradition. Despite the difficulties, the author finds beauty and dignity in the people and their way of life, and he paints a vivid picture of their culture, beliefs, and struggles. The title refers to the locals' belief that they have been forgotten by modernity and even by God.

9. The Fire Next Time by James Baldwin

This book is a powerful exploration of race relations in America in the early 1960s. The author presents his experiences and observations in the form of two essays. The first is a letter to his 14-year-old nephew, discussing the role of race in American history. The second essay takes a broader look at the civil rights movement and the author's own experiences with religion and identity. Throughout, the author presents a passionate plea for the recognition of the humanity and dignity of all people, regardless of race.

10. Selected Essays of T. S. Eliot by T. S. Eliot

This book is a collection of critical and reflective essays by a renowned poet and literary critic. The author explores a variety of topics including literature, culture, society, and religion. The essays offer an insightful and thought-provoking commentary on the works of other writers, as well as the author's own views on literary theory and criticism. The collection serves as an important resource for understanding the author's intellectual development and his influence on 20th century literature and criticism.

11. Collected Essays of George Orwell by George Orwell

This book is a compilation of essays by a renowned author, known for his sharp wit and critical eye. It covers a wide range of topics, from politics and language to literature and culture. The author's insightful and often provocative viewpoints provide a unique perspective on the world, challenging readers to question their own beliefs and assumptions. His straightforward writing style and keen observations make these essays as relevant today as when they were first published.

12. The Liberal Imagination by Lionel Trilling

Essays on literature and society.

"The Liberal Imagination" is a collection of essays that scrutinize and challenge the ideas, politics, and cultural norms of liberal society. The author argues that liberalism often simplifies complex issues and overlooks the inherent contradictions and conflicts in human life. Using literature as a tool, he delves into the nuances of these issues and encourages readers to engage in critical thinking and self-examination. The book is a profound exploration of the strengths and weaknesses of liberal thought and its impact on society.

13. Symposium by Plato

In "Symposium", a group of notable men including philosophers, playwrights, and politicians gather at a banquet and decide to each give a speech in praise of the god of love. Each speech presents a different perspective on love, ranging from the purely physical to the spiritual. The dialogue culminates with the speech of Socrates, who presents a philosophical view of love as a means of ascending to contemplation of the divine.

14. Mythologies by Roland Barthes

This book is a collection of essays that explore the layers of cultural and societal meanings that are imbued in everyday objects, activities, and phenomena. The author decodes the symbols and signs embedded in things as varied as wrestling, soap detergents, toys, and even the face of Greta Garbo. The book is a pioneering exploration of semiotics, the study of signs and symbols, and it challenges readers to question and understand the cultural connotations and ideologies that are presented as natural or given in our everyday lives.

15. Letters to a Young Poet by Rainer Maria Rilke

This book is a collection of 10 letters written by a renowned poet to a young aspiring poet, offering advice and guidance on matters of life, love, and the pursuit of poetry. The author encourages the young poet to look inward for inspiration and to embrace solitude as a means of self-discovery. He also emphasizes the importance of patience, personal growth, and the necessity of experiencing life's hardships to truly understand and depict the human condition in poetry.

16. Orthodoxy by G. K. Chesterton

"Orthodoxy" is a classic work of Christian apologetics that explores and defends the beliefs that are central to Christian faith. The author presents his personal journey towards faith, arguing for the reasonableness of Christianity. He challenges popular assumptions of his time about religion, faith, and the world while presenting a compelling case for orthodox Christian belief, using both logic and wit. The book combines personal anecdotes, historical critique, and philosophical discourse to present a deeply intellectual and sincere exploration of Christianity.

17. Essays and Aphorisms by Arthur Schopenhauer

This book is a collection of philosophical essays and aphorisms that delve into an array of topics including morality, religion, and philosophy. The author presents a pessimistic worldview, arguing that suffering is an inherent part of human existence. He discusses the nature of freedom, the importance of individuality, and the role of art and aesthetics in life. The book is known for its accessible style, making complex philosophical ideas understandable for a general audience.

18. Essays of E. B. White by E. B. White

This book is a collection of essays written by a renowned American writer, offering a wide range of topics including nature, politics, literature, and personal experiences. The author's distinct style of writing, characterized by wit, humor, and profound insight, is evident throughout the book. The essays serve as a reflection of the author's thoughts and observations about life, society, and the world, providing readers with an intimate look into his mind and perspective.

19. The Pillow Book by Sei Shōnagon

"The Pillow Book" is a collection of personal observations, anecdotes, and reflections by a woman in the Heian court of Japan. It presents a detailed and vivid picture of court life, including the lavish ceremonies, the rivalries and intrigues, the idle pastimes of the courtiers, and the romantic escapades of the empress and her consorts. The book also contains lists, poetry, and personal musings, providing a unique perspective on the culture and customs of the Heian period.

20. The Country of the Pointed Firs by Sarah Orne Jewett

"The Country of the Pointed Firs" is a series of sketches about life in a small coastal town in Maine. The narrator, a woman writer who is spending the summer in the town, introduces readers to the local characters and their stories. The book explores themes of community, solitude, time, and the natural world, painting a vivid picture of rural life at the turn of the 20th century.

21. A Supposedly Fun Thing I'll Never Do Again by David Foster Wallace

Essays and arguments.

"A Supposedly Fun Thing I'll Never Do Again" is a collection of seven essays that blends humor, insight, and philosophical pondering. The author explores a wide range of topics, from the impact of television on contemporary literature to the despair of the American cruise industry, and even the nature of David Lynch's films. The book is a brilliant showcase of the author's unique ability to see the extraordinary in the ordinary, all while using his sharp wit and expansive intellect to explore the complexities of modern life.

22. Rationalism in Politics by Michael Oakeshott

"Rationalism in Politics" is a collection of essays that critique the role of rationalism in politics, arguing that political decisions should be based on tradition and experience rather than abstract theories. The author asserts that rationalism, with its emphasis on premeditated, systematic approaches, often fails to acknowledge the complexity and unpredictability of human behavior and social dynamics. He emphasizes the importance of practical knowledge, acquired through experience, in political decision-making and criticizes the rationalist's disregard for such wisdom.

23. Against Interpretation by Susan Sontag

And other essays.

This book is a collection of essays that challenge the traditional methods of interpretation and criticism of art and culture. The author argues that in our attempt to interpret and find deeper meaning, we often overlook the sensory experience of the work itself. The book encourages readers to experience art in its raw form, focusing on the form, color, and sounds, rather than trying to decipher a hidden meaning. It is a call for a new, more direct approach to consuming art and culture.

24. Me Talk Pretty One Day by David Sedaris

This book is a collection of humorous, autobiographical essays that explore the author's experiences and observations in his life. The first part of the book focuses on his upbringing in North Carolina, his Greek heritage, his relationship with his eccentric family, and his early jobs. The second part of the book details his move to Normandy, France, his struggle to learn the French language, and his observations of French culture. The author's self-deprecating humor and sharp wit provide a satirical view of his life's journey.

25. By the Open Sea by August Strindberg

The novel is a psychological exploration of the mind of a man living in isolation on an island in the Baltic Sea. The protagonist, a fisheries inspector, is intellectually superior to the local population and struggles to maintain his sanity amidst the ignorance and superstition of the islanders. His mental state deteriorates as he becomes obsessed with the idea of a sea monster lurking in the depths, symbolizing his own repressed desires and fears. The story is a deep dive into the human psyche and the effects of alienation, paranoia, and existential dread.

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The 25 Greatest Essay Collections Of All Time

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Many of the moments where I challenged myself socially revolved around the third story deck of the Jerry house. A unusual medley of English, Arabic, and Mandarin stuffed the summer time air as my associates and I gathered there every night, and dialogues at sundown soon turned moments of bliss. In our conversations about cultural variations, the chance of an afterlife, and the plausibility of far-fetched conspiracy theories, I learned to voice my opinion.

He advised me how difficult school had always been for him, due to his dyslexia, and that the ever-present comparability to me had solely deepened his ache. I added in my ultimate strokes, each contributing an element to my piece. Detail added nuance into smaller photos; they embodied complexities within shade, texture, and hue, each individually delivering a story. But together, they formed a bit of art— art that might be interpreted as an entire or damaged apart however nonetheless delivering as a way of communication. Just as much as I even have benefitted from these life classes, I aspire to provide again to my bridge neighborhood as much because it has given me. I aspire to teach folks tips on how to play this complicated but equally as thrilling sport.

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Buni’s most essential baking lesson, though, was not about moisture or measurements. Like me, Buni Doina can be overbearing at times, stubborn in the face of offered help, unyielding in her methods. But in the kitchen, dusted in powdered sugar, there isn’t any denying her devotion to our happiness. Every stir of her wooden spoon is a step again to the widespread ground that unites us, fueled by constant, unrelenting write my essay affection. Her baking isn’t confined to an amalgamation of sugar, butter, and flour. It’s an outstretched hand, an open invitation, a makeshift bridge thrown across the divides of age and tradition.

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25 Great Nonfiction Essays You Can Read Online for Free

A list of twenty-five of the greatest free nonfiction essays from contemporary and classic authors that you can read online.

Alison Doherty

Alison Doherty is a writing teacher and part time assistant professor living in Brooklyn, New York. She has an MFA from The New School in writing for children and teenagers. She loves writing about books on the Internet, listening to audiobooks on the subway, and reading anything with a twisty plot or a happily ever after.

View All posts by Alison Doherty

I love reading books of nonfiction essays and memoirs , but sometimes have a hard time committing to a whole book. This is especially true if I don’t know the author. But reading nonfiction essays online is a quick way to learn which authors you like. Also, reading nonfiction essays can help you learn more about different topics and experiences.

Besides essays on Book Riot,  I love looking for essays on The New Yorker , The Atlantic , The Rumpus , and Electric Literature . But there are great nonfiction essays available for free all over the Internet. From contemporary to classic writers and personal essays to researched ones—here are 25 of my favorite nonfiction essays you can read today.

“Beware of Feminist Lite” by  Chimamanda Ngozi Adichie

The author of We Should All Be Feminists  writes a short essay explaining the danger of believing men and woman are equal only under certain conditions.

“It’s Silly to Be Frightened of Being Dead” by Diana Athill

A 96-year-old woman discusses her shifting attitude towards death from her childhood in the 1920s when death was a taboo subject, to World War 2 until the present day.

“Letter from a Region in my Mind” by James Baldwin

There are many moving and important essays by James Baldwin . This one uses the lens of religion to explore the Black American experience and sexuality. Baldwin describes his move from being a teenage preacher to not believing in god. Then he recounts his meeting with the prominent Nation of Islam member Elijah Muhammad.

“Relations” by Eula Biss

Biss uses the story of a white woman giving birth to a Black baby that was mistakenly implanted during a fertility treatment to explore racial identities and segregation in society as a whole and in her own interracial family.

“Friday Night Lights” by Buzz Bissinger

A comprehensive deep dive into the world of high school football in a small West Texas town.

“The Case for Reparations” by Ta-Nehisi Coates

Coates examines the lingering and continuing affects of slavery on  American society and makes a compelling case for the descendants of slaves being offered reparations from the government.

“Why I Write” by Joan Didion

This is one of the most iconic nonfiction essays about writing. Didion describes the reasons she became a writer, her process, and her journey to doing what she loves professionally.

“Go Gentle Into That Good Night” by Roger Ebert

With knowledge of his own death, the famous film critic ponders questions of mortality while also giving readers a pep talk for how to embrace life fully.

“My Mother’s Tongue” by Zavi Kang Engles

In this personal essay, Engles celebrates the close relationship she had with her mother and laments losing her Korean fluency.

“My Life as an Heiress” by Nora Ephron

As she’s writing an important script, Ephron imagines her life as a newly wealthy woman when she finds out an uncle left her an inheritance. But she doesn’t know exactly what that inheritance is.

“My FatheR Spent 30 Years in Prison. Now He’s Out.” by Ashley C. Ford

Ford describes the experience of getting to know her father after he’s been in prison for almost all of her life. Bridging the distance in their knowledge of technology becomes a significant—and at times humorous—step in rebuilding their relationship.

“Bad Feminist” by Roxane Gay

There’s a reason Gay named her bestselling essay collection after this story. It’s a witty, sharp, and relatable look at what it means to call yourself a feminist.

“The Empathy Exams” by Leslie Jamison

Jamison discusses her job as a medical actor helping to train medical students to improve their empathy and uses this frame to tell the story of one winter in college when she had an abortion and heart surgery.

“What I Learned from a Fitting Room Disaster About Clothes and Life” by Scaachi Koul

One woman describes her history with difficult fitting room experiences culminating in one catastrophe that will change the way she hopes to identify herself through clothes.

“Breasts: the Odd Couple” by Una LaMarche

LaMarche examines her changing feelings about her own differently sized breasts.

“How I Broke, and Botched, the Brandon Teena Story” by Donna Minkowitz

A journalist looks back at her own biased reporting on a news story about the sexual assault and murder of a trans man in 1993. Minkowitz examines how ideas of gender and sexuality have changed since she reported the story, along with how her own lesbian identity influenced her opinions about the crime.

“Politics and the English Language” by George Orwell

In this famous essay, Orwell bemoans how politics have corrupted the English language by making it more vague, confusing, and boring.

“Letting Go” by David Sedaris

The famously funny personal essay author , writes about a distinctly unfunny topic of tobacco addiction and his own journey as a smoker. It is (predictably) hilarious.

“Joy” by Zadie Smith

Smith explores the difference between pleasure and joy by closely examining moments of both, including eating a delicious egg sandwich, taking drugs at a concert, and falling in love.

“Mother Tongue” by Amy Tan

Tan tells the story of how her mother’s way of speaking English as an immigrant from China changed the way people viewed her intelligence.

“Consider the Lobster” by David Foster Wallace

The prolific nonfiction essay and fiction writer  travels to the Maine Lobster Festival to write a piece for Gourmet Magazine. With his signature footnotes, Wallace turns this experience into a deep exploration on what constitutes consciousness.

“I Am Not Pocahontas” by Elissa Washuta

Washuta looks at her own contemporary Native American identity through the lens of stereotypical depictions from 1990s films.

“Once More to the Lake” by E.B. White

E.B. White didn’t just write books like Charlotte’s Web and The Elements of Style . He also was a brilliant essayist. This nature essay explores the theme of fatherhood against the backdrop of a lake within the forests of Maine.

“Pell-Mell” by Tom Wolfe

The inventor of “new journalism” writes about the creation of an American idea by telling the story of Thomas Jefferson snubbing a European Ambassador.

“The Death of the Moth” by Virginia Woolf

In this nonfiction essay, Wolf describes a moth dying on her window pane. She uses the story as a way to ruminate on the lager theme of the meaning of life and death.

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Book Scrolling

Best Book Lists, Award Aggregation, & Book Data

The Best Essay Collections Of All-Time

“What are the best Essay Collections of all-time?” We looked at 681 of the top Essay Collections, aggregating and ranking them so we could answer that very question!

With nearly enough books to read one a day for two years, there is bound to be something here to pique your interest! The top 25 essay collects, all appearing on 3 or more of the lists we aggregated from, appear below with images, links, and descriptions. The remaining 600 plus titles, as well as the articles we used, are alphabetically listed at the bottom of the page.

Happy Scrolling!

