From school library journal.
“As we continue to fight the battle against police brutality and systemic racism in America, THE HATE U GIVE serves as a much needed literary ramrod. Absolutely riveting!” — Jason Reynolds, bestselling coauthor of ALL AMERICAN BOYS
“Angie Thomas has written a stunning, brilliant, gut-wrenching novel that will be remembered as a classic of our time.” — John Green, bestselling author of The Fault in Our Stars
“Fearlessly honest and heartbreakingly human. Everyone should read this book.” — Becky Albertalli, William C. Morris Award-winning author of SIMON VS. THE HOMO SAPIENS AGENDA
“This is tragically timely, hard-hitting, and an ultimate prayer for change. Don’t look away from this searing battle for justice. Rally with Starr.” — Adam Silvera, New York Times bestselling author of MORE HAPPY THAN NOT
“With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family. This story is necessary. This story is important.” — Kirkus Reviews (starred review)
“Though Thomas’s story is heartbreakingly topical, its greatest strength is in its authentic depiction of a teenage girl, her loving family, and her attempts to reconcile what she knows to be true about their lives with the way those lives are depicted—and completely undervalued—by society at large.” — Publishers Weekly (starred review)
“Beautifully written in Starr’s authentic first-person voice, this is a marvel of verisimilitude as it insightfully examines two worlds in collision. An inarguably important book that demands the widest possible readership.” — Booklist (starred review)
“Pair this powerful debut with Jason Reynolds and Brendan Kiely’s ALL AMERICAN BOYS to start a conversation on racism, police brutality, and the Black Lives Matter movement.” — School Library Journal (starred review)
“The Hate U Give is an important and timely novel that reflects the world today’s teens inhabit. Starr’s struggles create a complex character, and Thomas boldly tackles topics like racism, gangs, police violence, and interracial dating. This topical, necessary story is highly recommended for all libraries.” — Voice of Youth Advocates (VOYA) (starred review)
“Thomas has penned a powerful, in-your-face novel that will similarly galvanize fans of Kekla Magoon’s How It Went Down and Jason Reynolds and Brendan Kiely’s All American Boys.” — Horn Book (starred review)
“Ultimately the book emphasizes the need to speak up about injustice. That’s a message that will resonate with all young people concerned with fairness, and Starr’s experience will speak to readers who know Starr’s life like their own and provide perspective for others.” — Bulletin of the Center for Children’s Books (starred review)
“In her debut novel, Angie Thomas creates what might be one of the decade’s most vivid voices in YA fiction. Though the appalling scenario depicted here is sadly familiar, Thomas’s clear and honest writing moves beyond sound bites to represent the real people and communities behind the headlines.” — Shelf Awareness (starred review)
“The story of Starr Carter, a 16-year-old who sees her childhood best friend fatally shot by a police officer, is compelling, thought-provoking, and conversation-enabling. One readers are sure to be talking about for a long time.” — Brightly
SIXTEEN-YEAR-OLD STARR CARTER moves between two worlds: the poor black neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend, Khalil, at the hands of a police officer. Khalil was unarmed.
Soon afterward, Khalil’s death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Starr’s best friend at school suggests he may have had it coming. When it becomes clear the police have little interest in investigating the incident, protesters take to the streets and Starr’s neighborhood becomes a war zone. What everyone wants to know is: What really went down that night? And the only person alive who can answer that is Starr. But what Starr does—or does not—say could destroy her community. It could also endanger her life.
Angie Thomas’s searing debut about an ordinary girl in extraordinary circum-stances addresses issues of racism and police violence with intelligence, heart, and un-flinching honesty.
This collector’s edition of the acclaimed, award-winning novel contains a letter from the author; the meanings behind the names; a map of Garden Heights; fan art; the full, original story that inspired the book; and an excerpt from On the Come Up .
Product details.
Angie Thomas was born, raised, and still resides in Jackson, Mississippi as indicated by her accent. She is a former teen rapper whose greatest accomplishment was an article about her in Right-On Magazine with a picture included. She holds a BFA in Creative Writing from Belhaven University and an unofficial degree in Hip Hop. She can also still rap if needed. She is an inaugural winner of the Walter Dean Myers Grant 2015, awarded by We Need Diverse Books. Her debut novel, The Hate U Give, was acquired by Balzer + Bray/HarperCollins in a 13-house auction. Film rights have been optioned by Fox 2000 with George Tillman attached to direct and Hunger Games actress Amandla Stenberg set to star.
