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Posted by Rebecca Fisher and Tim Scheidler ´s rating: 5 | Anne Rice | SFF Reviews | 1 comment |
Anne Rice’s second vampire novel is both a prequel and a sequel to her original story Interview with the Vampire . A sequel because it is framed by a sequence of events in contemporary times, and a prequel because it recounts the history of the vampire Lestat, the sire of the protagonist Louis in Interview . After waking from centuries-sleep in 1980’s New Orleans, Lestat discovers the Interview manuscript and goes about setting the story straight, recounting his mortal life as a young French aristocrat, his transformation into a vampire, and his ongoing quest to find the answers behind his new condition. Stretching from the French Revolution to Egyptian myth to the modern day world, his journey is one that only an immortal could take, and we’re lucky enough to be taken along for the ride.
Lestat is perhaps Rice’s most popular creation, and it’s easy enough to see why: he is charismatic, merciful, deep-thinking and tormented; in other words a truly three-dimensional character and possibly the most relatable member of the undead in the huge vampiric canon of books and movies (well, with the possible exception of Angel and Spike). His moral crisis on becoming a vampire is especially intriguing, with his reluctance to destroy innocent mortals.
More than this however, is Rice’s (and consequently Lestat’s) exploration into the mythos of the vampire and the search for the origins of the vampire. She ingeniously melds the legends of ancient Britain, Greece and Egypt to tell the complete history of the vampire creatures, making especially good use of the myth of Osiris and Isis, whose existence bears a fascinating similarity to the making of a vampire. Finally Lestat gets to the heart of the matter after tracking down different vampires of increasing age, and the full truth behind the vampire and the creation of the first vampires. It is one of the most interesting and thought-provoking theories on the subject that I have ever read, and yields further revelations and connections on each re-reading.
As well as this, Rice includes Lestat’s complex relationships with his mother and best friend who become privy to his vampiric secret, and toward the end Louis and Claudia are mentioned also (so make sure you’ve read Interview as Lestat gives away the details of their life together). Fellow vampires such as Armand, Marius and Magnus make prominent appearances, all of whom had later novels dedicated to their characters and serve as “stepping stones” to Lestat’s journey of discovery, each yielding more clues and information to the intellectual path that he takes.
Anne Rice’s language is gorgeous to read, rich and poetic and full of sublime passages and descriptions. Sometimes she can go a little overboard: on more than one occasion I found myself reading a passage and realising I had no idea what was going on, but her rich detail and extensive knowledge of history sets her vampires in an utterly realistic and mysterious world. Concepts such as “the conversation,” the Savage Garden and the wolf killer echo through the novel, adding resonance and extra meaning to the unfolding story where the smallest detail can hold the greatest importance.
All in all, an immensely rich and rewarding read at times scary, beautiful, intriguing, and exceptionally clever. Rice has created a new breed of vampires that are both similar and extremely different from those of traditional folklore. Usually I dislike books that make vampires “good guys” and thereby strip them of any potency or menace whatsoever, but Rice is the only author that I know of (with the exception of Angel and Spike of course) who makes this work. I can’t wait to read more.
~Rebecca Fisher
The first thing one should say about The Vampire Lestat in comparison with Interview with the Vampire is that if you spent the first novel sighing to yourself that all of this was rather good, but Louis was a whiny sort of fellow who liked to talk more than to act, you shall be overjoyed with this installment. Lestat is the vital, charismatic hero that Louis was not. If he loses some of Louis’s tragedy and philosophizing, he makes it up in the simple fact that he is from the first page a more relatable character. The narrative style of Lestat’s book is faster-paced and more direct than that of Louis’s, but leaves ample room for Rice’s trademark sensual imagery and dense characterization.
As always, something to be aware of when opening an Anne Rice novel is that if you are going in expecting some sort of monster bloodbath, you are likely to be disappointed. For better or for worse (it’s largely a matter of opinion), Rice is far more interested in the relational side of things than she is in the action. There are no instances of imaginatively gory killing sprees or daring vampire-on-vampire swordfights. Some readers may consequently find the book a little slow or wandering, but on the other hand, I think there are just as many (if not more) who will revel in its emotional depth.