Top 25 Essay Collections

25 .) bad feminist by roxane gay.

Lists It Appears On:

• Flavorwire 2

“In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture. Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.”

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24 .) A Supposedly Fun Thing I’ll Never Do Again by David Foster Wallace

In this exuberantly praised book – a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner

23 .) Arguably by Christopher Hitchens

• Library Thing

“Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan. Hitchens’s directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy-applied as they are here to a dazzling variety of subjects-all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice. “

22 .) Ex Libris: Confessions of a Common Reader by Anne Fadiman

• The Daily Beast

“Anne Fadiman is–by her own admission–the sort of person who learned about sex from her father’s copy of Fanny Hill, whose husband buys her 19 pounds of dusty books for her birthday, and who once found herself poring over her roommate’s 1974 Toyota Corolla manual because it was the only written material in the apartment that she had not read at least twice. This witty collection of essays recounts a lifelong love affair with books and language. For Fadiman, as for many passionate readers, the books she loves have become chapters in her own life story. Writing with remarkable grace, she revives the tradition of the well-crafted personal essay, moving easily from anecdotes about Coleridge and Orwell to tales of her own pathologically literary family. As someone who played at blocks with her father’s 22-volume set of Trollope (“”My Ancestral Castles””) and who only really considered herself married when she and her husband had merged collections (“”Marrying Libraries””), she is exquisitely well equipped to expand upon the art of inscriptions, the perverse pleasures of compulsive proof-reading, the allure of long words, and the satisfactions of reading out loud. There is even a foray into pure literary gluttony–Charles Lamb liked buttered muffin crumbs between the leaves, and Fadiman knows of more than one reader who literally consumes page corners. Perfectly balanced between humor and erudition, Ex Libris establishes Fadiman as one of our finest contemporary essayists.”

21 .) I Feel Bad About My Neck: And Other Thoughts on Being a Woman by Nora Ephron

“With her disarming, intimate, completely accessible voice, and dry sense of humor, Nora Ephron shares with us her ups and downs in I Feel Bad About My Neck, a candid, hilarious look at women who are getting older and dealing with the tribulations of maintenance, menopause, empty nests, and life itself. Ephron chronicles her life as an obsessed cook, passionate city dweller, and hapless parent. But mostly she speaks frankly and uproariously about life as a woman of a certain age. Utterly courageous, uproariously funny, and unexpectedly moving in its truth telling, I Feel Bad About My Neck is a scrumptious, irresistible treat of a book, full of truths, laugh out loud moments that will appeal to readers of all ages.”

20 .) I Remember Nothing: and Other Reflections by Nora Ephron

• Better World Books
• Vox Magazine

“Nora Ephron returns with her first book since the astounding success of I Feel Bad About My Neck, taking a hilarious look at the past, the present, and the future, bemoaning the vicissitudes of modern life, and recalling with her signature clarity and wisdom everything she hasn’t (yet) forgotten. Filled with insights and observations that instantly ring true—and could have come only from Nora Ephron—I Remember Nothing is pure joy.”

19 .) Me Talk Pretty One Day by David Sedaris

A recent transplant to Paris, humorist David Sedaris, bestselling author of “Naked”, presents a collection of his strongest work yet, including the title story about his hilarious attempt to learn French. A number one national bestseller now in paperback.

18 .) Naked by David Sedaris

Welcome to the hilarious, strange, elegiac, outrageous world of David Sedaris. In Naked, Sedaris turns the mania for memoir on its ear, mining the exceedingly rich terrain of his life, his family, and his unique worldview-a sensibility at once take-no-prisoners sharp and deeply charitable. A tart-tongued mother does dead-on imitations of her young son’s nervous tics, to the great amusement of his teachers; a stint of Kerouackian wandering is undertaken (of course!) with a quadriplegic companion; a family gathers for a wedding in the face of imminent death. Through it all is Sedaris’s unmistakable voice, without doubt one of the freshest in American writing.

17 .) Notes from No Man’s Land by Eula Biss

“Notes from No Man’s Land: American Essays begins with a series of lynchings and ends with a series of apologies. Eula Biss explores race in America and her response to the topic is informed by the experiences chronicled in these essays — teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago’s most diverse neighborhood. As Biss moves across the country from New York to California to the Midwest, her essays move across time from biblical Babylon to the freedman’s schools of Reconstruction to a Jim Crow mining town to post-war white flight. She brings an eclectic education to the page, drawing variously on the Eagles, Laura Ingalls Wilder, James Baldwin, Alexander Graham Bell, Joan Didion, religious pamphlets, and reality television shows.”

16 .) Sister Outsider: Essays and Speeches by Audre Lorde

• Flashlight Worthy

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, SISTER OUTSIDER celebrates an influential voice in twentieth-century literature. In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde’s philosophies resonate more than twenty years after they were first published.

15 .) The Essays of Elia by Charles Lamb

14 .) The Fire Next Time by James Baldwin

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin’s early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two “letters,” written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism.

13 .) The Geek Feminist Revolution by Kameron Hurley

“The Geek Feminist Revolution is a collection of essays by double Hugo Award-winning essayist and fantasy novelist Kameron Hurley. The book collects dozens of Hurley’s essays on feminism, geek culture, and her experiences and insights as a genre writer, including “”We Have Always Fought,”” which won the 2013 Hugo for Best Related Work. The Geek Feminist Revolution will also feature several entirely new essays written specifically for this volume.”

12 .) The Opposite of Loneliness by Marina Keegan

“Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash. Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published on NewYorker.com. Her essay “Even Artichokes Have Doubts” was excerpted in the Financial Times, and her book was the focus of a Nicholas Kristof column in The New York Times. Millions of her contemporaries have responded to her work on social media. “

11 .) A Collection of Essays by George Orwell

One of the most thought-provoking and vivid essayists of the twentieth century, George Orwell fought the injustices of his time with singular vigor through pen and paper. In this selection of essays, he ranges from reflections on his boyhood schooling and the profession of writing to his views on the Spanish Civil War and British imperialism. The pieces collected here include the relatively unfamiliar and the more celebrated, making it an ideal compilation for both new and dedicated readers of Orwell’s work.

10 .) Against Interpretation by Susan Sontag

Against Interpretation was Susan Sontag’s first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the famous essays “Notes on Camp” and “Against Interpretation,” as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, sceince-fiction movies, psychoanalysis, and contemporary religious thought.

9 .) Changing My Mind by Zadie Smith

Split into five sections–Reading, Being, Seeing, Feeling, and Remembering–Changing My Mind finds Zadie Smith casting an acute eye over material both personal and cultural. This engaging collection of essays, some published here for the first time, reveals Smith as a passionate and precise essayist, equally at home in the world of great books and bad movies, family and philosophy, British comedians and Italian divas. Whether writing on Katherine Hepburn, Kafka, Anna Magnani, or Zora Neale Hurston, she brings deft care to the art of criticism with a style both sympathetic and insightful. Changing My Mind is journalism at its most expansive, intelligent, and funny–a gift to readers and writers both.

8 .) Pulphead by John Jeremiah Sullivan

• The Telegraph

“In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us―with a laidback, erudite Southern charm that’s all his own―how we really (no, really) live now. In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV’s Real World, who’ve generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrina―and back again as its residents confront the BP oil spill.”

7 .) The Common Reader by Virginia Woolf

Woolf’s first and most popular volume of essays. This collection has more than twenty-five selections, including such important statements as “Modern Fiction” and “The Modern Essay.”

6 .) I Was Told There’d Be Cake by Sloane Crosley

• Book Browse

From despoiling an exhibit at the Natural History Museum to provoking the ire of her first boss to siccing the cops on her mysterious neighbor, Crosley can do no right despite the best of intentions — or perhaps because of them. Together, these essays create a startlingly funny and revealing portrait of a complex and utterly recognizable character who aims for the stars but hits the ceiling, and the inimitable city that has helped shape who she is. I Was Told There’d Be Cake introduces a strikingly original voice, chronicling the struggles and unexpected beauty of modern urban life.

5 .) Notes of a Native Son by James Baldwin

“In an age of Black Lives Matter, James Baldwin’s essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With documentaries like I Am Not Your Negro bringing renewed interest to Baldwin’s life and work, Notes of a Native Son serves as a valuable introduction. Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in “The Harlem Ghetto” to a sobering “Journey to Atlanta.” “

4 .) The Braindead Megaphone by George Saunders

George Saunders’s first foray into nonfiction is comprised of essays on literature, travel, and politics. At the core of this unique collection are Saunders’s travel essays based on his trips to seek out the mysteries of the “Buddha Boy” of Nepal; to attempt to indulge in the extravagant pleasures of Dubai; and to join the exploits of the minutemen at the Mexican border. Saunders expertly navigates the works of Mark Twain, Kurt Vonnegut, and Esther Forbes, and leads the reader across the rocky political landscape of modern America. Emblazoned with his trademark wit and singular vision, Saunders’s endeavor into the art of the essay is testament to his exceptional range and ability as a writer and thinker.

3 .) The White Album by Joan Didion

• Publishers Weekly

First published in 1979, The White Album records indelibly the upheavals and aftermaths of the 1960s. Examining key events, figures, and trends of the era―including Charles Manson, the Black Panthers, and the shopping mall―through the lens of her own spiritual confusion, Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

2 .) Consider the Lobster by David Foster Wallace

Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike’s deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World’s Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.

1 .) Slouching Towards Bethlehem by Joan Didion

The first nonfiction work by one of the most distinctive prose stylists of our era, Joan Didion’s Slouching Towards Bethlehem remains, decades after its first publication, the essential portrait of America―particularly California―in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco’s Haight-Ashbury, the heart of the counterculture.

The Additional Best Essay Collection Books

20 Best Essay Collection Sources/Lists

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The decade’s best essay collections, from Zadie Smith to Jia Tolentino

Incisive and exacting, these collections make light work of untangling the last 10 years, writes annabel nugent.

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Between the climate crisis, Brexit and the launch of winter Love Island , it is easy to feel caught in an existential spiderweb, waiting for anxiety (or the onset of World War Three, whichever comes first) to consume you.

But some writers are making light work of untangling the last 10 years. Incisive and exacting, their essays tackle the big and the small – meme culture, Dostoyevsky, Bieber pandemonium, race politics, and the climate crisis are made comprehensible in their hands. These are the essay collections that make any resolution to “read more nonfiction” infinitely more enjoyable.

Trick Mirror by Jia Tolentino (2019)

Jia Tolentino rebuffs critics’ claims that she’s the voice of a generation, but after reading Trick Mirror , any other title seems to fall short. The New Yorker staff writer is most astute when deciphering her home ground – the internet. Her best essays talk double-tapping automaton, monetisation and surveillance, and hardcore fans begging their favourite celebrities to kill them. For anyone simultaneously disillusioned and addicted to the perils of modern life, Tolentino’s words will strike a chord.

White Girls by Hilton Als (2013)

Hilton Als cut his teeth on theatre reviews (earning him a Pulitzer Prize in 2017), but the writer’s talents are anything but narrow. Race, class and sexuality coalesce in a collection of essays that opens up American culture for prying eyes. Als writes equally well on Eminem and porn as he does queerness and love. Flannery O’Connor, Michael Jackson and Truman Capote all feature in this politically astute, moving collection.

See What Can be Done by Lorrie Moore (2018)

The title borrows from a phrase that Moore’s editor at The New York Review would use when editing her fiction. See What Can be Done does not simply despair at the state of today, but mines that despair to find some way forward. The master of short stories writes expectedly well on fellow literary greats such as Margaret Atwood , Miranda July and Philip Roth . More surprising is her poetic wrestling with subjects like Barack Obama , HBO’s True Detective and the Republican primary debate. Each chapter offers up enormous wisdom far beyond its bite-sized proportions.

Pulphead by John Jeremiah Sullivan (2011)

John Jeremiah Sullivan takes a scalpel to pop culture and history in Pulphead . Incisive prose on everything from Christian Rock festivals in the Ozarks to Bunny Wailer with vigour and humanity. The son of a reporter and an English teacher, Sullivan writes prose with the qualities of storytelling and the grounding of in-depth research.

Absolutely on Music by Haruki Murakami (2011)

The Japanese author is known for surrealist fiction and running ultra-marathons, but here, he sits down instead with friend and former conductor of the Boston Symphony Orchestra, Seiji Ozawa. What ensues is an enthusiastic and unpretentious discussion on their shared love for classical music. Their metiers are in perfect sync – boring industry topics like mundane bureaucracies and performer personalities are transformed by Murakami’s deft hand. While the subject may be esoteric, its appeal is definitely not.‘

When I Was a Child I Read Books: Essays by Marilynne Robinson (2012)

The list of books by Marilynne Robinson is upsettingly short, but every brilliant word she writes makes up for the scarcity. Robinson’s prose takes on a more exacting frankness in her nonfiction than in her Gilead trilogy. Essays on society and theology sound like a drag, but in this collection they are anything but. The Christian core of her Pulitzer prize-winning fiction comes through more visibly in these essays, but similarly does not have the alienating effect you would expect.

Feel Free by Zadie Smith (2018)

Razor-sharp essays take a long, hard look at topics both large – think intelligent takes on Bieber fever – and very, very small, as in the author’s childhood bathroom. As the title suggests, each essay explores the concept of freedom in all its meanings, but most are concerned with the artistic kind and the act of taking it, whether it’s given to you or not. Smith’s writing is casual and discursive but never rambling. Feel Free champions art as a place where freedom allows for complex issues to be safely explored.

The Possessed: Adventures with Russian Books and the People Who Read Them by Elif Batuman (2010)

Elif Batuman makes Russian literature fun. An unapologetic nerd for Dostoyevsky and Tolstoy, Batuman’s book is likely to be the best thing that’s happened to the genre in modern times. The Possessed is a biblio-memoir of sorts, tracking the author’s time spent studying Russian lit at Stanford. The New Yorker staff writer fires on all cylinders in a collection of essays more about reading as a way of life than the idiosyncrasies of The Idiot .

All About Love: New Visions by bell hooks (2010)

In this collection, bell hooks moves deftly between affection, respect, commitment, gender stereotypes, domination, ego and aggression. With the help of psychological and philosophical ideas, the author pins down the airiness of love in a ruthless dissection, moments of ecstasy offset by brooding on patriarchal thinking. This collection paves the way for a more universal understanding of love.

This Young Monster by Charlie Fox (2017)

The last decade has birthed monsters of the good, bad and ugly varieties. In his debut novel, art critic Charlie Fox writes on modern monstrosity. In nine essays, Fox pays tribute to the art world’s outsiders. His subjects are diverse, taking on the 19th century poet Rimbaud as impressively as he grapples with The Duffer Brothers’ Stranger Things . This Young Monster is a love letter to those who “rebel against a reality that’s too cruel or boring for them to inhabit”. Fox’s voice is equal parts critical and personal, and always playful.

This Changes Everything: Capitalism v the Climate by Naomi Klein (2014)

Naomi Klein takes no prisoners in this polemic book on climate change. Klein makes a damning argument against powerful right-wing think tanks, lobby groups and corporate elites that have dictated catastrophic environmental policies and contributed to widespread climate change denial. Klein’s writing is forthright in its condemnation of capitalism. This Changes Everything is an urgent read and one that couldn’t be more pertinent than it is today – or tomorrow, and all the days after that.