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Customers find the book compelling, powerful, and filled with profound statements. They also say the book is devastatingly genuine, resilient, and entertaining. Readers describe the characters as awesome and the writing style as well-written and accessible. They say the pace is fast yet powerful.
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Customers find the book compelling, great, and important for younger readers. They also say the author did an excellent job creating living, breathing characters. Readers mention that the book is engaging throughout the entire story and very powerful.
"...This is an honest and compelling book that I hope will be around and in people’s minds for many years to come. Definitely a 5-star read for me...." Read more
"...However, Angie Thomas still did an excellent job of creating living , breathing characters and thought-provoking text that made me grab my..." Read more
"...violence will be difficult for some, but it's a well-crafted, enjoyable book that will likely inspire you to examine your own pre-existing opinions...." Read more
"...I don’t think I have a single negative to give about this book. It is wonderful – insightful, accessible, and expressive. I want everyone to read it...." Read more
Customers find the book filled with profound statements that encourage empathy and reflection. They also say the story is harrowing, devastating, and timely. Readers also say it's a great way to educate yourself on police brutality and racism. They mention that the book is riveting, raw in its heartbreak, and a powerful work of activism.
"...the aftermath of the shooting, I felt the author did an excellent job of portraying the fear , confusion, rage, and mistrust that Staar experiences..." Read more
"...Meanwhile, The Hate U Give is filled with the kind of profound statements that I never expected from young adult fiction, but they still felt..." Read more
"...it gave me a perspective I have never considered before, offered insights into a world I am not a part of, and I loved every minute of it...." Read more
"...Thomas also does an excellent job of balancing the heavy topic at the center of her book with lightness...there were parts that literally made me..." Read more
Customers find the writing style well-written, successful, and beautiful. They also say it's accessible and has the rare ability to turn horrible action into beautiful fiction.
"... Starr herself is written perfectly ...." Read more
"...Thomas did such an amazing job of making a horrible action into beautiful fiction that made you feel like you were right there...." Read more
"...It is wonderful – insightful, accessible , and expressive. I want everyone to read it. If I could give it more than five stars I would...." Read more
"...Every f***ing thing. But let me try to be more specific. I love the writing , which is brilliant and absolutely genuine...." Read more
Customers find the humor in the book engaging, joyful, and colloquial. They also say it gives flavor to the book and an authenticity. Readers also say the book is intense, relevant, realistic, powerful, and heartbreaking. They mention that it leaves the door open for a lot of discussion.
"...Also there were so many times when I felt light and joyful , and not just hopeful, but plain happy...." Read more
"...best seller because it discusses cultural conflicts in an informative yet entertaining way that makes you want to never put the book down...." Read more
"...(helping my grandson in school) found Ms Thomas to be a very worthwhile literary person for my own enrichment...." Read more
"...Every relationship is complex, important, and rewarding in its own way ...." Read more
Customers find the book brutally honest, realistic, and gritty. They also say the book is solid, page-turning, and relevant to today.
"...The Hate U Give is phenomenal. This is the brutally honest kind of book that will stay with you for a long time after having read it and perhaps..." Read more
"...the focus on police violence will be difficult for some, but it's a well-crafted , enjoyable book that will likely inspire you to examine your own pre..." Read more
"...I love the characters, who are phenomenal and so real . I love the characters’ dynamics as well, which I think is the shining point of the novel...." Read more
"...There was a lot of drama, along with good characterization , and the sorts of questions and growing up that one expects with YA...." Read more
Customers find the characters in the book awesome and excellent. They also mention that the book has depths and an exciting climax.