Rice novels are like holiday chocolate: they’re rich, surprisingly sensual, and usually rather dark. The text, like Lestat himself, appears to be almost entirely concerned with deep, slow-moving emotions, teased and titillated until at last they begin to drift in the depths. Lestat is far more easygoing than Louis but his story is objectively far from light material. Rice does interesting things with that here, from a purely literary perspective, choosing her words with care particularly in the action scenes. The fight between Lestat and the wolves early on is a striking example of the way she uses her imagery to evoke a slow dread and sympathy for the boy who can possess such attitudes. To clarify, I do not mean to put The Vampire Lestat on a pedestal of intellectual brilliance. It is not necessarily a book for the Umberto Eco fan club to discuss at their next wine and cheese party. It does, however, try for a different emotional frequency than do most vampire novels, and for the most part it succeeds.
The book is not without flaws. Anne Rice is at her best when she is purely relating Lestat’s history. When she is setting up plot elements for the next book, the writing style dips a little in quality, as though she’s lost her rhythm somehow. The Vampire Lestat is a book within a book in format — that is, Lestat writes a book about himself, which is reproduced within the broader course of Lestat informing us about his exploits in what was the modern day when Rice wrote the book — and the framing narrative is far less impressive than the story it contains. I should also note that for all I’ve said on the subject of slow-moving emotion being an interesting choice and emotional depth being well and good, sometimes the book drops out of what might be called “deliberate” speed, and just becomes plain old draggy. This occurs particularly surrounding Armand’s history and Lestat’s painfully drawn-out, angsty world tour with Gabrielle.
In summary, I must recommend The Vampire Lestat because it is in so many ways a delightful book, alive with a powerful voice and a masterful command of language and symbolism. Rice manages to make the humanized vampire work for her (not an easy task), and on top of that provides some real depth of emotion and philosophy. The reader will come away believing that perhaps he or she understands a bit more fully the idea of living forever. While it is not a perfect novel, it is an excellent example of more-or-less contemporary vampire fiction and a must for fans of the genre.
~Tim Scheidler
The Vampire Chronicles — (1976- ) Publisher: Witness the confessions of a vampire. A novel of mesmerizing beauty and astonishing force, it is a story of danger and flight, love and loss, suspense and resolution, and the extraordinary power of the senses.
New Tales of the Vampires — (1998-1999) Publisher: Anne Rice , creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by the fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead. The novel opens in present-day Paris in a crowded café, where David meets Pandora. She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life. Pandora begins, reluctantly at first and then with increasing passion, to recount her mesmerizing tale, which takes us through the ages, from Imperial Rome to eighteenth-century France to twentieth-century Paris and New Orleans. She carries us back to her mortal girlhood in the world of Caesar Augustus, a world chronicled by Ovid and Petronius. This is where Pandora meets and falls in love with the handsome, charismatic, lighthearted, still-mortal Marius. This is the Rome she is forced to flee in fear of assassination by conspirators plotting to take over the city. And we follow her to the exotic port of Antioch, where she is destined to be reunited with Marius, now immortal and haunted by his vampire nature, who will bestow on her the Dark Gift as they set out on the fraught and fantastic adventure of their two turbulent centuries together.
CLICK HERE FOR MORE VAMPIRE CHRONICLES.
REBECCA FISHER, with us since January 2008, earned a Masters degree in literature at the University of Canterbury in New Zealand. Her thesis included a comparison of how C.S. Lewis and Philip Pullman each use the idea of mankind’s Fall from Grace to structure the worldviews presented in their fantasy series. Rebecca is a firm believer that fantasy books written for children can be just as meaningful, well-written and enjoyable as those for adults, and in some cases, even more so. Rebecca lives in New Zealand. She is the winner of the 2015 Sir Julius Vogel Award for Best SFF Fan Writer.