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10 of the Greatest Essays on Writing Ever Written

If there’s one topic that writers can be counted on to tackle at least once in their working lives, it’s writing itself. A good thing too, especially for all those aspiring writers out there looking for a little bit of guidance. For some winter inspiration and honing of your craft, here you’ll find ten great essays on writing, from the classic to the contemporary, from the specific to the all-encompassing. Note: there are many, many, many great essays on writing. Bias has been extended here to personal favorites and those available to read online. Also of note but not included: full books on the subject like Anne Lamott’s Bird by Bird , Stephen King’s On Writing , and Ron Carlson’s Ron Carlson Writes a Story , or, in a somewhat different sense, David Shields’ Reality Hunger , for those looking for a longer commitment. Read on, and add your own favorite essays on writing to the list in the comments.

“Not-Knowing,” Donald Barthelme, from Not Knowing: the Essays and Interviews of Donald Barthelme . Read it here .

In which Barthelme, a personal favorite and king of strange and wonderful stories, muses on not-knowing, style, our ability to “quarrel with the world, constructively,” messiness, Mallarmé, and a thief named Zeno passed out wearing a chastity belt.

“The not-knowing is crucial to art, is what permits art to be made. Without the scanning process engendered by not-knowing, without the possibility of having the mind move in unanticipated directions, there would be no invention.”

“Fairy Tale Is Form, Form Is Fairy Tale,” Kate Bernheimer, from The Writer’s Notebook: Craft Essays From Tin House . Read it here .

Bernheimer is a constant champion of the fairy tale and its influence on literature at large (not least as editor of The Fairy Tale Review ), and a writer we couldn’t do without. This essay unpacks the formal elements of fairy tales, and does a fair bit more than hint at their essentialness to writers of all kinds.

“Fairy tales hold a key to the door fiercely locked between so-called realism and nonrealism, convention and experimentalism, psychology and abstraction. A key for those who see these as binaries, that is… Every writer is like a topsy- turvy doll that on one side is Red Riding Hood and on the other side the Wolf, or on the one side is a Boy and on the other, a Raven and Coffin. The traditional techniques of fairy tales—identifiable, named—are reborn in the different ways we all tell stories.”

“Reflections on Writing,” Henry Miller, from The Wisdom of the Heart . Read a few excerpts here .

A characteristically wonderful exploration of Miller’s own emotional, psychological, and technical struggles with writing.

“I had to grow foul with knowledge, realize the futility of everything; smash everything, grow desperate, then humble, then sponge myself off the slate, as it were, in order to recover my authenticity. I had to arrive at the brink and then take a leap in the dark.”

“The Figure a Poem Makes,” Robert Frost, from Collected Poems . Read it here .

A gorgeous mini-essay from an American giant that is equally relevant to writers of poetry or prose, and is almost a poem itself.

“No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader.”

“On Style,” Susan Sontag, from Against Interpretation . Read it here .

As much about criticism as it is about writing (and perhaps more), Sontag dissects style versus form versus content versus the conceptions of all these things that we have in our heads.

“In other words, what is inevitable in a work of art is the style. To the extent that a work seems right, just, unimaginable otherwise (without loss or damage) , what we are responding to is a quality of its style. The most attractive works of art are those which give us the illusion that the artist had no alternatives, so wholly centered is he in his style. Compare that which is forced, labored, synthetic in the construction of Madame Bovary and of Ulysses with the ease and harmony of such equally ambitious works as Les Liaisons Dangereuses and Kafka’s Metamorphosis . The first two books I have mentioned are great indeed. But the greatest art seems secreted, not constructed.”

“Tradition and the Individual Talent,” T.S. Eliot, from The Sacred Wood . Read it here .

Whether or not you subscribe to Eliot’s “impersonal theory” of poetry, or his conception of the artist’s inevitable “self-sacrifice” to the past, there’s no arguing that this essay is a barn-burner.

“If you compare several representative passages of the greatest poetry you see how great is the variety of types of combination, and also how completely any semi-ethical criterion of “sublimity” misses the mark. For it is not the “greatness,” the intensity, of the emotions, the components, but the intensity of the artistic process, the pressure, so to speak, under which the fusion takes place, that counts.”

“The Ecstasy of Influence,” Jonathan Lethem, from The Ecstasy of Influence: Nonfictions, etc. . Read it here .

Here, Lethem discusses not just the shifty concept of plagiarism in fiction, but the anxiety of appropriating pop culture, copyright, Disney, the power of a gift economy, the idea of a “commons of cultural materials,” art of all forms. A must-read for any contemporary creator, especially if you’ve ever nicked a line from a favorite book.

“Most artists are brought to their vocation when their own nascent gifts are awakened by the work of a master. That is to say, most artists are converted to art by art itself. Finding one’s voice isn’t just an emptying and purifying oneself of the words of others but an adopting and embracing of filiations, communities, and discourses. Inspiration could be called inhaling the memory of an act never experienced. Invention, it must be humbly admitted, does not consist in creating out of void but out of chaos. Any artist knows these truths, no matter how deeply he or she submerges that knowing.”

“How to Write with Style,” Kurt Vonnegut, from How to Use the Power of the Written Word . Read it here .

Vonnegut is an enduring treasure trove of literary advice — everyone you know has seen this excellent video of the man explaining the shapes of stories — and this little essay is no different: clever, whip-smart, and told with joy.

“Why should you examine your writing style with the idea of improving it? Do so as a mark of respect for your readers, whatever you’re writing. If you scribble your thoughts any which way, your reader will surely feel that you care nothing about them. They will mark you down as an ego maniac or a chowderhead — or, worse, they will stop reading you.”

“Why I Write,” George Orwell. Read it here .

It’s hard to put together a list of great essays without including something from Orwell. So why not this one, forever quoted by anyone who has ever tried to write a novel, or wanted to?

“All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery. Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand. For all one knows that demon is simply the same instinct that makes a baby squall for attention. And yet it is also true that one can write nothing readable unless one constantly struggles to efface one’s own personality. Good prose is like a windowpane. I cannot say with certainty which of my motives are the strongest, but I know which of them deserve to be followed. And looking back through my work, I see that it is invariably where I lacked a political purpose that I wrote lifeless books and was betrayed into purple passages, sentences without meaning, decorative adjectives and humbug generally.”

“On Keeping a Notebook,” Joan Didion, from Slouching Towards Bethlehem . Read it here .

But of course: the essay that has launched a thousand notebook-keepers.

“Why did I write it down? In order to remember, of course, but exactly what was it I wanted to remember? How much of it actually happened? Did any of it? Why do I keep a notebook at all? It is easy to deceive oneself on all those scores. The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.”

Keeping Up With The Penguins

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20 Brilliant Essay Collections

Essay collections exist in a kind of literary no-man’s-land. They’re non-fiction, but they don’t often slip neatly into a particular category (like “science” or “history”). Often, they draw from the author’s own life, but they don’t follow the chronology we expect of a memoir or autobiography . But if you can figure out where they’re shelved in your local independent bookshop, essay collections can make for some of the best reads. Check out these twenty brilliant essay collections, from all kinds of authors about all kinds of subjects.

Men Explain Things To Me by Rebecca Solnit

Men Explain Things To Me is a slim little essay collection with a provocative title and a brilliant premise. Rebecca Solnit writes about the lived experience of women in the patriarchy in seven essays (or nine, if you get a later edition) from the last twenty years. She addresses violence against women, marriage equality, the influence of Virginia Woolf, the erasure of women from the archive, fraught online spaces, and more. Solnit was even credited with coining the term “mansplaining” – even though the word itself doesn’t appear in the title essay, and she later said she didn’t necessarily agree with such a gendered term.

Feel Free by Zadie Smith

Zadie Smith is a once-in-a-generation literary darling, writing beloved fiction and brilliant non-fiction with the same zeal. In Feel Free , her 2018 essay collection, she addresses questions we all find ourselves pondering from time to time. Why do we love libraries? How will we explain our inaction on climate change to future generations? What are online social networks doing to us? Her answers are categorised in the book’s five sections: In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free (from which the essay collection gets its name). Smith interrogates major world-changing events and small personal disruptions with equal fascination, which makes for an illuminating read.

Bad Feminist by Roxane Gay

Roxane Gay has built a career on being forthright, unabashed, and holding a microphone to the best and worst of the little voices in our heads. Bad Feminist is a collection of her essays, most published individually elsewhere prior to the 2014 release, grouped thematically. They’re all loosely tied to the overarching ideas of feminism and womanhood, what it means to do it well, and what the consequences are for doing it badly. As the title suggests, in one of the collection’s most memorable moments, she addresses the difficulty of reconciling her feminism with her love of hip-hop music and the colour pink. She contends throughout this essay collection that it’s better to be a ‘bad feminist’ than to be no kind of feminist at all. Read my full review of Bad Feminist here.

Shrill by Lindy West

Have you ever felt like you just take up too much space in a world that wants you to be small and quiet? Lindy West has, and that’s what she writes in Shrill , the first of her brilliant and insightful essay collections. She lays bear the shame and humiliation that comes with the journey to self-awareness and self-acceptance, in a world that insists you be smaller and quieter. West has battled internet trolls, waged war against rape jokes, and reached an uneasy accord with her unruly body and mind. These essays are sharp and deeply relatable for all women who have felt like they didn’t quite fit. Read my full review of Shrill here.

How To Write An Autobiographical Novel by Alexander Chee

How To Write An Autobiographical Novel seems like an odd title for an essay collection, but it makes sense once you hear Alexander Chee’s explanation behind it. On book tours and at speaking events regarding his novels, he found himself facing the same question over and over: “how much of this fictional story is autobiographical?”. He started thinking about how we forge identities in literature, giving rise to this brilliant collection of essays. It’s his “manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him”.

Wow, No Thank You by Samantha Irby

Samantha Irby describes herself as a “cheese fry-eating slightly damp Midwest person… with neck pain and no cartilage in [her] knees… who still hides past due bills under her pillow”. Wow, No Thank You a collection of her essays about… stuff. Life. Ridiculous jobs. Trying to make friends as an adult. The lost art of making a mix-tape. Living in a place where most people don’t share your politics. Getting your period and bleeding all over the sheets of your Airbnb. Trying to remember why you ever found nightclubs fun. There’s even a whole essay of “Sure, sex is fun, but have you ever…” jokes (the format might mystify you if you’re not on Twitter , but it’s hilarious). Read my full review of Wow, No Thank You here.

Dead Girls by Alice Bolin

Are you sick of the trope where a nice, skinny, white girl shows up dead and that’s all we ever get to know about her? You’re not the only one. Alice Bolin’s Dead Girls interrogates “iconic American works from the essays of Joan Didion and James Baldwin to Twin Peaks, Britney Spears, and Serial, illuminating the widespread obsession with women who are abused, killed, and disenfranchised, and whose bodies (dead and alive) are used as props to bolster men’s stories”. This is one of those essay collections that will stick with you, and change the way you consume stories forever.

If you want alternatives to read, check out my list of crime thrillers without dead girls here .

Trick Mirror by Jia Tolentino

Jia Tolentino has been called “a peerless voice of our generation” and a “Joan Didion of our time”. Trick Mirror is one of the most critically acclaimed essay collections of recent years, a “dazzling collection of nine entirely original essays… [that] delves into the forces that warp our vision”. Have you ever wondered why we think what we do and the way we do? Normally, that’s the kind of question we’d leave to marketing professionals and moral philosophy professors, but Tolentino addresses it in an accessible and relatable way. She wants us to understand what advertising, social media, consumerism, and the whole she-bang has done to our consciousness and our understanding of ourselves.

A Supposedly Fun Thing I’ll Never Do Again by David Foster Wallace

I’ll confess: David Foster Wallace is kind of my literary secret shame. The man was hardly a paragon of virtue, he treated the women in his life horribly, and he clearly had a lot of troubles that were never adequately addressed. But damn, if his essays aren’t some of the funniest I’ve ever read! Seriously, A Supposedly Fun Thing I’ll Never Do Again is one of those brilliant essay collections that will have you howling with laughter so loud your neighbours might call the cops. Wallace is, at turns, cynical, curious, credulous, and cutting – and yet his essays feel seamless. They’re long, they’re stuffed with footnotes that would make a lit professor weep, and yet you’ll read them feeling like no time is passing at all because you’re having so much fun. I can’t speak for his fiction, but his essay collections? Must-reads, especially this one!

Me Talk Pretty One Day by David Sedaris

Any library of brilliant essay collections is woefully incomplete without David Sedaris, especially his 2000 collection Me Talk Pretty One Day . It’s over twenty years old, and yet it’s still as pertinent and resonant as ever. Sedaris’s wry humour and keen observations, of everything from family life to travel to cooking to education, are timeless. It’s truly masterful, a kind of comic genius you don’t see everyday. It’s also a great read for when your attention span is shot. The essays are short enough that you can read the whole thing in bite-sized chunks, but the through-line is strong enough that it will keep pulling you back in. Read my full review of Me Talk Pretty One Day here.

I Feel Bad About My Neck by Nora Ephron

I find it hard not to build up a head of steam when I talk about Nora Ephron, because she is criminally underrated. Because she wrote about women and their relationships (to each other and themselves), instead of men with businesses or guns, she’s relegated to the “chick lit” and “rom-com” shelves, described as “fluffy” instead of ingenious. Want proof? Pick up I Feel Bad About My Neck , one of the most brilliant and incisive essay collections you’ll read anywhere. With her trademark candour and dry humour, she tackles the unspeakable: aging as a woman in a society that values perpetual youth.

Too Fat, Too Slutty, Too Loud by Anne Helen Petersen

Scan the headlines of any celebrity gossip website, and you’ll notice: times have changed. We’re a long way from Audrey Hepburn and Grace Kelly. The women of today’s front pages are boundary pushers, provocative and powerful in ways that women of previous generations wouldn’t dare dream about. Anne Helen Petersen has had a lot of cause to study these women in her role as a Buzzfeed editor, and she’s written Too Fat, Too Slutty, Too Loud to explain what she’s seen. She “uses the lens of “unruliness” to explore the ascension of powerhouses like Serena Williams, Hillary Clinton, Nicki Minaj, and Kim Kardashian, exploring why the public loves to love (and hate) these controversial figures”.

All About Love by bell hooks

“The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks in All About Love, one of her most widely-read and lauded essay collections. She posits that our society is descending into lovelessness. Not romantic lovelessness – we’re drowning in smooches – but the kind where we lack basic compassion and empathy for each other, and ourselves. We are divided and discontented, due to “society’s failure to provide a model for learning to love”. You’ll want to set aside a lot of time to read and think about this one, to really absorb its message – if you do, it’ll change your life.

Why I’m No Longer Talking To White People About Race by Reni Eddo-Lodge

Why I’m No Longer Talking To White People About Race is Eddo-Lodge’s first essay collection. It started with her blog post of the same name that she published back in 2014, but there’s no need to go trawling the internet for it: Eddo-Lodge reproduces it in full in the preface. It serves as a thesis statement, framing and contextualising everything that is to follow. So, the $64,000 question: why isn’t Eddo-Lodge talking to white people about race? Well, basically, she’s fed up: with white denial, with white self-flagellation, with trying to shake hands with a brick wall. Ironically, this is a collection of essays about race and racism that every white person should absolutely read. Read my full review of Why I’m No Longer Talking To White People About Race here.