"...Angie Thomas still did an excellent job of creating living, breathing characters and thought-provoking text that made me grab my highlighter many..." Read more
"...It is a very rich story that brings these characters beautifully to life ...." Read more
"...I love the characters, who are phenomenal and so real. I love the characters’ dynamics as well, which I think is the shining point of the novel...." Read more
"...Overall, I felt that all of the characters were well developed , and that I saw growth in each of them throughout the book...." Read more
Customers find the book fast-paced, yet powerful. They also say the story is incredibly timely and gives a glimpse into another world.
"...This is a timely book whose importance cannot be overstated...." Read more
"...The Hate U Give is a contemporary like no other. It’s timely , relevant, eye opening, heartbreaking, and most of all: powerful...." Read more
"...This is a timely book and the sociopolitical importance of the Hate U Give cannot be underestimated, but it's more than that...." Read more
"Wow, what a great book! This book is so timely in the wake of all the shootings of young black men and the inability of law enforcement to train..." Read more
Customers find the book good for young people, teens, and BLM activists. They also say it's an amazing coming-of-age story with a strong political voice. Readers also say the book offers hope for children and all the "Gardens" in the United States.
"...She is intelligent, strong, resilient, wise-beyond her years , with a teasing, sarcastic sense of humour...." Read more
"This is a wonderful book... it is young adult fiction but important and interesting enough for adults to read as well...." Read more
"...This novel, in my opinion, is important for most teens --and even many adults--to read. Please do not falsely judge this novel before reading it...." Read more
"...have been covered, but it is for YA, so I guess it is a good book for young people , also it was an important read...." Read more
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This is Angie Thomas’ debut novel and was published in 2017. The book was inspired by the Black Lives Matter movement.
Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.
Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.
But what Starr does—or does not—say could upend her community. It could also endanger her life.
Add it on Goodreads
Best young adult nominee, new york times, #1 bestseller, coretta scott king, honor (author), william c. morris, michael l. printz, national book award, boston globe, horn book award.
Ultimately the book emphasizes the need to speak up about injustice. That’s a message that will resonate with all young people concerned with fairness, and Starr’s experience will speak to readers who know Starr’s life like their own and provide perspective for others.
BULLETIN OF THE CENTER FOR CHILDREN’S BOOKS (starred review)
A marvel of verisimilitude.
Booklist (starred review)
John Green, #1 NYT Bestselling Author of THE FAULT IN OUR STARS
Absolutely riveting!
Jason Reynolds, bestselling co-author of ALL AMERICAN BOYS
Fearlessly honest and heartbreakingly human. Everyone should read this book.
Becky Albertalli, William C. Morris Award-winning author of SIMON VS. THE HOMO SAPIENS AGENDA
This is tragically timely, hard-hitting, and an ultimate prayer for change. Don’t look away from this searing battle for justice. Rally with Starr.
Adam Silvera, New York Times bestselling author of MORE HAPPY THAN NOT
This story is necessary. This story is important.
Kirkus Reviews (starred review)
Heartbreakingly topical.
Publishers Weekly (starred review)
Pair this powerful debut with Jason Reynolds and Brendan Kiely’s All American Boys to start a conversation on racism, police brutality, and the Black Lives Matter movement.
School Library Journal (starred review)
…An important and timely novel that reflects the world today’s teens inhabit… Thomas delivers an authentic plot with realistic, relatable characters.
VOYA, (starred review)
Thomas has penned a powerful, in-your-face novel.
HORN BOOK, (starred review)
Order a signed copy from Lemuria Books . For more information, call (601) 366-7619.
ISBN-10: 0062498533 ISBN-13: 978-0062498533 February 28th, 2017 by Balzer + Bray
This special edition includes:
The acclaimed, award-winning novel is now a major motion picture starring Amandla Stenberg, Russell Hornsby, Regina Hall, Anthony Mackie, Issa Rae, and Common. Read More
If I could recommend one book to read in 2021, it would be The Hate U Give by Angie Thomas. I picked up a copy last summer when the library reopened, and even though the book was published in 2017, it felt like it was written yesterday. It felt like it was about now.
The Hate U Give is about a 16-year-old girl named Starr Carter who, at the beginning of the book, is living in a poorer, mostly-black neighborhood while attending a wealthy, mostly-white school. She struggles to navigate the two worlds, trying not to act “too ghetto” at school, and worrying about how her dad will react to her having a white boyfriend.