TIM SCHEIDLER, who's been with us since June 2011, holds a Master's Degree in Popular Literature from Trinity College Dublin. Tim enjoys many authors, but particularly loves J.R.R. Tolkien, Robin Hobb, George R.R. Martin, Neil Gaiman, and Susanna Clarke. When he’s not reading, Tim enjoys traveling, playing music, writing in any shape or form, and pretending he's an athlete.
April 5th, 2008. Rebecca Fisher and Tim Scheidler ´s rating: 5 | Anne Rice | SFF Reviews | 1 comment |
This post about Vampire. I like it.
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'Ah, the taste and feel of blood when all passion and greed is sharpened in that one desire!' Lestat: a vampire - but very much not the conventional undead, for Lestat is the truly alive. Lestat is vivid, ecstatic, stagestruck, and in his extravagant story he plunges from the lasciviousness of eighteenth-century Paris to the demonic Egypt of prehistory; from fin-de-siecle New Orleans to the frenetic twentieth-century world of rock superstardom - as, pursued by the living and the dead, he searches across time for the secret of his own dark immortality.
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Published 1976 368 pages
Reviewed by Sandra
Lestat: a vampire - but very much not the conventional undead, for Lestat is the truly alive. Lestat is vivid, ecstatic, stage-struck, and in his extravagant story he plunges from the lasciviousness of eighteenth - century Paris to the demonic Egypt of prehistory; from fin-de-siecle New Orleans to the frenetic twentieth - century world of rock superstardom - as, pursued by the living and the dead, he searches across time for the secret of his own dark immortality.
This novel is the second book in the chronicles of the vampires by Anne Rice, and it would be strongly advised for fans of her work to read the first novel in the series, Interview with the Vampire first before the second book since it will have more meaning to it.
In Interview with the Vampire, the book was told from Louis’s point of view, this one is told from Lestat’s. Rice uses an interesting hook to bring the reader into his thoughts. Louis’s book has already been circulated in the human world, it is not enough that Lestat detests Louis’s having written the novel in the first place, he hates the lies he told about him, and more than anything else breaking the vampire code by telling the humans of them and their Dark Gift. Making his kind vulnerable if the humans took the novel seriously. Louis sees the book differently thinking no human would take it seriously at all – for them it would be a work of fiction, not one that would sound like the telling of a real life. Some could say he had it written to let Lestat know he was still walking among them, unafraid and welcoming in the new era where vampires would be looked on with a certain respect.
Lestat has been in hiding for too long and needs to get out more into the world of the humans. He recalls a time when he was human, yet another man had made him the vampire he is now. He has grown bored of his current life and needs to find something to perk him up so he doesn’t grow despondent. Lestat finds just the right thing when laid underground, listening to a rock band playing above him for several nights. He hears their dreams, aspirations, hears them play and recognizes their potential to be more than they are. The music they play is raw, brash and touches Lestat in ways he never thought possible – his urge to introduce himself to them grows until he thinks of a way to do just that. Lestat decides on a plan to tell them he can make them famous, a world renowned rock band but only if they will have him as their lead singer. They soon realize he can offer them all they ever wanted, and become the stars they always wanted to be.
Lestat sets about his plan, and later remembers his past with great clarity. Rice’s rock band idea at the beginning is just a side issue to tempt the reader in. What follows is several accounts of Lestat’s past, where he was born and raised, and the time he was made a vampire by Magnus.
Magnus comes to Lestat’s house where he and his brother reside, seeing potential in the young man, his anger and rage at the wolves who threatened him and his brother. Calling him ‘Wolfkiller’ and ‘Lelio’ he deliberately taunts him, and his is one of the first stories when the reader will see Lestat as a weak mortal, who is powerless against the immortal might of Magnus, an ages old vampire who has lived in the earth for centuries and goes out to feed, yet he gives his Dark Gift to Lestat without question, and also wants to pass his vampiric legacy over to the young, newly made vampire, and with that his immense power. Lestat does not realize the importance of what Magnus has left him as the knowledge Magnus carried for so long is to be passed to someone who he saw as strong enough, fearless enough to use it wisely.