Rogues by Patrick Radden Keefe

If you loved Say Nothing and Empire Of Pain (like I did), you’ll be overjoyed (as I was) to get your hands on a copy of Rogues , a collection of Patrick Radden Keefe’s most celebrated essays from The New Yorker . These delightfully detailed investigative pieces focus on his favourite subjects: “crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial”. They’re like delectable bite-sized true crime tales, all meticulously researched and fact-checked so as to ensure they’re completely believable. Each and every one is masterfully crafted, perfectly balanced, and totally gripping. Read my full review of Rogues here.

How To Be A Woman by Caitlin Moran

The best essay collections combine both sweeping views of the way we live our lives and the minutiae of how the author lives their own. How To Be A Woman is the perfect example. Caitlin Moran interrogates what it means to be a woman in the 21st century, with broad observations as well as deeply personal (not to mention riotously funny) anecdotes. From abortions to Brazilian waxes to pop culture to reproduction, Moran explores the opportunities and constraints for women in all areas of life. She “lays bare the reasons why female rights and empowerment are essential issues not only for women today but also for society itself”.

Everything I Know About Love by Dolly Alderton

When you think about it, essay collections are a medium well suited to the millennial generation, with our attention spans ruined by television and our ingrained narcissism and all. Dolly Alderton’s Everything I Know About Love is to our generation what Bridget Jones’s Diary was to the Gen Xers. In it, she writes about contemporary young adulthood and all its essential components: “falling in love, finding a job, getting drunk, getting dumped, realizing that Ivan from the corner shop might just be the only reliable man in her life, and that absolutely no one can ever compare to her best girlfriends”.

Figuring by Maria Popova

If you’ve ever Googled any kind of lofty question – what did Toni Morrison say makes life worth living? is stoicism a solution to anxiety? what the heck is a ‘growth mindset’? – chances are you’ve stumbled upon BrainPickings.org (now renamed The Marginalian). The mind behind the brilliant website is Maria Popova, and while her online archives constitute about a hundred essay collections’ worth of material, she’s condensed her best and made her contribution in the form of Figuring . This one is a must-read for the literary nerds and the philosophy students and the history buffs. It features snippets and essential lessons from the lives of figures like Herman Melville , Frederick Douglass, Nathaniel Hawthorne and Walt Whitman.

Axiomatic by Maria Tumarkin

It took Maria Tumarkin nine years to research and write Axiomatic , one of the most powerful essay collections you’ll encounter at your local independent bookstore. She seeks to understand grief, loss, and trauma, and how they inform who we are as people. So, as you can probably already tell, it’s not exactly a light read – but if you’re in the mood to do some deep thinking, it’s an excellent selection. Each of its five sections is based on an axiom about the past and present (like “history repeats itself” or “time heals all wounds”), and examines true stories from Tumarkin’s own life and those around her to illustrate her wider points.

Outliers by Malcolm Gladwell

The problem with essay collections about successful people is that too many of them are of the “here’s how you can be successful too, invest in this stock and get rich quick!” variety. Outliers is the exception (and you have no idea how hard it was not to call it an ‘outlier’ just now). Malcolm Gladwell takes an intellectual look at the best and the brightest, the shining stars of innovation and industry, with the aim of finding out what exactly makes them different. This isn’t just about waking up early or taking cold showers; there are very specific concoctions of culture, community, and cunning that get people to the very top of the game, and Gladwell lays them out for us.

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Features & Discussion

Previous post

November 26, 2022 at 1:54 AM

Wow this is such a great list and now I want to read them all? I have, in fact, read a handful of them – but am adding a whole bunch more to my wishlist.

Some brilliant essay collections I’ve read in recent years are Notes To Self by Emilie Pine, Notes Made While Falling by Jenn Ashworth, Miss Fortune by Lauren Weedman, How We Love by Clementine Ford. Notes From No-Man’s Land by Eula Biss is uneven, but the first essay in it is unforgettable. It’s only now that I realise I apparently never read essay collections by men…

December 13, 2022 at 9:16 PM

Interesting, I was fifty-fifty on whether I’d check out How We Love, but your commendation is definitely weighing the scale in its favour! Thank you 😀

December 3, 2022 at 2:47 PM

A favorite genre of mine that I don’t read enough in. Bookmarking this post for future reference. (One of my favorite essayists is C.S. Lewis, the master philosopher and apologist IMHO.)

Oooh! I’ve not read any of C.S. Lewis’s essay, great tip Hannah – I’ll be keeping an eye out for them!

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100 Best Essays Books of All Time

We've researched and ranked the best essays books in the world, based on recommendations from world experts, sales data, and millions of reader ratings. Learn more

Men Explain Things to Me

Rebecca Solnit | 5.00

Chelsea Handler Goes deep with statistics, personal stories, and others’ accounts of how brutal this world can be for women, the history of how we've been treated, and what it will take to change the conversation: MEN. We need them to be as outraged as we are and join our fight. (Source)

See more recommendations for this book...

Me Talk Pretty One Day

David Sedaris | 4.96

Between the World and Me

Ta-Nehisi Coates | 4.94

Barack Obama The president also released a list of his summer favorites back in 2015: All That Is, James Salter The Sixth Extinction, Elizabeth Kolbert The Lowland, Jhumpa Lahiri Between the World and Me, Ta-Nehisi Coates Washington: A Life, Ron Chernow All the Light We Cannot See, Anthony Doerr (Source)

Jack Dorsey Q: What are the books that had a major influence on you? Or simply the ones you like the most. : Tao te Ching, score takes care of itself, between the world and me, the four agreements, the old man and the sea...I love reading! (Source)

Doug McMillon Here are some of my favorite reads from 2017. Lots of friends and colleagues send me book suggestions and it's impossible to squeeze them all in. I continue to be super curious about how digital and tech are enabling people to transform our lives but I try to read a good mix of books that apply to a variety of areas and stretch my thinking more broadly. (Source)

Slouching Towards Bethlehem

Joan Didion | 4.94

Peter Hessler I like Didion for her writing style and her control over her material, but also for the way in which she captures a historical moment. (Source)

Liz Lambert I love [this book] so much. (Source)

We Should All Be Feminists

Chimamanda Ngozi Adichie | 4.92

Bad Feminist

Roxane Gay | 4.88

Irina Nica It’s hard to pick an all-time favorite because, as time goes by and I grow older, my reading list becomes more “mature” and I find myself interested in new things. I probably have a personal favorite book for each stage of my life. Right now I’m absolutely blown away by everything Roxane Gay wrote, especially Bad Feminist. (Source)

Trick Mirror

Reflections on Self-Delusion

Jia Tolentino | 4.86

Lydia Polgreen This book is amazing and you should read it. https://t.co/pcbmYUR4QP (Source)

Maryanne Hobbs ⁦@jiatolentino⁩ hello Jia :) finding your perspectives in the new book fascinating and so resonant.. thank you 🌹 m/a..x https://t.co/BoNzB1BuDf (Source)

Yashar Ali . @jiatolentino’s fabulous book is one of President Obama’s favorite books of 2019 https://t.co/QHzZsHl2rF (Source)

Consider the Lobster

And Other Essays

David Foster Wallace | 4.85

A Room of One's Own

Virginia Woolf | 4.75

Dress Your Family in Corduroy & Denim

David Sedaris | 4.73

Adam Kay @penceyprepmemes How about David Sedaris, for starters - "Dress your family in corduroy and denim" is an amazing book. (Source)

Don't have time to read the top Essays books of all time? Read Shortform summaries.

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• Being comprehensive: you learn the most important points in the book
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The Fire Next Time

James Baldwin | 4.69

Barack Obama Fact or fiction, the president knows that reading keeps the mind sharp. He also delved into these non-fiction reads: Age of Ambition: Chasing Fortune, Evan Osnos Thinking, Fast and Slow, Daniel Kahneman Moral Man And Immoral Society, Reinhold Niebuhr A Kind And Just Parent, William Ayers The Post-American World, Fareed Zakaria Lessons in Disaster, Gordon Goldstein Sapiens: A Brief History of... (Source)

When You Are Engulfed in Flames

David Sedaris | 4.67

David Sedaris | 4.63

David Blaine It’s hilarious. (Source)

The White Album

Joan Didion | 4.62

Dan Richards I feel Joan Didion is the patron saint of a maelstrom of culture and environment of a particular time. She is the great American road-trip writer, to my mind. She has that great widescreen filmic quality to her work. (Source)

Steven Amsterdam With her gaze on California of the late 60s and early 70s, Didion gives us the Black Panthers, Janis Joplin, Nancy Reagan, and the Manson follower Linda Kasabian. (Source)

A Supposedly Fun Thing I'll Never Do Again

Essays and Arguments

David Foster Wallace | 4.61

Tressie McMillan Cottom | 4.60

Melissa Moore The best book I read this year was Thick by Tressie McMillan Cottom. I read it twice and both times found it challenging and revelatory. (Source)

David Sedaris and Hachette Audi | 4.60

Sister Outsider

Essays and Speeches

Audre Lorde, Cheryl Clarke | 4.60

Bianca Belair For #BHM  I will be sharing some of my favorite books by Black Authors 26th Book: Sister Outsider By: Audre Lorde My first time reading anything by Audre Lorde. I am now really looking forward to reading more of her poems/writings. What she writes is important & timeless. https://t.co/dUDMcaAAbx (Source)

Let's Explore Diabetes with Owls

David Sedaris | 4.58

Austin Kleon I read this one, then I read his collected diaries, Theft By Finding, and then I read the visual compendium, which might have even been the most interesting of the three books, but I’m listing this one because it’s hilarious, although with the interstitial fiction bits, it’s sort of like one of those classic 90s hip-hop albums where you skip the “skit” tracks. (Source)

Notes from a Loud Woman

Lindy West | 4.56

Matt Mcgorry "Shrill: Notes From a Loud Woman" by Lindy West @TheLindyWest # Lovvvvveeedddd, loved, loved, loved this book!!!  West is a truly remarkable writer and her stories are beautifully poignant while dosed with her… https://t.co/nzJtXtOGTn (Source)

Shannon Coulter @JennLHaglund @tomi_adeyemi I love that feeling! Just finished the audiobook version of Shrill by Lindy West after _years_ of meaning to read it and that's the exact feeling it gave me. Give me your book recommendations! (Source)

The Collected Schizophrenias

Esmé Weijun Wang | 4.52

Tiny Beautiful Things

Advice on Love and Life from Dear Sugar

Cheryl Strayed | 4.49

Ryan Holiday It was wonderful to read these two provocative books of essays by two incredibly wise and compassionate women. Cheryl Strayed, also the author of Wild, was the anonymous columnist behind the online column, Dear Sugar and boy, are we better off for it. This is not a random smattering of advice. This book contains some of the most cogent insights on life, pain, loss, love, success, youth that I... (Source)

James Altucher Cheryl had an advice column called “Dear Sugar”. I was reading the column long before Oprah recommended “Wild” by Cheryl and then Wild became a movie and “Tiny Beautiful Things” (the collection of her advice column) became a book. She is so wise and compassionate. A modern saint. I used to do Q&A sessions on Twitter. I’d read her book beforehand to get inspiration about what true advice is. (Source)

We Were Eight Years in Power

An American Tragedy

Ta-Nehisi Coates | 4.47

The Myth of Sisyphus and Other Essays

Albert Camu | 4.47

David Heinemeier Hansson Camus’ philosophical exposition of absurdity, suicide in the face of meaninglessness, and other cherry topics that continue on from his fictional work in novels like The Stranger. It’s surprisingly readable, unlike many other mid 20th century philosophers, yet no less deep or pointy. It’s a great follow-up, as an original text, to that book The Age of Absurdity, I recommended last year. Still... (Source)

Kenan Malik The Myth of Sisyphus is a small work, but Camus’s meditation on faith and fate has personally been hugely important in developing my ideas. Writing in the embers of World War II, Camus confronts in The Myth of Sisyphus both the tragedy of recent history and what he sees as the absurdity of the human condition. There is, he observes, a chasm between the human need for meaning and what he calls... (Source)

The Penguin Essays Of George Orwell

George Orwell, Bernard Crick | 4.46

Peter Kellner George Orwell was not only an extraordinary writer but he also hated any form of cant. Some of his most widely read works such as 1984 and Animal Farm are an assault on the nastier, narrow-minded, dictatorial tendencies of the left, although Orwell was himself on the left. (Source)

The Opposite of Loneliness

Essays and Stories

Marina Keegan, Anne Fadiman | 4.46

Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions

Chimamanda Ngozi Adichie | 4.45

The Tipping Point

How Little Things Can Make a Big Difference

Malcolm Gladwell | 4.45

Kevin Rose Bunch of really good information in here on how to make ideas go viral. This could be good to apply to any kind of products or ideas you may have. Definitely, check out The Tipping Point, which is one of my favorites. (Source)

Seth Godin Malcolm Gladwell's breakthrough insight was to focus on the micro-relationships between individuals, which helped organizations realize that it's not about the big ads and the huge charity balls... it's about setting the stage for the buzz to start. (Source)

Andy Stern I think that when we talk about making change, it is much more about macro change, like in policy. This book reminds you that at times when you're building big movements, or trying to elect significant decision-makers in politics, sometimes it's the little things that make a difference. Ever since the book was written, we've become very used to the idea of things going viral unexpectedly and then... (Source)

Selected Essays

Mary Oliver | 4.44

We Are Never Meeting in Real Life.