But near the beginning of the book, something terrible happens that shakes up her life: Starr’s close friend is killed by a policeman. This sparks a national protest, and while Starr is grieving her friend’s death, she also has to deal with the fact that he’s now the face of a movement. Kids at Starr’s school use his death as an excuse to cut class and protest. Gangs that hate each other decide to work together to try to prevent riots in their community. They experience tangible, untamable, community-wide grief, but it turns to anger when nobody seems to listen.
And in the middle of it all is Starr, trying to process heavy issues of race, identity, and injustice, while grieving the loss of her friend.
The beauty of the story is that while Starr is wrestling with these issues, we, as the reader, are wrestling with them too. It’s a nuanced story, and it offers plenty of food for thought, but no easy answers.
For instance, in the book, a policeman kills Starr’s friend. When she tries to get justice, she runs up against deep flaws in the criminal justice system. But at the same time, Starr’s beloved uncle, who is also somewhat of a father figure to her, works as a police officer. And so, Starr’s feelings about the police are complicated, and we as readers empathize with that complication.
Now, as with most books, there are some content concerns you should be aware of before deciding whether or not you want to read it. It’s a young adult book, and thus contains some adult themes.
Most notably, this book both depicts racism and discusses it extensively. While this is a timely and necessary topic to explore, it’s also a heavy, hard one. There are also a number of very violent incidents in the book that are hard to read. Finally, there is some foul language and a bit of sexual content that, while not shown and not graphic, is discussed.
Interestingly, The Hate U Give is much more religious than your typical YA book. Starr’s parents have slightly different religious beliefs from each other, and vary a bit in their level of devotion, but the family prays to “black Jesus” together. Starr herself prays, although religion isn’t an enormous part of her life. However, there are side characters in the book who are devout Christians, and Starr’s friend has a religious funeral. I found it very refreshing to see Christianity depicted this way, not as something preachy, not as something evil, but just as a reality.
Overall, The Hate U Give has everything that makes a story good. The characters are interesting and nuanced, and the plot is gripping. As readers, we root for Starr, grieving with her, learning with her, and cheering her on as she finds her voice. But what I loved most about this book is that it talks about important, timely issues, but instead of telling us what to think or giving us pat answers, it shows us a story.
“Young black man killed by police.” We’ve seen this story many times. But what does it look like, not through the lens of the news, not through the lens of the protesters, but from the eyes of a 16-year-old girl who was friends with the victim? The Hate U Give answers this question, telling a beautiful, tragic, hopeful story in the process.
is an author and blogger from Oregon. Her latest book, The Highway and Me and My Earl Grey Tea , is about a year she spent traveling around the United States, living in a different Mennonite community every month. You can visit her blog at emilysmucker.com .
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Covering The Black Girl's Mainstream™
By India Hill
When a gang of publishers clamor for a book and that same book is optioned as a movie — before it’s even finished — you know it’s got to be bomb! That’s exactly what happened with The Hate U Give , its title directly inspired by Tupac’s iconic “THUG LIFE” tatt and his quote, “The hate you give infants…”
Fueled by her feelings following the murder of Oscar Grant, a young, unarmed Black man killed by police in 2010, whose story was told in the film, Fruitvale Station , author Angie Thomas began work on her debut novel. Told from the point of view of 16-year-old Starr Carter, one of just two Black students at her private school, this highly anticipated release centers around the killing of Starr’s best friend Khalil by a white police officer. Khalil was unarmed.
Starr, who was in the passenger seat as everything went down, is the sole witness of the shooting. At first, she doesn’t want to say anything, fearing it will put her community and her family at risk, but when Khalil is painted as a thug in the media and even by some of her classmates, she decides to speak out. Witnessing his murder and wrestling with the choice of whether to keep silent or not takes a huge toll on Starr, making her skeptical of her white friends and even her boyfriend, who is also white.
Authentically Black without trying too hard, The Hate U Give illustrates the Black community and the Black family in ways that aren’t often seen in the mainstream. It’s a book that feels at home showing the way Black people interact with each other in private, infusing aspects of African-American Vernacular English and code-switching for a very true-to-life conversational tone. And the characters themselves? All the way real. Instead of cookie-cutter clichés only used as plot devices or place holders, Angie Thomas fills her novel with well-cultivated personas that humanize the people behind the actions and circumstances.