As anyone knows, immortality comes at a price, as eventually in the case of Magnus, the body ages, as does the bones and the ability to use the power diminishes, leaving nothing more than a walking corpse. It is only when Magnus makes his demands, and shows him his hidden treasures that Lestat knows he is taking on someone else’s life path, and responsibility, but it does not end there. He knows he cannot see his family again, not when he has become a vampire, reviled, an outcast and feared by all.
The thought occurs in this novel that Lestat in making Louis a vampire was only doing what Magnus had done to him years before, creating someone who would continue his work. It is interesting to discover Lestat has the same feelings as Louis when Magnus leaves him to fend for himself. Louis views feeding on others as something against his own moral code and despairs of what a monster he has become. Being a religious type; he tries to invoke the adoration of the Madonna.
The novel is split into several intriguing chapters that chronicle Lestat's life or rebirth as a vampire; The Early Education and Adventures of the Vampire Lestat, Lelio Rising, The Legacy of Magnus, and Viaticum for the Marquise, The Children of Darkness, The Vampire Armand and others. Anne Rice has since this second novel was published created a whole series of novels in The Vampire Chronicles where Lestat has ceased to believe he is the only vampire on earth.
This is a larger book than the previous one, and has a lot more to give the reader; tales of what happened to rest of Lestat's family, Nicholas, his mother and how they ended up with a vampire coven. It also mentions when the Theatre Des Vampires began. Lestat and Louis are very much alike in their personalities, though Lestat adds more flamboyance to the story whereas Louis is more modest in his actions. The writer has created her own vampire reality from older times, through to modern ones where Lestat thinks all the magic has gone from being a vampire and wants to change into a new vampire form, one that can cope with the new generation of humans.
By the end of the novel, the beginning of a new one is created; a warning cry from Magnus comes from beyond of a new and thousand year old threat to the existing vampires that cannot be ignored.
An interesting word can be found in this novel: roquelaure. Anne uses it to describe Lestat's sword, and is also another name she is known by, A.N. Roquelaure when she writes more steamy material in her spare time. Overall, this book is better than the first as it expands on the history of Lestat, Armand and Louis.
Anne Rice manages to evoke the atmosphere for her period vampire dramas, this one being no exception as her ability to tell the story from the point of view of the vampire Lestat is quite a feat, as she has made a certain amount of in-depth research. As usual her work is well written and in fact a pleasure to read due to the detailed way she writes, not leaving anything out that isn't the equivalent of uncovering a vast box of jewels for the first time. She uses purple prose and flowery language in her work, yet what she writes always works very well in print. Readers should expect a full telling of Lestat's life up to the third volume of The Vampire Chronicles, his exploits before he was bitten by the oldest vampire in existence, his life afterwards and his life in secret hoping to live off of other humans. The second book gives the reader an idea of the kind of person Lestat was during his long life. Anne goes into more detail about other vampires in the book such as, the vampire Armand, and obviously the much prized Louis.
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From the the vampire chronicles series.
by Anne Rice ‧ RELEASE DATE: Oct. 31, 1985
Vampires are getting classier. Rice's formidable Lestat (given a bad press by his protege Louis in the author's Interview With a Vampire , 1976) sets the record straight with his story—from 18th-century fang-y to 20th-century rock star—all in Rice's faintly erotic, red-velvet-tasseled prose, festooned with swags of philosophical-theological expository flights, intra-vampirian warfare and sanguinary nightcaps. The seventh son of an impecunious French nobleman, Lestat, the family hunter and wolf-killer, who with his soul-mate Nicholas, another rebel, pondered the "meaninglessness" of the universe, was initiated into the Dark Gifts of the vampire in Paris. All, the "taste and feel of blood when all passion and greed is sharpened in that one desire!" But Lestat as vampire is in trouble almost immediately with the vampire establishment, since he loves living as a mortal and wants to do good. To save his beloved mother from an imminent death, there's that blood-for-blood ceremony, and zingo! Mother becomes the luscious "Gabrielle," charter coven member. She'll join him in a sectarian battle with Vampire Armand's cemetery gang, who've captured Nicholas (Lestate rescues him but later can't resist merging circulatory systems). Eventually, in narratives by Armand. and Marius, keeper of ancient Egyptian gods and vampirian annals. Lestat will learn of the vampires' complex history. It's rooted in Earth Mother cults and took on the coloration of various periods and places—hence the sectarian battling of demonic immortals. Rice dots Lestat's tale with some marvelous chillers: a giant killer-god on the march; a splendid crypt entrance before a terrified congregation; night prowls and rock-concert screams with telltale "tiny white faces" in the San Francisco audience. But worry not: vampire rules dictate that mortals are perfectly safe in Vampire Bars. A vampire bonanza in appropriate dark, humid, spider-web narrative—Rice's specialty. One giant step beyond Bela.