Samantha Irby | 4.44

Complete Essays

Michel de Montaigne, Charles Cotton | 4.42

Ryan Holiday There is plenty to study and see simply by looking inwards — maybe even an alarming amount. (Source)

Alain de Botton I’ve given quite a lot of copies of [this book] to people down the years. (Source)

Is Everyone Hanging Out Without Me? (And Other Concerns)

Mindy Kaling | 4.42

Angela Kinsey .@mindykaling I am rereading your book and cracking up. I appreciate your chapter on The Office so much more now. But all of it is fantastic. Thanks for starting my day with laughter. You know I loves ya. ❤️ https://t.co/EB99xnyt0p (Source)

Yashar Ali Reminds me of one of my favorite lines from @mindykaling's book (even though I'm an early riser): “There is no sunrise so beautiful that it is worth waking me up to see it.” https://t.co/pS56bmyYjS (Source)

Not That Bad

Dispatches from Rape Culture

Roxane Gay, Brandon Taylor, et al | 4.40

Henry David Thoreau | 4.40

Laura Dassow Walls The book that we love as Walden began in the journal entries that he wrote starting with his first day at the pond. (Source)

Roman Krznaric In 1845 the American naturalist went out to live in the woods of Western Massachusetts. Thoreau was one of the great masters of the art of simple living. (Source)

John Kaag There’s this idea that philosophy can blend into memoir and that, ideally, philosophy, at its best, is to help us through the business of living with people, within communities. This is a point that Thoreau’s Walden gave to me, as a writer, and why I consider it so valuable for today. (Source)

Confessions of a Common Reader

Anne Fadiman | 4.40

I Feel Bad About My Neck

And Other Thoughts on Being a Woman

Nora Ephron | 4.39

Holidays on Ice

David Sedaris | 4.37

An American Lyric

Claudia Rankine | 4.36

Cheryl Strayed A really important book for us to be reading right now. (Source)

Jeremy Noel-Tod Obviously, it’s been admired and acclaimed, but I do feel the general reception of it has underplayed its artfulness. Its technical subtlety and overall arrangement has been neglected, because it has been classified as a kind of documentary work. (Source)

Christopher Hitchens | 4.36

Le Grove @billysubway Hitchens book under your arm. I’m reading Arguably. When he’s at his best, he is a savage. Unbelievable prose. (Source)

Notes of a Native Son

James Baldwin | 4.35

The Man Who Mistook His Wife for a Hat and Other Clinical Tales

Oliver Sacks | 4.34

Suzanne O'Sullivan I didn’t choose neurology because of it but the way Oliver Sacks writes about neurology is very compelling. (Source)

Tanya Byron This is a seminal book that anyone who wants to work in mental health should read. It is a charming and gentle and also an honest exposé of what can happen to us when our mental health is compromised for whatever reason. (Source)

Bradley Voytek I can’t imagine one day waking up and not knowing who my wife is, or seeing my wife and thinking that she was replaced by some sort of clone or robot. But that could happen to any of us. (Source)

The Empathy Exams

Leslie Jamison | 4.33

This is the Story of a Happy Marriage

Ann Patchett | 4.31

Sex, Drugs, and Cocoa Puffs

A Low Culture Manifesto

Chuck Klosterman | 4.30

Karen Pfaff Manganillo Never have I read a book that I said “this is so perfect, amazing, hilarious, he’s thinking what I’m thinking (in a much more thought out and cool way)”. (Source)

Bird By Bird

Some Instructions on Writing and Life

Anne Lamott | 4.29

Susan Cain I love [this book]. Such a good book. (Source)

Timothy Ferriss Bird by Bird is one of my absolute favorite books, and I gift it to everybody, which I should probably also give to startup founders, quite frankly. A lot of the lessons are the same. But you can get to your destination, even though you can only see 20 feet in front of you. (Source)

Ryan Holiday It was wonderful to read these two provocative books of essays by two incredibly wise and compassionate women. [...] Anne Lamott’s book is ostensibly about the art of writing, but really it too is about life and how to tackle the problems, temptations and opportunities life throws at us. Both will make you think and both made me a better person this year. (Source)

Zadie Smith | 4.29

Barack Obama As 2018 draws to a close, I’m continuing a favorite tradition of mine and sharing my year-end lists. It gives me a moment to pause and reflect on the year through the books I found most thought-provoking, inspiring, or just plain loved. It also gives me a chance to highlight talented authors – some who are household names and others who you may not have heard of before. Here’s my best of 2018... (Source)

What the Dog Saw and Other Adventures

Malcolm Gladwell | 4.28

Sam Freedman @mrianleslie (Also I agree What the Dog Saw is his best book). (Source)

The Witches Are Coming

Lindy West | 4.27

Against Interpretation and Other Essays

Susan Sontag | 4.25

How to Write an Autobiographical Novel

Alexander Chee | 4.25

Eula Biss Alex Chee explores the realm of the real with extraordinarily beautiful essays. Being real here is an ambition, a haunting, an impossibility, and an illusion. What passes for real, his essays suggest, becomes real, just as life becomes art and art, pursued this fully, becomes a life. (Source)

Changing My Mind

Occasional Essays

Zadie Smith | 4.25

Barrel Fever

David Sedaris | 4.24

Chelsea Handler [The author] is fucking hilarious and there's nothing I prefer to do more than laugh. If this book doesn't make you laugh, I'll refund you the money. (Source)

The Fire This Time

A New Generation Speaks About Race

Jesmyn Ward | 4.24

Why Not Me?

Mindy Kaling | 4.24

The View from the Cheap Seats

Selected Nonfiction

Neil Gaiman | 4.24

I Was Told There'd Be Cake

Sloane Crosley | 4.24

The Intelligent Investor

The Classic Text on Value Investing

Benjamin Graham | 4.23

Warren Buffett To invest successfully over a lifetime does not require a stratospheric IQ, unusual business insights, or inside information. What's needed is a sound intellectual framework for making decisions and the ability to keep emotions from corroding that framework. This book precisely and clearly prescribes the proper framework. You must provide the emotional discipline. (Source)

Kevin Rose The foundation for investing. A lot of people have used this as their guide to getting into investment, basic strategies. Actually Warren Buffett cites this as the book that got him into investing and he says that principles he learned here helped him to become a great investor. Highly recommend this book. It’s a great way understand what’s going on and how to evaluate different companies out... (Source)

John Kay The idea is that you look at the underlying value of the company’s activities instead of relying on market gossip. (Source)

Tell Me How It Ends

An Essay in Forty Questions

Valeria Luiselli | 4.23

Tina Fey | 4.22

Sheryl Sandberg I absolutely loved Tina Fey's "Bossypants" and didn't want it to end. It's hilarious as well as important. Not only was I laughing on every page, but I was nodding along, highlighting and dog-earing like crazy. [...] It is so, so good. As a young girl, I was labeled bossy, too, so as a former - O.K., current - bossypants, I am grateful to Tina for being outspoken, unapologetic and hysterically... (Source)

They Can't Kill Us Until They Kill Us

Hanif Abdurraqib, Dr. Eve L. Ewing | 4.22

Saadia Muzaffar Man, this is such an amazing book of essays. Meditations on music and musicians and their moments and meaning-making. @NifMuhammad's mindworks are a gift. Go find it. (thank you @asad_ch!) https://t.co/htSueYYBUT (Source)

This Is Water

Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

David Foster Wallace | 4.21

John Jeremiah Sullivan | 4.21

Greil Marcus This is a new book by a writer in his mid-thirties, about all kinds of things. A lot of it is about the South, some of it is autobiographical, there is a long and quite wonderful piece about going to a Christian music camp. (Source)

The Mother of All Questions

Rebecca Solnit | 4.20

The Partly Cloudy Patriot

Sarah Vowell, Katherine Streeter | 4.20

Essays of E.B. White

E. B. White | 4.19

Adam Gopnik White, for me, is the great maker of the New Yorker style. Though it seems self-serving for me to say it, I think that style was the next step in the creation of the essay tone. One of the things White does is use a lot of the habits of the American newspaper in his essays. He is a genuinely simple, spare, understated writer. In the presence of White, even writers as inspired as Woolf and... (Source)

A Field Guide to Getting Lost

Rebecca Solnit | 4.19

A Man Without a Country

Kurt Vonnegut | 4.18

No Time to Spare

Thinking About What Matters

Ursula K. Le Guin, Karen Joy Fowler | 4.17

Pilgrim at Tinker Creek

Annie Dillard | 4.16

Laura Dassow Walls She’s enacting Thoreau, but in a 20th-century context: she takes on quantum physics, the latest research on DNA and the nature of life. (Source)

Sara Maitland This book, which won the Pulitzer literature prize when it was released, is the most beautiful book about the wild. (Source)

Maggie Nelson | 4.14

Furiously Happy

A Funny Book About Horrible Things

Jenny Lawson | 4.13

Women & Power

A Manifesto

Mary Beard | 4.13

Twenty Lessons from the Twentieth Century

Timothy Snyder | 4.12

George Saunders Please read this book. So smart, so timely. (Source)

Tom Holland "There isn’t a page of this magnificent book that does not contain some fascinating detail and the narrative is held together with a novelist’s eye for character and theme." #Dominion https://t.co/FESSNxVDLC (Source)

Maya Wiley Prof. Tim Snyder, author of “In Tyranny” reminded us in that important little book that we must protect our institutions. #DOJ is one of our most important in gov’t for the rule of law. This is our collective house & #Barr should be evicted. https://t.co/PPxM9IMQUm (Source)

Small Wonder

Barbara Kingsolver | 4.11

The Source of Self-Regard

Selected Essays, Speeches, and Meditations

Toni Morrison | 4.11

Hyperbole and a Half

Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened

Allie Brosh | 4.11

Bill Gates While she self-deprecatingly depicts herself in words and art as an odd outsider, we can all relate to her struggles. Rather than laughing at her, you laugh with her. It is no hyperbole to say I love her approach -- looking, listening, and describing with the observational skills of a scientist, the creativity of an artist, and the wit of a comedian. (Source)

Samantha Irby | 4.10

Both Flesh and Not

David Foster Wallace | 4.10

David Papineau People can learn to do amazing things with their bodies, and people start honing and developing these skills as an end in itself, a very natural thing for humans to do. (Source)

So Sad Today

Personal Essays

Melissa Broder | 4.10

Hope in the Dark

Untold Histories, Wild Possibilities

Rebecca Solnit | 4.09

Prem Panicker @sanjayen This is from an essay Solnit wrote to introduce the updated version of her book Hope In The Dark. Anything Solnit is brilliant; at times like these, she is the North Star. (Source)

The Faraway Nearby

How to Be Alone

Jonathan Franzen | 4.08

Regarding the Pain of Others

Susan Sontag | 4.08

The Essays of Warren Buffett

Lessons for Corporate America, Fifth Edition

Lawrence A. Cunningham and Warren E. Buffett | 4.08

One Day We'll All Be Dead and None of This Will Matter

Scaachi Koul | 4.07

Amy Poehler | 4.06

The Souls of Black Folk

W.E.B. Du Bois | 4.05

Barack Obama According to the president’s Facebook page and a 2008 interview with the New York Times, these titles are among his most influential forever favorites: Moby Dick, Herman Melville Self-Reliance, Ralph Waldo Emerson Song Of Solomon, Toni Morrison Parting The Waters, Taylor Branch Gilead, Marylinne Robinson Best and the Brightest, David Halberstam The Federalist, Alexander Hamilton Souls of Black... (Source)

In Praise of Shadows

Jun'ichiro Tanizaki | 4.05

Kyle Chayka Tanizaki is mourning what has been paved over, which is the old Japanese aesthetic of darkness, of softness, of appreciating the imperfect—rather than the cold, glossy surfaces of industrialized modernity that the West had brought to Japan at that moment. For me, that’s really valuable, because it does preserve a different way of looking at the world. (Source)

Ways of Seeing

John Berger | 4.04

Robert Jones He’s a Marxist and says that the role of publicity or branding is to make people marginally dissatisfied with their current way of life. (Source)

David McCammon Ways of Seeing goes beyond photography and will continue to develop your language around images. (Source)

John Harrison (Eton College) You have to understand the Marxist interpretation of art; it is absolutely fundamental to the way that art history departments now study the material. Then you have to critique it, because we’ve moved on from the 1970s and the collapse of Marxism in most of the world shows—amongst other things—that the model was flawed. But it’s still a very good book to read, for a teenager especially. (Source)

Tackling the Texas Essays

Efficient Preparation for the Texas Bar Exam

Catherine Martin Christopher | 4.04

The Book of Delights

Ross Gay | 4.04

Mere Christianity

C. S. Lewis | 4.04

Anoop Anthony "Mere Christianity" is first and foremost a rational book — it is in many ways the opposite of a traditional religious tome. Lewis, who was once an atheist, has been on both sides of the table, and he approaches the notion of God with accessible, clear thinking. The book reveals that experiencing God doesn't have to be a mystical exercise; God can be a concrete and logical conclusion. Lewis was... (Source)

I Remember Nothing

and Other Reflections

Nora Ephron | 4.04

On Photography

Susan Sontag | 4.03

Susan Bordo Sontag was the first to make the claim, which at the time was very controversial, that photography is misleading and seductive because it looks like reality but is in fact highly selective. (Source)

Notes from No Man's Land

American Essays

Eula Biss | 4.03

The Doors of Perception

Heaven and Hell (Thinking Classics)

Aldous Huxley, Robbie McCallum | 4.03

Michelle Rodriguez Aldous Huxley on Technodictators https://t.co/RDyX70lnZz via @YouTube ‘Doors of Perception’ is a great book entry level to hallucinogenics (Source)

Auston Bunsen I also really loved “The doors of perception” by Aldous Huxley. (Source)

Dr. Andrew Weil Came first [in terms of my interests]. (Source)

The Geek Feminist Revolution

Kameron Hurley | 4.02

Wow, No Thank You.

Samantha Irby | 4.01

A Modest Proposal

Jonathan Swift | 4.01

At Large and at Small

Familiar Essays

Anne Fadiman | 4.00

• BOOK RECOMMENDATIONS

The Best Essay Collections to Add to Your TBR List

Discover big ideas in small doses.

Anyone who has read very much of it knows that some of the best prose around is happening in nonfiction. From personal essays to political ones, cultural criticism to travelogues, these 10 books represent some of the best essay writing of the last century, spanning continents and languages, tackling subjects that range from political unrest to pulp fiction—and everything in-between. 

So, if you’re ready to expand your mind and change your outlook, add these essay collections to your TBR list today!

A Day in the Life of Roger Angell

By Roger Angell

While you may not recognize Roger Angell’s name, you probably know who he is. The stepson of legendary author E. B. White, Angell has worked for the New Yorker in various capacities for decades, including as a frequent contributing writer. 

He has written about all sorts of subjects, especially baseball, and this unique collection pulls together a variety of his best-loved pieces, including his famous Christmas poems, a variety of parodies, and a “tense correspondence over a short fiction contest that pays only in baked goods.”

Related: "Your Horoscope," by Roger Angell

My Seditious Heart

By Arundhati Roy

A New York Times  bestseller and Booker Prize winner, Arundhati Roy is many things, and in My Seditious Heart  she proves that among those is an “electrifying political essayist” ( Booklist ). 

Collecting essays from two decades of her life, this “lucid and probing” ( Time Magazine ) book presents a lifetime of battling for social and political justice and human rights, from American capitalism to the Hindu caste system and beyond. “The scale of what Roy surveys is staggering,” writes The New York Times Book Review . “Her pointed indictment is devastating.”

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Men Explain Things to Me

By Rebecca Solnit

In these “personal but unsentimental essays” ( The New York Times ), National Book Critics Circle Award-winning author Rebecca Solnit provides the perfect “antidote to mansplaining” ( The Stranger ). 

From the title essay, which explores why men talk over women and what the ultimate cost of that is, to essays about Virginia Woolf and marriage equality, Solnit’s unsparing prose has been called “ essential feminist reading ” by The New Republic – and simply “essential” by Marketplace .

Collection of Sand

By Italo Calvino

Newly translated into English for the first time by Martin McLaughlin, this “brilliant collection of essays” and travelogues, the last piece of new writing published by the legendary Italo Calvino before his death, “may change the way you see the world around you” ( The Guardian ). 

From antique maps to Japanese gardens, Calvino takes us on a tour of the world, but also of his own mind, in the process heightening our appreciation of the visual world around us. 

Slouching Towards Bethlehem

By Joan Didion

In her first work of nonfiction, one of America’s most “dazzling” prose stylists ( The New York Times ) also establishes herself as a singular voice on American culture, painting a vivid portrait of a nation in the midst of tumultuous change. 

First published in 1968, Slouching Towards Bethlehem has become a modern classic , hailed as “a rare display of some of the best prose written today in this country” by the New York Times Book Review . No wonder Time Magazine chose it as one of the 100 best and most influential nonfiction books to date.

Related: Joan Didion: Her Books, Life and Legacy

Essays After Eighty

By Donald Hall

A former Poet Laureate of the United States, Donald Hall has “wrought his prose to a keen autumnal edge” in his waning years, according to The Wall Street Journal . This collection of essays written, as the title implies, after he turned 80, sees Hall reflecting on his life, on his career, on writing itself, and on the view out his window. 