Khalil’s murder, although fictional, is eerily familiar to real life in the way social media involvement, protests, dehumanization, injustice, and even riots are described. While some may be able to read this book in one sitting, others may feel the need to take more time. What happened following Khalil’s murder left me reliving the horror and sorrow I felt after Trayvon Martin, Mike Brown, et al. The book, though, tackles the timeline in a way that is realistic but not too somber. Digestible and enjoyable, but also eye-opening.
I teared up. I got angry. I laughed out loud. The Hate U Give tugs at all your emotions and is a read you should not pass up.
This column originally appeared in Sesi’s spring 2017 issue. Subscribe here to get the current issue, on sale now.
Quarterly print teen magazine for Black girls ages 13 to 19. Covering The Black Girl's Mainstream™
By angie thomas.
Angie Thomas’ 2017 The Hate U Give, is a profound project that takes the themes of Black Lives Matter, police brutality and black identity and puts them all in the limelight.
Article written by Ugo Juliet
Former Lecturer. Author of multiple books. Degree from University Of Nigeria, Nsukka.
‘ The Hate U Give ’ by Angie Thomas is a gripping novel of conscience and doing what’s right in society. It follows the story of Starr, who witnessed her unarmed friend killed by a police officer on their way home from a party.
This novel is Angie’s first and best-known work . It won the 2017 Goodreads Choice Awards Best Young Adult Fiction and has since been made into a well-known film.
Angie Thomas’ 2017 young-adult novel is a profoundly affecting project that takes the themes of Black Lives Matter, police brutality, and black identity and puts them in the limelight . She told the thought-provoking story of an African-American girl stuck between cultures and trying to understand whether she should keep silent or talk. However, ‘The Hate U Give’ manages to go deeper into where we are in the world today, where racism and police brutality still pervades. It emphasizes youth activism and making a hard decision to speak out whenever it is necessary.
16 year Starr Carter, the protagonist of the novel , moves between two worlds. The first is the poor black neighborhood where she lives in Greater Heights, and the fancy suburban prep school she attends at Williamson Prep. Her world shattered when her friend was shot and killed by a police officer.
Soon after that, his death became a national headline. Some people referred to him as a thug, some said he is a drug dealer and while others called him a gangbanger. Protesters took to the streets in Khalil’s name. While all this was going on, some cops and the local drug lord tried to intimidate Starr and her family into silence. But the question on everyone’s lips is this: what really happened that night?
But whatever Starr says or does not say has the potential to elevate or scatter her community. ‘The Hate U Give’ deals with a lot of societal issues but the main story is on the unlawful killing of Starr’s friend Khalil by a police officer. It also deals with the social issues and processes in which Starr and others who loved Khalil had to go through seeking justice. The plot is of great importance to the news that is usually coming out of America and the Black Lives Matter movement. This book is Young Adult Fiction, but, honestly, this novel is a must-read, and it can teach everyone so much about racism and speaking out.
Spoiler alert: important details of the novel are revealed below.
A 16-year-old girl, Starr Carter attends a party in Garden Heights, an African American community where she lives. At the party, she reconnects with an old friend Khalil. When they hear some shots, Khalil flees with Starr. During the drive home, Khalil is pulled over after an unexpected turn at the traffic, and the officer, One-Fifteen, shoots and kills him. Starr is so shaken by what she has witnessed, as Khalil was unarmed.
Starr begins to have nightmares about what happened and her world is turned upside down. Nevertheless, she agrees to make a witness statement to the police. During her interrogation, Starr felt like the police wanted to justify One-Fifteen’s actions instead of punishing him for murdering an unarmed youth. This suspicion is confirmed at Khalil’s funeral when Starr learns that One-Fifteen will not be arrested which leads to violent protests.
Later on, Starr is exasperated by her white Williamson Prep friends when they stage a fake protest just to get out of class. Starr argues with her friend Hailey, who was siding the police officer, claiming that his life also matters. This happened after One-Fifteen’s father gives an interview claiming his son is the real victim. Hailey goes so far as to insinuate that maybe Khalil deserved it because he was a drug dealer.