Pub Date: Oct. 31, 1985
ISBN: 0345419642
Page Count: 680
Publisher: Knopf
Review Posted Online: April 9, 2012
Kirkus Reviews Issue: Sept. 15, 1985
FANTASY | GENERAL FANTASY | GENERAL SCIENCE FICTION & FANTASY
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BOOK REVIEW
by Anne Rice ; illustrated by Mark Edward Geyer
by Anne Rice
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by Anne Rice & Christopher Rice
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PERSPECTIVES
From the all souls trilogy series , vol. 1.
by Deborah Harkness ‧ RELEASE DATE: Feb. 8, 2011
Entertaining, though not in the league of J.K. Rowling—or even Anne Rice. But please, people: no more vamps and wizards, OK?
Harry Potter meets Lestat de Lioncourt. Throw in a time machine, and you’ve got just about everything you need for a full-kit fantasy.
The protagonist is a witch. Her beau is a vampire. If you accept the argument that we’ve seen entirely too many of both kinds of characters in contemporary fiction, then you’re not alone. Yet, though Harkness seems to be arriving very late to a party that one hopes will soon break up, her debut novel has its merits; she writes well, for one thing, and, as a historian at the University of Southern California, she has a scholarly bent that plays out effectively here. Indeed, her tale opens in a library—and not just any library, but the Bodleian at Oxford, pride of England and the world. Diana Bishop is both tenured scholar and witch, and when her book-fetcher hauls up a medieval treatise on alchemy with “a faint, iridescent shimmer that seemed to be escaping from between the pages,” she knows what to do with it. Unfortunately, the library is crammed with other witches, some of malevolent intent, and Diana soon finds that books can be dangerous propositions. She’s a bit of a geek, and not shy of bragging, either, as when she trumpets the fact that she has “a prodigious, photographic memory” and could read and write before any of the other children of the coven could. Yet she blossoms, as befits a bodice-ripper no matter how learned, once neckbiter and renowned geneticist Matthew Clairmont enters the scene. He’s a smoothy, that one, “used to being the only active participant in a conversation,” smart and goal-oriented, and a valuable ally in the great mantomachy that follows—and besides, he’s a pretty good kisser, too. “It’s a vampire thing,” he modestly avers.
Pub Date: Feb. 8, 2011
ISBN: 978-0-670-02241-0
Page Count: 592
Publisher: Viking
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
GENERAL SCIENCE FICTION & FANTASY | FANTASY | PARANORMAL FICTION | GENERAL FANTASY
by Deborah Harkness
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Our Verdict
New York Times Bestseller
by Blake Crouch ‧ RELEASE DATE: July 26, 2016
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
GENERAL SCIENCE FICTION & FANTASY | GENERAL THRILLER & SUSPENSE | SCIENCE FICTION | THRILLER | GENERAL SCIENCE FICTION | TECHNICAL & MEDICAL THRILLER
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by Blake Crouch
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Book review: the vampire lestat by anne rice.
Title: The Vampire Lestat Author: Anne Rice Genre: Gothic Horror, Vampire Fiction, Supernatural Publisher: Random House Publication Date: October 7, 1982
Introduction: The allure of Anne Rice’s literary world has always been its ability to blend the ethereal beauty of the supernatural with the harsh realities of human nature. The Vampire Lestat is not merely a book; it's an odyssey that introduces us to the vampire Lestat, whose life spans across centuries filled with love, pain, and existential contemplation.