“Alternately lyrical and laugh-out-loud funny ” ( The New York Times ), these essays show that Hall has never lost his deft touch, nor his passion for life and all of its mysteries, whimsies, and wonders.

Freedom Is a Constant Struggle

By Angela Y. Davis

Author of such classic works as Women, Race, and  Class, Angela Y. Davis made a name for herself as an activist and scholar with a penetrating insight into social issues. 

In this new collection of essays, she tackles some of the most pressing issues that affect our present moment , from the Black Lives Matter movement to Palestine and beyond, calling upon us all to imagine a better world – and do the important work required to make it possible.

Illuminations

By Walter Benjamin

A German cultural critic who has been called one of most original thinkers of the 20th century, Walter Benjamin fled Germany in 1932, as the Nazi party rose to power, and died in exile before the end of the second World War. 

Hannah Arendt, herself one of the most influential political theorists of the modern age, hand-assembled this collection of some of Benjamin’s most famous and most important essays, including his legendary “The Work of Art in the Age of Mechanical Reproduction” to form this unforgettable book from a unique mind.

Tell Me How It Ends

By Valeria Luiselli

An American Book Award Winner and a finalist for both the Kirkus Prize and the National Book Critics Circle Award, this “essay in forty questions” is a “moving, intimate” account of serving as a translator for undocumented children facing deportation ( The New York Times Book Review ). 

As a volunteer worker, Luiselli translated these forty questions from a court form to ask undocumented children who were under threat of deportation. By structuring her writing around them, she helps to put a vitally human face on children who are thrust into an often-uncaring system in this book that is, “Worth of inclusion in a great American (and international) canon of writing about migration” ( Texas Observer ).

Maps and Legends

By Michael Chabon

The Pulitzer Prize-winning author of The Amazing Adventures of Kavalier & Clay “makes an inviting case for bridging the gap between popular and literary writing” ( O, The Oprah Magazine ) in this appreciation of everything from pulp fiction to comic books, horror to westerns. 

By writing about the stories that move him, speak to him, and inspired him to write, Chabon also talks about his own identity as an author, and what storytelling means to all of us, whether he’s writing about Superman or Sherlock Holmes.

Related: 12 Michael Chabon Books You Won't Be Able to Put Down

Keep Reading: 10 Essential Essay-Length Memoirs You Can Read Online for Free

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The 500+ Best Writers of All Time

The pen is truly mightier than the sword, and if you’re a book enthusiast you know that to be true. Some of history’s most influential people were authors, writing the most important literature and political works of all time. Writers have shaped human history, capturing some of the most important historical events and reflecting the culture of a changing world around us in a profound way. Who are the best writers of all time? Vote up the authors you think are the best and see how they rank! 

The famous writers on this list are the best in history, writing books, plays, essays, and poetry that has stood the test of time and make up the world's canon of literature and written work. No matter what type of writing you like to read, you can't go wrong with a book by one of these best writers of all time. Simply put, they're easily some of the most famous authors of all time.

This list of authors features the best writers ever, including, William Shakespeare, Jane Austen, Emily Bronte, Geoffrey Chaucer, Homer, Joseph Conrad, Charles Dickens, Herman Melleville, William Faulkner, and Edgar Allan Poe. Vote up the best authors of all time below or add the writer you think is the best who isn't already on the list.

Fyodor Dostoevsky

Fyodor Dostoevsky, a towering figure in literature, delved into the depths of the human psyche through his novels. His exploration of existentialism and the moral struggles within society earned him a place among the most influential novelists of all time.

William Shakespeare

William Shakespeare, the Bard of Avon, transformed the English language with his timeless plays and sonnets. His profound exploration of the human condition, love, power, and tragedy has left an indelible mark on literature and theater worldwide.

Leo Tolstoy

Leo Tolstoy, a Russian literary giant, is best known for epic novels like War and Peace and Anna Karenina . His intricate narratives, philosophical depth, and incisive analysis of societal issues cement his legacy as a master of realistic fiction.

Homer, the semi-legendary author of the Iliad and the Odyssey , stands at the dawn of Western literature. His epic tales of heroes, gods, and warfare have laid the foundation for much of Western narrative tradition and continue to inspire today.

Charles Dickens

Charles Dickens, with his keen observation of Victorian society, brought to life some of literature's most memorable characters and stories. His novels, rich in social commentary and imbued with humor and pathos, remain enduring classics that captivate readers across generations.

J. R. R. Tolkien

J.R.R. Tolkien, the father of modern fantasy literature, created the unparalleled Middle-earth universe. His The Lord of the Rings and The Hobbit not only ignited the genre's popularity but also set a high bar for world-building and linguistic creativity.

Make Lists, Not War

The meta-lists website, best essays of all time – chronological.

A reader suggested I create a meta-list of the best essays of all time, so I did.  I found over 12 best essays lists and several essay anthologies and combined the essays into one meta-list.  The meta-list below includes every essay that was on at least two of the original source lists. They are organized chronologically, by date of publication. For the same list organized by rank, that is, with the essays on the most lists at the top, go HERE .

Note 1:  Some of the essays are actually chapters from books.  In such cases, I have identified the source book.

Note 2: Some of the essays are book-length, such as Virginia Woolf’s A Room of One’s Own .  One book listed as an essay by two listers – Fernando Pessoa’s The Book of Disquiet – is also regularly categorized as a work of fiction.

11 th Century Sei Shonagon – Hateful Things (from The Pillow Book ) (1002) (on 2 lists)

14 th Century Yoshida Kenko – Essays in Idleness (1332) (on 2 lists)

16 th Century Michel de Montaigne – On Some Verses of Virgil (1580) (on 2 lists)

17 th Century Robert Burton – Anatomy of Melancholy (1621) (on 2 lists) John Milton – Areopagitica (1644) (on 2 lists)

18 th Century Jonathan Swift – A Modest Proposal  (1729) (on 3 lists)

19 th Century William Hazlitt – On Going a Journey (1822) (on 2 lists) Charles Lamb – The Superannuated Man (1823) (on 2 lists) William Hazlitt – On the Pleasure of Hating (1823) (on 4 lists) Ralph Waldo Emerson – Self-Reliance (1841) (on 4 lists) Henry David Thoreau – Civil Disobedience (1849) (on 2 lists) Henry David Thoreau – Where I Lived, and What I Lived For (from  Walden ) (1854) (on 2 lists)Henry David Thoreau – Economy (from  Walden ) (1854) (on 2 lists) Henry David Thoreau – Walking (1861) (on 2 lists) Robert Louis Stevenson – The Lantern-Bearers (1888) (on 2 lists)

20 th Century Zora Neale Hurston – How It Feels to Be Colored Me (1928) (on 2 lists) Virginia Woolf – A Room of One’s Own (1928) (on 4 lists) Virginia Woolf – Street Haunting: A London Adventure (1930) (on 3 lists) George Orwell – A Hanging (1931) (on 2 lists) Junichiro Tanizaki – In Praise of Shadows (1933) (on 2 lists) Fernando Pessoa – The Book of Disquiet (1935) (on 2 lists) George Orwell – Shooting an Elephant (1936) (on 6 lists) E.B. White – Once More to the Lake (1941) (on 6 lists) James Agee and Walker Evans – Let Us Now Praise Famous Men (1941) (on 2 lists) Virginia Woolf – The Death of a Moth (1942) (on 4 lists) Simone Weil – On Human Personality (1943) (on 2 lists) M.F.K. Fisher – The Flaw (1943) (on 2 lists) Vladimir Nabokov – Speak, Memory (1951, revised 1966) (on 2 lists) George Orwell – Such, Such Were the Joys (1952) (on 4 lists) Mary McCarthy – Artists in Uniform: A Story (1953) (on 2 lists) James Baldwin – Notes of a Native Son (1955) (on 11 lists) E.B. White – Goodbye to Forty-Eighth Street (1957) (on 2 lists) Martin Luther King, Jr. – Letter from Birmingham Jail (1963) (on 2 lists) Joseph Mitchell – Joe Gould’s Secret (1964) (on 2 lists) Susan Sontag – Against Interpretation (1966) (on 2 lists) Joan Didion – Goodbye To All That (1968) (on 6 lists) Joan Didion – On Keeping A Notebook (1968) (on 5 lists) Joan Didion – In Bed (1968) (on 4 lists) Edward Hoagland – The Courage of Turtles (1970) (on 2 lists) John McPhee – The Search for Marvin Gardens (1972) (on 3 lists) Annie Dillard – Seeing (from  Pilgrim at Tinker Creek ) (1974) (on 2 lists) Maxine Hong Kingston – No Name Woman (from The Woman Warrior ) (1976) (on 2 lists) Joan Didion – The White Album (1968-1978) (on 3 lists) Eudora Welty – The Little Store (1978) (on 3 lists) Annie Dillard – Total Eclipse (1982) (on 5 lists) Annie Dillard – Living Like Weasels (1982) (on 2 lists) Roland Barthes – Camera Lucida: Reflections on Photography (1982) (on 2 lists) Gloria E. Anzaldúa – How to Tame a Wild Tongue (1987) (on 2 lists) Italo Calvino – Exactitude (1988) (on 2 lists) Phillip Lopate – Against Joie de Vivre (1989) (on 3 lists) Richard Rodriguez – Late Victorians (1990) (on 2 lists) Amy Tan – Mother Tongue (1991) (on 4 lists) Seymour Krim – To My Brothers & Sisters in the Failure Business (1991) (on 2 lists) David Wojnarowicz – Being Queer in America: A Journal of Disintegration (1991) (on 2 lists) Anne Carson – The Anthropology of Water (1995) (on 2 lists) Jo Ann Beard – The Fourth State of Matter (1996) (on 5 lists) David Foster Wallace – A Supposedly Fun Thing I Will Never Do Again (1996) (on 5 lists)

21 st Century Susan Sontag – Regarding the Pain of Others (2003) (on 2 lists) David Foster Wallace – Consider The Lobster (2005) (on 4 lists) Etel Adnan – In the Heart of the Heart of Another Country (2005) (on 2 lists) Paul LaFarge – Destroy All Monsters (2006) (on 2 lists) Brian Doyle – Joyas Voladoras (2012) (on 2 lists)

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The Best Essayists of All Time 

Essays! Oh no! Not again! 

Worry not. Once you’ve finished formal education you are unlikely to have to write an essay , unless you want to.

That’s right, some people choose to write essays. The good news is that essays can be really entertaining and engaging: you may enjoy reading all the works mentioned in this article as we have chosen to focus on the ones that are the most fun and approachable! 

The best essay writers of all time are George Orwell, Virginia Woolf, Joan Didion, Haruki Murakami, and Jonathan Swift. In their works you will find humor, humanity, intense wit, and arguments for the betterment of humankind. They’re great to read and nourish the mind and soul! 

What is an Essay?

Most of us had to read and write essays at school. The word still gives me the cold sweats. 

But what is an essay exactly? And what is not?

It’s pretty broad to be honest. The word essay was first used by Michel de Montaigne (1533–1592). He used the French word essayer, which means ‘to try’. He thought of what he had written as an attempt to get his thoughts on paper, or to make his argument. So an essay is an ‘attempt’! Sounds like a pretty accurate description of most of my high school papers. 

These days, essays are usually reasonably short. The sort of thing you could read in a single setting: otherwise they start to fall into other categories of writing. There are some longer essays, but they are the exception.

Two categories split the body of work. Formal essays are what we were taught to write in the education system. They have all the features associated with formal writing, like introduction + conclusion, and a logical argument that progresses and is substantiated throughout. 

Informal essays are thoughts and argument recorded in a way that is more personalised, and not as restricted by rules. The author is likely to write from a personal and perhaps intimate perspective, as though sharing a subjective position, rather than trying to position their arguments as objectively true. 

Why are Essays Popular?

It might be surprising to learn that essays are hugely popular , or it might not! 

Columns written by popular figures in the media fall under the definition of essays. Anywhere someone organizes their thoughts on the page for the purpose of communication with others comes close. So Carrie’s column in Sex and the City is probably an essay.

Essays can also have profound effects on the world politically, and immediate effects for individuals too. When we look at the essayists below we’ll go into more detail. 

Essays are popular because they convey important information to readers, often in a way that is highly accessible, or highly entertaining. 

Are Essays Important? 

Essays are very important. 

Essayists like Joan Didion help us to understand ourselves, and the society we live in.

Ideas and movements often begin as essays. Before an idea is turned into a law, it usually comes into the world in the form of an essay. This is one reason that universities remain a powerhouse of intellectual development. Movements like feminism often begin, or have their clearest enunciations, on university campuses partially because these institutions pump out thoughtful essays for the world to consider and debate.

Essays can also be very entertaining. Especially informal ones. The ability of the formal essay to entertain while offering information for consideration makes the form important and valued! 

Who Are the Best Essayists of All Time?

George orwell.

Orwell is one of the most celebrated essayists in the English language. Irving Howe has written that Orwell was “the best English essayist since Hazlitt, perhaps since Dr Johnson”.

He wrote on a wide variety of subjects, often commissioned by newspapers, and in this way was a very popular essayist. He wrote extensively about English culture, and Englishness. 

He also wrote highly influential political essays, and focussed on documenting international politics. 

He wrote about the use of language, and his essays on style are still influential. Here are his rules for good writing. 

• Never use a metaphor, simile or other figure of speech which you are used to seeing in print.
• Never use a long word where a short one will do.
• If it is possible to cut a word out, always cut it out.
• Never use the passive where you can use the active.
• Never use a foreign phrase, a scientific word or a jargon word if you can think of an everyday English equivalent.
• Break any of these rules sooner than say anything outright barbarous.

He is famous for the lengths he went to to prepare his essays: for instance he tried to have himself incarcerated in order to write about prison. He also spent time ‘tramping’ up and down England with people who were without a home to learn more about financial struggles. 

Virginia Woolf

Woolf is a towering figure in the world of novels and essays. She is one of the leading figures in feminist thought, and regarded as one of the best novelists of all time. 

Her essays were highly influential in shaping feminist theory, especially A Room of One’s Own, which is based on a couple of Woolf’s lectures. She argues that an individual must have a room of one’s own, and sufficient money to survive, in order to write: these items have been denied to women .

She invents a character by the name of ‘Judith Shakespeare’ and uses this passage to demonstrate the way in which a sister of Shakespeare’s would not have had the opportunities available to Shakespeare.  

This essay has been adapted into many mediums, including some wonderful theatrical performances. 

Joan Didion

Once you read Joan Didion, you never forget it. She became a cultural phenomenon and is still popular and revered today. 

A phenom from the outset, she is considered one of the pioneers of ‘new journalism.’ She focussed particularly on 60s culture, Hollywood culture, and Californian culture more broadly. As Californian culture was so influential at that time, and is still to this day, her writing was of international interest.

Check out The Year of Magical Thinking, or Slouching Towards Bethlehem. 

Haruki Murakami

Murakami is a Japanese writer of international stature who has won an enormous number of awards primarily for his fiction . His work is engaged with Western culture to the extent that some in the Japanese literary establishment refer to him as un-Japanese. 

He has also contributed a number of highly influential essays. See ‘What I talk about when I talk about running’. In this work he discusses his relationship with marathon running: he has completed an ultra marathon – 100 kms! 

Jonathan Swift

It’s hard to accurately describe Swift’s influence on Western culture. The Encyclopædia Britannica describes him as the leading satirist in the English language … that’s impressive. There have been quite a few satirists in the English language.

Gulliver’s Travels is a hugely entertaining and satirical novel which pokes fun at all different types of people, big and small! 

He was a humanist and decried injustice wherever he spied it. For instance, he wrote an essay titled ‘A Modest Proposal for Preventing the Children of Poor People in Ireland Being a Burden on Their Parents or Country, and for Making Them Beneficial to the Publick’. In this, as a joke, he proposes selling Irish children as food for the rich. While also dropping all sorts of hints about the types of reforms in Ireland which would actually make a difference to the lives of the Irish poor.   

So there you have it. The best essayists. You now know all you need to know to get started on a lifelong journey of essay reading, and potentially writing! Feel like you have something to say? Well, you probably do! Get it down on paper in the form of an essay: either a formal one, or a more informal one if you want to appeal to your reader on a personal level. We hope you enjoy reading the essays mentioned above, and go out seeking even more great writing to nourish your mind and heart.

The 55 Best Comedies of All Time, Ranked

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Of all the cinematic genres, comedy is the hardest to truly master. Humor is so context-dependent, and changes so wildly from person to person (let alone between generations) that many comedies struggle to have a strong, immediate impact, and a lot of the ones that do soon become outdated and glaringly of their time. However, there have been plenty of comedy movies throughout cinematic history that have proven themselves to be timeless and stand among the best movies of all time.

In a sprawling range that spans from masterpieces of the silent era to striking satires and 70s spoofs, and even to some instant classics of the modern age, comedy cinema is littered with hilarious hits. United by runaway creativity and a universal embracing of the sheer, unbridled joy of a good laugh, these quintessential comedy classics are sure to leave audiences in stitches.

55 'Austin Powers: International Man of Mystery' (1997)

Directed by jay roach.

Offering emphatic proof that spoof movies didn’t completely die in the 80s, Austin Powers: International Man of Mystery was the perfect parody of what was, at the time, a dwindling Bond franchise. It follows the titular spy, an agent from the 1960s awoken from cryogenic sleep to face off against his arch nemesis, Dr. Evil ( also played by Mike Myers ), when he returns to Earth and holds the planet to ransom.

The spy spoof is relentless in its pursuit of gags, taking direct aim at 007’s more anachronistic and chauvinistic tendencies with reckless abandon. The end result is so ridiculous that it works, hinging on its parody prowess and its central goofiness to stand among the most brilliantly ingenious dumb comedies ever made. The catchphrases alone are enough to leave fans in hysterics.

Austin Powers: International Man of Mystery

Not available

54 'The Full Monty' (1997)

Directed by peter cattaneo.

Delightfully cheeky, The Full Monty may run with a rather obscure and absurd premise, but its ability to blend grounded and lovable characters with genuine pathos that doesn’t stoop to soggy sentiment makes it a finely tuned comedy that fires on all cylinders. Set in Sheffield, it follows a small group of steelers workers who, after their mill shuts down and they find themselves in need of money, decide to put on a strip show to make some quick coin.

The film finds hysterical situational comedy in every step of the characters’ journey, from their ideation to their practicing and rehearsals, inevitable hesitation, and to the show itself. Also thriving with strong comedy performances from every member of the main cast, The Full Monty is an uproarious English comedy that balances wit, social commentary, crass humor, and character drama together to be both hilarious and moving.

The Full Monty (1997)

53 'the nice guys' (2015), directed by shane black.

Quite possibly the best buddy comedy of the century so far, The Nice Guys has overcome its initial commercial failure to be widely revered as one of the most enjoyable and hilarious movies in recent decades. The crime-comedy follows a shifty private investigator and a thug for hire in 1970s L.A. as they join forces to work the case of a missing girl and the death of a porn star. Their investigation soon unearths political corruption as well.

The core of the film hearkens back to the buddy cop movies of old, but its implementation of some racier themes and jokes gives it a distinctly modern sensitivity as well. Further complemented by a brilliantly constructed screenplay and the fantastic chemistry between Ryan Gosling , Russell Crowe , and even Angourie Rice , The Nice Guys is a genre-meshing masterpiece that deserves every bit of its growing cult classic status .

The Nice Guys

52 'arsenic and old lace' (1944), directed by frank capra.

A delightful pivot to the macabre from Frank Capra , Arsenic and Old Lace is a black comedy gem that has maintained its hilarious punch over the decades. It focuses on Mortimer Brewster ( Cary Grant ), a notorious marriage detractor who is amazed to find himself in love and eager to marry. When he travels home to tell his family the news, he is disturbed by a corpse hidden in the window seat, a discovery that forces Mortimer to take more notice of his aunts’ misdeeds.

Grant excels at the film’s particular blend of fast-paced, frenzied storytelling and the dark comic allure that bubbles to the surface as he learns his aunts are serial killers. While its shock factor has dissipated over the years, Arsenic and Old Lace still thrives as a brilliant comedy that does justice to the Joseph Kesselring play it was based on.

Rent on Apple TV

51 'The Mask' (1994)

Directed by russell chuck.

It is hard to observe modern cinematic comedy without addressing the seismic impact the physically outrageous genius Jim Carrey had on the genre through the 1990s, with his 1994 picture, The Mask , among the most iconic movies of all time. Presenting Carrey with ample opportunity to flaunt his zany hilarity, The Mask sees him star as a meek bank employee whose life is uprooted when he discovers a mask that contains the spirit of the Norse god Loki.

A wild adventure ensues when he succumbs to the mask’s allure, transforming into a confident playboy with a dangerous criminal urge to boot. Wild and exhilarating, the film displays Carrey at his bombastic, cartoonish best while also coasting on an excellent supporting performance from Cameron Diaz to be a true comedy classic and one of the defining movies of the 90s .

50 'In Bruges' (2008)

Directed by martin mcdonagh.

Martin McDonagh has risen to great heights with his ability to mesh black comedy with dramatic punch, notably doing so with the Oscar-nominated The Banshees of Inisherin , which also made exceptional use of stars Colin Farrell and Brendan Gleeson . However, the writer-director's funniest movie is still his debut feature, In Bruges , with the anxiety-inducing crime-dramedy following two Irish hitmen as they are sent to the picturesque Belgian city of Bruges after a job goes horribly wrong.

Embedded within the film's dark comedic allure, there is an unpredictable tale of morality and regret which was largely defining of the picture's brilliance. Also running with fabulous, profanity-laden dialogue, occasional strong violence, and an unforgettably erratic yet hilarious villainous performance from Ralph Fiennes , In Bruges is a laugh-a-minute comedy that thrives as a contemplative tale of crime and remorse as well .

49 'The 40-Year-Old Virgin' (2005)

Directed by judd apatow.

One of the most polarizing yet celebrated comedies of the 2000s that saw Steve Carell become a noteworthy leading man while also ushering in a new generation of Hollywood comedy stars, The 40-Year-Old Virgin is an outrageous gem that has only grown more hilarious (and more excruciatingly painful) with age. It focuses on an awkward though amiable store clerk whose co-workers learn has never had sex. While his colleagues try to help him lose his virginity, he begins to form a romance with a local shop owner.

While it isn’t shy when it comes to shock humor and contains hilariously juvenile moments like the famous waxing scene, the film finds its true quality in the tenderness with which Carell’s Andy is explored. Beneath the vulgarity and smut, The 40-Year-Old Virgin is one of the most surprisingly earnest rom-coms of the 2000s and a true highlight of 21st-century comedy cinema .

The 40-Year-Old Virgin

48 'the jerk' (1979), directed by carl reiner.

The movie which saw Steve Martin truly make the leap from a stand-up comic to a leading man in Hollywood comedies, The Jerk was the actor's first starring role in film. Serving primarily as a vehicle for Martin's effervescent and highly energetic brand of goofy comedy to take center stage , The Jerk follows Navin Johnson (Martin), the adopted son of a black family whose sheltered naivety explodes into a journey of self-discovery which takes him to St. Louis.

Embarking on one chaotic misadventure after another, Navin goes from rags to riches and back to rags again all while pursuing the love of cosmetologist, Marie Kimble ( Bernadette Peters ). Even finding an unlikely diehard fan in Stanley Kubrick , The Jerk displays Martin at his high-octane best and proves that, when it comes to being stupid, there is no greater genius than Steve Martin.

47 'Monsieur Verdoux' (1947)

Directed by charles chaplin.

Charles Chaplin is arguably the defining icon of cinema for his pioneering work in the medium during the silent era. However, while he has several silent masterpieces, he is also responsible for some acclaimed and sharply satirical “talkies” through the 30s, 40s, and 50s. One of the most underrated of which is 1947’s Monsieur Verdoux , following a dapper Parisian bank teller who, after being laid off, takes to romancing wealthy widows and murdering them for the inheritance as a means to provide for his family.

Chaplin’s mastery of physical comedy remains a centerpiece of the film, but so too is his dry wit, satirical insights into social values, and the arresting air of menace he underlines his cheery performance with. Monsieur Verdoux is undeniably taboo , even by modern standards, but its commentary on civilized morality in times of war is both pointed and intriguing , making it one of the most underappreciated comedy movies ever made.

Monsieur Verdoux

46 'galaxy quest' (1999), directed by dean parisot.

Lovingly referred to as one of the best, albeit unofficial, Star Trek movies ever made, Galaxy Quest is one of the more underrated spoof movies , winning admirers aplenty through the love and affection it shows its source material. Jason Nesmith ( Tim Allen ) is a washed-up star of the once-popular sci-fi series ‘Galaxy Quest,’ which has attracted a dedicated cult following. As he and his former co-stars get by appearing at conventions, they are approached by an alien race who has mistaken the series to be historical records and enlists the cast to help them fight an intergalactic tyrant.

Capitalizing on its sensational premise, Galaxy Quest dazzles as a fun-fueled sci-comedy that doesn’t skimp on elements of action and adventure either. Buoyed by an exceptional supporting cast that includes Sigourney Weaver , Alan Rickman , Sam Rockwell , and Tony Shalhoub among others, it transcends its comedy framework to simply be a stunning, pure-hearted spectacle of sci-fi adventure.

Galaxy Quest

45 'a night at the opera' (1935), directed by sam wood.

A successful vaudeville and Broadway comedy troupe through the early part of the 20th century before they made the transition to film with the advent of the talkies, the Marx Brothers were arguably Hollywood's greatest comedic talents through the 30s and 40s. The first film of the group's post-Zeppo era , A Night at the Opera sees the three brothers infiltrating the highbrow opera scene to help a young aspiring singer, Rosa ( Kitty Carlisle ), achieve her dreams while thwarting her enemies.

Featuring witty wordplay, physical comedy, and musical numbers, as well as elaborate set pieces like the famous stateroom scene , the film has become an all-time comedy classic. The feverishly upbeat movie is jam-packed with gags while allowing the brothers a rare chance to show off a more sympathetic side to their anarchic personas.

A Night at the Opera

Watch on Tubi

44 'Heathers' (1989)

Directed by michael lehmann.

A critical counter-punch to the sunny optimism of many '80s teen comedies , Heathers offers a masterclass in cynical and subversive dark comedy. Tired of the elitist and cruel clique led by three girls, all of whom are named Heather, Veronica Sawyner ( Winona Ryder ) teams up with her rebellious new boyfriend, J.D. ( Christian Slater ), to devise a twisted plot that will rid the school of the rigid and oppressive social order. However, things spiral out of control when J.D.'s plan escalates to full-blown murder.

An astute deconstruction of high school tropes, Heathers takes plenty of potshots at teenage alienation and schoolyard hierarchies . Despite being a box office flop on release, it has become a cult film of significant acclaim. More than 35 years on from its release, it still feels pointed and modern, thanks in no small part to its inventive dialogue written by Daniel Waters .

43 'The Death of Stalin' (2017)

Directed by armando iannucci.

A criminally underrated satire that takes great delight in skewering politics and power plays in the historical setting of the Soviet Union immediately after Stalin’s death, The Death of Stalin is a modern masterpiece of comedy. Its focus resides on the tyrannical dictator’s underlings as each of them scrambles and schemes to succeed Stalin as the next Soviet leader all while having to put on a united front as the nation ceremoniously mourns Stalin.

Using its acidic wit and comedic prowess like a scalpel, The Death of Stalin excels as a dissection of political power and the people who most crave it. Featuring the likes of Steve Buscemi , Paddy Considine , Simon Russell Beale , Rupert Friend , and Jeffrey Tambor , the film capitalizes on its sharp script with its incredible cast, which also includes a now-famous supporting turn from Jason Isaacs as the medallion-speckled Georgy Zhukov .

The Death of Stalin

Watch on Mubi

42 'Superbad' (2007)

Directed by greg mottola.

Following three high school boys in their pursuit to gain access to a party and hook up with the girls they like, Superbad has become a modern teen comedy classic with its mix of awkward adolescent angst and vulgar hilarity. It focuses on Seth ( Jonah Hill ), Evan ( Michael Cera ), and Fogell ( Christopher Mintz-Plasse ), a trio of unpopular youths who try everything to illegally obtain alcohol in order to attend a student house party.

A wild adventure of chaotic, teenage exuberance that ranges from the absurd and audacious to the surprisingly heartfelt, Superbad excels as both a vibrant and vile comedy, and an earnest meditation on friendship . Writers Seth Rogen and Evan Goldberg loosely based the film on their own experiences as teens in Vancouver in the late 1990s. It is further enhanced by an incredible supporting cast including Rogen, Emma Stone , Joe Lo Truglio , and Bill Hader .

Watch on Hulu

41 'Shaun of the Dead' (2004)

Directed by edgar wright.

The first film in Edgar Wright ’s famous ‘Cornetto Trilogy’, Shaun of the Dead is a true modern classic of comedy cinema, as well as a brilliant nod to the history of zombie horror cinema. It follows an aimless sales assistant, Shaun ( Simon Pegg ), whose uneventful life is imbued with new meaning when the dead rise. Desperate to save his mother and his failing relationship, Shaun sets out with his lazy flatmate to face the zombie apocalypse.

With Wright utilizing his trademark style, Pegg and Nick Frost performing at their hilarious best, and plenty of comical yet shocking bloody effects, it has become one of the all-time great horror comedies . It also served as a significant big-screen success for Wright following his hit series Spaced , while Shaun of the Dead ’s toying with an established American film genre in zombie horror enabled it to reach an international audience .

Shaun of the Dead

40 'office space' (1999), directed by mike judge.

Office Space is Mike Judge 's send-up of corporate culture and the drudgery of the modern workplace. Starring Ron Livingstone , it follows software engineer Peter Gibbons who despises his mundane job at a soulless, life-sapping tech company. Further frustrated by his micromanaging boss, Bill Lumbergh ( Gary Cole ), and the mind-numbing routine of cubicle life, Peter finds clarity when a hypnosis session goes askew, inspiring him and his co-workers to take revenge on their boss.

Judge's story taps into the understated, maniacal rage that the monotonous boredom of such jobs can instill in many employees, an achievement complemented by hilarious performances from all involved. Its commentary on the modern workplace and its resonant ideas have made Office Space a cult classic comedy that has influenced pop culture through the memes that have spawned from it.

Office Space

39 'the naked gun: from the files of police squad' (1988), directed by david zucker.