Summary: The Vampire Lestat unfolds the story of a young, gifted painter named Marius who turns into a vampire during the Napoleonic Wars. Seeking to escape his past and find meaning in eternal darkness, Marius is drawn to Lestat’s charismatic presence. Their relationship evolves from survival companionship to something deeper that transcends mere friendship. The narrative spans centuries as Lestat, now a notorious figure among vampires, struggles with his existence and the moral implications of his immortality.
Analysis: Rice's writing style in The Vampire Lestat is lyrical and evocative, often diving deep into the psyche of her characters. This allows readers to empathize with the tortured soul that is Lestat as he grapples with the dualities of life and death. The book explores themes of love, redemption, and identity in a world where both humans and vampires question their own nature.
One of the standout moments is when Lestat confronts his mortality after centuries of life, revealing the inner turmoil that comes with immortality. A notable quote from the book reads: "I am not alive; I am only existing." This line encapsulates Lestat's existential crisis and adds depth to Rice’s exploration of human (or in this case, vampire) nature.
Personal Reflection: As someone who has followed Rice’s journey through the Lives of the Mayfair Witches series and her other works, my relationship with her characters is deeply personal. The development of Lestat from a seemingly invincible vampire to an introspective being who questions his purpose resonated with me on a deeper level than expected.
Comparatively, The Vampire Lestat stands out for its nuanced portrayal of vampires as beings capable of love and sorrow rather than just creatures of the night. Rice’s ability to humanize her supernatural characters while maintaining the genre's essence is commendable.
Recommendation: I would recommend this book primarily to fans of Gothic horror and vampire fiction, but also to those interested in philosophical explorations on life, death, and existence. If you're intrigued by the duality between love and darkness, or if Anne Rice’s writing style has captured your imagination before, then The Vampire Lestat is a must-read.
Conclusion: "The Vampire Lestat" is more than just another vampire tale—it's a profound examination of existence that combines horror with emotional depth. This book invites readers to ponder their own lives and the mysteries they hold within themselves. As you delve into Lestat’s world, don't forget to share your thoughts in the comments section below or follow our blog for more insightful reviews.
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Vampires are getting classier. Rice's formidable Lestat (given a bad press by his protege Louis in the author's Interview With a Vampire, 1976) sets the record straight with his story—from 18th-century fang-y to 20th-century rock star—all in Rice's faintly erotic, red-velvet-tasseled prose, festooned with swags of philosophical-theological expository flights, intra-vampirian warfare and ...
Luna Gauthier shares her thoughts about Anne Rice's novel The Vampire Lestat as the 2nd season of Interview with the Vampire airs on AMC.
Lestat has risen after many years in the ground, and, upon reading Louis's versions of events, decides to write his own memoir about his life as a human and a vampire. He also decides to beco…
The Vampire Lestat by Anne Rice Anne Rice's second vampire novel is both a prequel and a sequel to her original story Interview with the Vampire. A sequel because it is framed by a sequence of events in contemporary times, and a prequel because it recounts the history of the vampire Lestat, the sire of the protagonist Louis in Interview.
The Vampire Lestat (1985) is a vampire novel by American writer Anne Rice, the second in her Vampire Chronicles, following Interview with the Vampire (1976). The story is told from the point of view of the vampire Lestat de Lioncourt as narrator, while Interview is narrated by Louis de Pointe du Lac. Several events in the two books appear to contradict each other, allowing the reader to decide ...
The year is 1984, and Lestat is the famous lead singer of the group, The Vampire Lestat. He stumbles upon a simple little book, "Interview with the Vampire", starring Louis, his ersatz lover of sorts (because vampires don't exactly have lovers the same way humans do).
The Vampire Lestat by Anne Rice. Only show reviews with written explanations. billymac1962 ... I'll always give Rice blood red-roses for giving us vampire fans such a marvelously brash vampire. Lestat is the be-all-to-end-all, a legend in his own mind who wants to push the edges. I love reading this book just to kick my inspiration into how to ...