As pure and potent as comedy cinema gets, The Naked Gun: From the Files of Police Squad! hinges on Leslie Nielsen ’s spoof movie starring brilliance as it lampoons police movies while serving as a continuation of the short-lived 1982 series Police Squad! . It focuses on a bumbling and inept NYPD policeman whose rivalry with a notorious criminal grows urgent when he learns the crook is planning on assassinating the Queen of England.

Given that Nielsen and much of the creative team behind the film worked on Police Squad! as well, The Naked Gun presented a rare opportunity for the masters of mockery to not only poke fun but deepen their comedic understanding of a character. The end result is as precise as it is plentiful, offering a laugh-a-minute frenzy of crude humor and slapstick hilarity that perfects the comedic art of unbridled silliness and stands as one of the most outrageously funny movies ever made.

The Naked Gun: From the Files of Police Squad!

38 'the producers' (1967), directed by mel brooks.

A Mel Brooks masterpiece that danced on society's sensitivities, The Producers followed washed-up Broadway producer Max Bialystock ( Zero Mostel ) and his timid accountant Leo Bloom ( played by Gene Wilder ) as they hatch a devious scheme to get rich quick. Realizing that if they can get people to invest in a play which flops that they'll be able to keep the leftover money, Max and Leo gather financiers for their surefire musical flop, "Springtime for Hitler."

The Producers received only mixed reviews upon release, with many critics finding its narrative detailing two Jews trying to profit off Hitler to be in poor taste (it is worth noting the film was released at a time when WWII was in living memory for most). However, it has come to be celebrated as a daring and divine success, with its searing mockery of the entertainment industry and its willingness to explore controversial topics making it a timeless classic.

The Producers (1967)

37 'hot fuzz' (2007).

The first and best entry of Edgar Wright, Simon Pegg, and Nick Frost's acclaimed 'Cornetto' Trilogy, Hot Fuzz saw the idiosyncratic filmmaker firing on all cylinders. When elite London police officer Nicholas Angel (Pegg) is transferred due to making everyone else in his station look bad, he lands in the sleepy country town of Sandford. When a series of violent murders hit the town, Angel and his partner Danny Butterman (Frost) begin investigating the malicious mystery.

Wright and Pegg's script is consistently hilarious, as is every single one of the performances, but what truly made Hot Fuzz distinct as a comedy masterstroke was its visual gags . Wright is peerless among his generation when it comes to visual humor, be it his smash cuts and dynamic camera moves or simple set pieces like Nick Frost running through a fence. He was at his very best with Hot Fuzz which is a masterpiece of modern comedy. All those who agree say "Yarp."

36 'Life of Brian' (1979)

Directed by terry jones.

Throughout cinematic history, there is no comedic troupe that has become as notorious, nor as polarizing, as Monty Python . More so than any other film that they made, Life of Brian exhibits the comedy group's appetite to dismantle sacrosanct ideas and serious topics in attention-grabbing ways. It revolves around Brian of Nazareth ( Graham Chapman ), a man born on the same night as Jesus and who is often mistaken to be the Messiah, even as he inadvertently becomes the face of a revolutionary group's stance against the Romans.

The Monty Python movie is a fantastic satire of religious dogmatism, packed with hard-hitting references to Christianity , politics, history, and even classic literature. From gags like Biggus Dickus to "what did the Romans ever do for us?", and, of course, to the finale which sees Brian and his comrades in crucifixion looking on the bright side of life, Life of Brian is loaded with moments which are as gut-bustlingly hilarious as they are iconic.

Life of Brian

Screen Rant

9-1-1: lone star ep on the show's cancelation & writing out grace: "we had to share the pain we felt behind the scenes".

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7 Things That Still Needs To Happen Before 9-1-1 Lone Star Ends

9-1-1: lone star season 5's time jump & its impact explained by ep, how 9-1-1: lone star season 5 will address grace's absence explained by ep.

The fifth and final season of 9-1-1: Lone Star premieres September 23 on FOX, with new episodes airing weekly on Mondays. Although its ending feels premature from a story perspective, there have been rumors about the show's cancelation ever since 9-1-1 moved to ABC in 2024. The news came months after Deadline reported that main cast member, Sierra McClain, had exited the series, leaving the fate of Grace and her relationship with Judd in question.

The 9-1-1: Lone Star season 4 finale saw fan-favorite couple, TK and Carlos, finally tie the knot after years of build-up. However, the ceremony was accompanied by an unexpected tragedy. Days before his son's wedding, Gabriel Reyes (Benito Martinez, How to Get Away With Murder ) is shot and killed by an unseen attacker. The Texas Ranger isn't the only character who meets their end, with Owen's brother, Robert, choosing to die humanely rather than succumb to his Huntington's disease. Co-showrunner and executive producer, Rashad Raisani, shares that the new season will pick up one year later, with the events still weighing heavily on the characters' minds.

As many expected, 9-1-1: Lone Star season 5 is set to be the procedural drama TV show's last, and many things must happen before it ends.

Screen Rant interviewed Raisani about the creative decision behind season 5's time jump, what Sierra McClain's exit means for Grace and Judd, TK and Carlos' year of marriage, and whether fans will be satisfied by the 9-1-1: Lone Star series finale .

The Writers Suspected That 9-1-1: Lone Star Would End After Season 5

"we knew that a big-budgeted show like ours, in the current tv environment, where people are all trying to cut costs and make savings, was kind of a perfect storm against us.".

Screen Rant: When you were writing the fifth season of Lone Star , did you know it was going to be the last one?

Rashad Raisani: We had a sense that it very well could have been because of some of the financial realities of our situation. We're a Disney-owned show, and we're airing on Fox, and we were hitting the end of our contract cycle before there was a big renegotiation for fees. So we knew that a big-budgeted show like ours, in the current TV environment, where people are all trying to cut costs and make savings, was kind of a perfect storm against us. Even though, I think the show has never been more successful from a viewership point of view, our financial realities and our corporate alignment wasn't right. And so we had the sense that it was coming, although it was not official-official, because I think people from the two different companies tried to find ways to make it work, but I think it was just not in reach. So that said, we definitely came into this season thinking we have to make sure that our stories line up to give us a proper ending if this ends up being the last season.

Sierra McClain has exited the series. Is she completely absent from the final season, or did you have a little bit of time with her beforehand?

Rashad Raisani: Yeah, unfortunately, she departed before we rolled any cameras. We didn't have access to her at all, as much as we tried.

Grace has been such an integral part of the show since the beginning. Is there anything you can tease about how the show will address her absence?

Rashad Raisani: The thing that I would say is that Sierra McClain is so central to the DNA of this show. She's literally the voice on the other end of a call on a show with 9-1-1 in the title. She's the one who says, "What's your emergency?" So not even just from her job, but her spirit and her soul have been sort of the center of the show from an emotional point of view. I think most people would say Judd and Grace are the heart and soul of Lone Star, and half of that is gone now. So there's no way that we could just dispatch of it or quickly write it off. We just had to embrace that loss to our show and, frankly, share the pain that we felt behind the scenes in front of the cameras, as well, and make that the story, particularly, for Judd. To not hide from it, but at the same time, to try to honor what both Grace and Sierra McClain meant to the show and to try and make sure that we kept the utmost respect and love for Grace and for Sierra as we went forward. And I think we did it.

Judd Needs To Find A Purpose Outside Of Grace In 9-1-1: Lone Star Season 5

"his wife is gone, his son is moving out, he gave up his beloved job, and now he doesn't have anything. he doesn't have his center in grace, so where does he go from there".

What's next for Judd without Grace physically present?

Rashad Raisani: That's a great question. If you remember in our sort of prequel episode called "Saving Grace", when Judd and Grace met each other, Judd was in a very desperate place. He was even considering suicide going back to when he met Grace, and she saved him. I mean, "Saving Grace" is the title of the episode. Since day one for them, she has been the center of his life, the moral center. She's the thing that's just kind of held Judd together. And so as we were approaching this season, we were thinking, if Judd is a guy who needs purpose, he needs the purpose of being a firefighter, he needs the purpose of being a good husband to Grace, he needs the purpose of being a father to Wyatt, particularly in the wake of Wyatt's horrific injury, what would happen to Judd if we stripped all of that purpose away? And his wife is gone, his son is moving out, he gave up his beloved job, and now he doesn't have anything. He doesn't have his center in Grace, so where does he go from there? And so his arc for our final season is to find his purpose on his own two feet. And then, as far as his job goes, Judd desperately wants his old job back at the firehouse. That's who he's meant to be. But as he's going to find out, there's no way to just walk back into the situation he was in before because the world has changed. And so if he's going to find a way back to that purpose, he's going to have to pay a significant price. And so we'll see just how comfortable he is doing that.

There were multiple deaths last season. Owen kept his word and stayed by Robert's side, so what impact will that have on him?

Rashad Raisani: It is going to have a massive impact because, as you said, we did a number of deaths, and two of them in particular, the death of Robert, Owen's brother, and Gabriel Reyes, Carlos' father, but also Owen's consuegro, which is his co-father-in-law, they were going to be in-laws together with Carlos and TK, he had that double loss right at the end of last season, and so he was traumatized by it. A year later, when we pick up, he's been trapped in this fog of both grief and guilt. Because, to your point about his brother, Robert, not only was he there, we're going to find out that there was more to the story than sort of a pretty painless exit for Robert, and Owen is harboring a lot of complicated feelings about how it went down. And those feelings haven't really gone away, and they're festering in ways that Owen doesn't even want to be conscious of. But we're going to have some incidents later this season that are going to force that to the surface. So he'll have to have a reckoning to move on from it.

9-1-1: Lone Star Season 5 Picks Up A Year After TK And Carlos' Wedding

"you get kind of a nice snapshot of where they are as a couple.".

So there is going to be a one-year time jump between seasons 4 and 5?

Rashad Raisani: Exactly. Just under a year. In fact, that becomes a major story point. To be honest, we didn't know, as we were writing this and shooting it when exactly we would re-air. So we kind of picked the number a year. At the time, it seemed like that was about when we'd come back on. It turned out to be a little longer than that. But also, there are some story reasons. For example, for Judd to come back as a firefighter, if a year elapses while a firefighter is on sabbatical, they have to go back and start over. So for Judd, it becomes a sort of impossible situation to think I'd have to start all the way over as a probie and have to come back. For TK and Carlos, they're coming up on their year anniversary. It's a nice benchmark to see, how has that relationship progressed? What are their struggles? What are their joys in a year? You get kind of a nice snapshot of where they are as a couple.

Why did you decide that the season 4 finale was the right time for TK and Carlos to get married?

Rashad Raisani: I think that the wedding was a long time coming. Since we saw their chemistry, pretty early in season 1, I think we knew that this was going to be a relationship that was going to stick, but we wanted it to have its own space. And I think that season 2, they weren't committed to each other enough. Season 3, we didn't have enough real estate to give them the proper lead up to their wedding. I think in season 4, we finally had the chance to say, "Okay, we've done all this, we have enough ground to build this story the right way, so let's do it." And then it allowed us, in season 5, because for me, when you talk about a marriage, the wedding isn't the end of the story—it's the beginning of the story. And so if season 4 was about them getting to that wedding, season 5 is about, what does this marriage look like? And what will it look like going forward? And so that's what we're able to really dive into this season.

Well, flashbacks do happen...is it possible that we could see Benito Martinez again in some capacity?

Rashad Raisani: Nothing's impossible. I'll just say nothing's impossible. Put it that way.

Raisani Hopes The 9-1-1: Lone Star Series Finale Makes Fans Want More

"i hope everybody feels like, 'well, that was too soon.'".

Everyone at the 126 has had incredible growth over the past four years, but is there a character whose arc really resonates with you in the final season?

Rashad Raisani: Owen's arc is about loss and about guilt, and to me, it's very powerful and universal. I've lost family since we've been doing this show, and that fog that you're in, I've gone through it and have, fortunately, I think, just come out of it. And so that one's very personal. I think Carlos and his obsession about finding who killed his father—a lot of us find ourselves stuck in the past over a trauma that we just can't get past or get through. And we watch his character deal with that and watch this actor, Rafael Silva, really come into his own. He's always been a great actor, but when we got him, he was so young. He's still very young, but he's really just grown so much as a person, as an actor, and to watch it all fuse into his storyline in this fifth season was really special. And then with Gina Torres and Jim Parrack, we gave them two of the most compelling storylines that we've ever given anybody. They have to go to some dark places as actors. They're not always known for going to those darker places, even though they're more than capable of it. And I think we see just the full extent of their power as actors. And so watching those arcs was also great. And then there's Brianna Baker, who plays Nancy, who hardly had any lines in season 1. And then in season 5, she has a massive storyline where I think she proves that she's a star who's going to have her own series before too long. I could keep going. And then I feel bad not talking about Julian, who's magnificent. I mean, all of them—Ronen and Natacha and Brian—I love all of them, and I think they all do so great with their stories.

Do you think fans will be satisfied with how everything wraps up?

Rashad Raisani: I hope everybody feels like, "Well, that was too soon." That's what I really want people to feel like. I am immensely proud of how we end this show. Obviously, I'm a little biased, but I think it's got the perfect poetic ending for everybody. And that's not to say it's necessarily a happy ending, but I think it's a beautiful ending for these characters and a true ending to who they are. I'm immensely proud of it. I'm still cutting it, so I haven't technically seen it yet all finished. But the main thing is, I think people are going to feel like, "Well, wait a second. How come we're done? I want more." And I think maybe that's the sign of a good place to leave, if people still want more. But I have some real mixed feelings because I do wish that it wasn't the end of the journey with all of these characters.

About 9-1-1: Lone Star Season 5

The series was created by ryan murphy, brad falchuk, and tim minear.

In the upcoming fifth season, Captains Strand and Vega, along with the 126 team, race into action when in a multi-episodic opening storyline, a catastrophic train derailment endangers several lives including some of their own. With Judd resigning from the 126 to take care of his recently handicapped son Wyatt (Jackson Pace), Owen must find a new lieutenant to replace Judd and has a difficult decision ahead of him when both Marjan and Paul apply for the promotion.

9-1-1: Lone Star season 5 stars Rob Lowe, Gina Torres, Ronen Rubinstein, Jim Parrack, Natacha Karam, Brian Michael Smith, Rafael Silva, and Julian Works.

Tommy is ready to take the next step in her relationship, but she finds the road to happiness is filled with obstacles. On his 30th birthday, T.K. gets a surprise visit from someone from his past that could change his and Carlos’ lives forever. Now officially husband and husband, T.K. and Carlos’ marriage is put to the test when Carlos becomes obsessed with solving his father’s murder.

9-1-1: Lone Star season 5 premieres on FOX on Monday, September 23 at 8 a.m. ET.

9-1-1: Lone Star

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A spin-off series of 9-1-1, 9-1-1: Lone Star is an action-drama series created for Fox. The series follows Rob Lowe as Owen Strand, a firefighter from New York City who, after having rebuilt a team in the aftermath of September 11th's attacks, is brought in to form a new one in Austin, Texas. 

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Saxophonist nubya garcia writes her own odyssey, string section and all.

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Ailsa Chang

The London-based saxophonist and composer Nubya Garcia talks with NPR's Ailsa Chang about the diverse sounds on her new album Odyssey. It's her first time writing for and conducting strings.

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