The Vampire Lestat by Anne Rice (The Vampire Chronicles: Book 2) 'Ah, the taste and feel of blood when all passion and greed is sharpened in that one desire!' Lestat: a vampire - but very much not the conventional undead, for Lestat is the truly alive. Lestat is vivid, ecstatic, stagestruck, and in his extravagant story he plunges from the lasciviousness of eighteenth-century Paris to the ...
About The Vampire Lestat Returning to the hypnotic world she so brilliantly created in Interview with the Vampire, Anne Rice demonstrates once again her power to enthrall."Brilliant … its undead characters are utterly alive."—The New York Times Book Review With the same richness of drama, atmosphere and incident, she tells the fantastic story of the vampire Lestat, whom we first ...
The first half of the book chronicles Lestat's struggles against the stodgy, controlling, and self-hating culture of vampires that demand he live in misery because of what he is. Lestat chooses instead to embrace the life and power of a vampire for all its worth, inspiring some other vampires to follow suit.
Vampire Lestat. Anne Rice. Knopf Doubleday Publishing Group, Sep 12, 1985 - Fiction - 496 pages. Returning to the hypnotic world she so brilliantly created in Interview with the Vampire, Anne Rice demonstrates once again her power to enthrall. "Brilliant ... its undead characters are utterly alive."—The New York Times Book Review With the ...
The Vampire Lestat. Anne Rice. Random House Publishing Group, Nov 29, 1997 - Fiction - 512 pages. #1 New York Times Bestselling author - Surrender to fiction's greatest creature of the night - Book II of the Vampire Chronicles The vampire hero of Anne Rice's enthralling novel is a creature of the darkest and richest imagination.
The Review. This novel is the second book in the chronicles of the vampires by Anne Rice, and it would be strongly advised for fans of her work to read the first novel in the series, Interview with the Vampire first before the second book since it will have more meaning to it. In Interview with the Vampire, the book was told from Louis's ...
Vampires are getting classier. Rice's formidable Lestat (given a bad press by his protege Louis in the author's Interview With a Vampire, 1976) sets the record straight with his story—from 18th-century fang-y to 20th-century rock star—all in Rice's faintly erotic, red-velvet-tasseled prose, festooned with swags of philosophical-theological expository flights, intra-vampirian warfare and ...
But Lestat, the mischievous creator of Louis in Interview, finally emerged to tell his own story in the 1985 sequel, The Vampire Lestat. As with the first book in the series, the novel begins with a frame narrative.
The Vampire Lestat. Hardcover - October 31, 1986. by Anne Rice (Author) 4.6 3,236 ratings. Book 2 of 13: Vampire Chronicles. See all formats and editions. Returning to the hypnotic world she so brilliantly created in Interview with the Vampire, Anne Rice demonstrates once again her power to enthrall. With the same richness of drama ...
The Vampire Lestat (Vampire Chronicles, Book II) Mass Market Paperback - September 12, 1986 by Anne Rice (Author) 4.7 3,259 ratings Book 2 of 13: Vampire Chronicles See all formats and editions #1 New York Times Bestselling author - Surrender to fiction's greatest creature of the night - Book II of the Vampire Chronicles
Overview #1 New York Times Bestselling author - Surrender to fiction's greatest creature of the night - Book II of the Vampire Chronicles The vampire hero of Anne Rice's enthralling novel is a creature of the darkest and richest imagination.
The Vampire Lestat: Volume 2 in series - Vampire Chronicles (Paperback) Anne Rice (author) ★ ★ ★ ★ ★ 7 Reviews Sign in to write a review £10.99 Paperback 560 Pages Published: 16/10/2008 10+ in stock Usually dispatched within 2-3 working days Quantity Add to basket
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The Vampire Lestat is not merely a book; it's an odyssey that introduces us to the vampire Lestat, whose life spans across centuries filled with love, pain, and existential contemplation. Summary: The Vampire Lestat unfolds the story of a young, gifted painter named Marius who turns into a vampire during the Napoleonic Wars.