Starr’s boyfriend, Chris, and her other friend, Maya, support her, but they still do not know she is the witness to Khalil’s murder. Starr’s father, Maverick, and Uncle Carlos work together to protect a Garden Heights teen named DeVante, whose plight reminds them of how they failed Khalil. King, the King Lords gang leader, claims Khalil as a member, but DeVante tells Starr that Khalil never joined and was selling drugs only to protect his drug addict mother from the gang.
Starr agrees to give a television interview with her face blurred out. She explained what made Khalil deal on drugs which is to protect his mother, and denies that he was a gang member. She also confesses that One-Fifteen pointed his gun at her and she wonders if he thinks he ought to have shot her as well.
Chris confronts Starr at the prom, revealing that he could tell she was the witness and asking why she could not confide in him. Starr admits that she is scared to be her true self around him, but he assures her that she is safe with him. Despite violent attempts to silence her by police or by gang members, Starr testifies in front of a grand jury in the hopes that they will indict One-Fifteen.
While they wait for the grand jury’s verdict, tensions are high. Hailey demands an apology from Starr for her poor behavior and suggests Khalil deserved to die because he was a drug dealer. Several weeks later, Starr and Chris help Seven and Kenya rescue DeVante from King’s house, where he lies beaten on the floor. Iesha, Seven and Kenya’s mother, creates a distraction to help them escape. They listen to the verdict in the car shortly after: the grand jury will not indict One-Fifteen.
Full of rage, Starr and her friends take to the streets. Starr speaks to the rioting crowd with a megaphone and throws tear gas at the police. Later, the teens end up at Maverick’s store and get trapped while it was burning. Maverick arrives in time to help get them out, and police arrest King for arson. DeVante reveals the location of King’s drug stash and agrees to testify against him so the neighborhood no longer has to live under his thumb. Starr deletes Hailey’s phone number and vows to continue using her voice to push for justice and change.
Overall there are so many different types of characters in ‘The Hate U Give’ each dealing with different issues from their background or reality such as Starr’s dad – Big Mav.
Big Mav is extremely caring, protective, funny, and just all-around lovable throughout ‘ The Hate U Give ’ and he has a story himself. He wasn’t there for Starr at the beginning of her life because he was in prison, but he turned his life around for his family. Big Mav is right in the center of it and does not want to leave his home but build it back up and regain it from the gangs whereas Starr’s uncle is on the outside having left that neighborhood and seeing any violence from a police officers point of view.
‘The Hate U Give’ is without a doubt a great book that deserves all the great reviews it’s getting. The book has so much to teach and the lessons in it have been found to be so relevant and emotional. It’s so interesting to read a Young Adult fiction book that is so relevant and hard-hitting. This book is definitely one to check out and add to your library. It’s easy to get into, blunt and you would not want to put it down.
In Chapter 11 of the book, Hailey’s brother, Remy, plans to protest Khalil’s death as an excuse to play hooky. Hailey is excited, even though she wasn’t happy they’re revolting because of a drug dealer. Starr was angry when finds out. She left them as she was furious that her classmates are using Khalil’s death as a break from school.
The main events in ‘The Hate U Give’ are when Khalil gets shot by a police officer and Starr gets interviewed by the cops. Another major event is when Starr haves another interview and they ask her if Khalil was a drug dealer and when the students of garden high star protesting because of Khalil’s death.
Mr. Lewis snitches on King, the drug lord, on live television. He was later beaten up by King Lords. At the end of the story, though, he retires and gives his store to Maverick, Starr’s father, so that Maverick can continue to be a good influence on Garden Heights.
Starr was worried about answering the District Attorney’s questions, especially those relating to Khalil’s gun. This is because she didn’t know if Khalil had a gun in the car. However, Ms. Ofrah assured her that he didn’t have a gun, rather, it was a hairbrush that One-Fifteen claims he mistook for a gun.
Kenya apologizes because she always calls Seven her brother instead of their brother. She was concerned that Seven was a brother to her out of obligation, instead of out of love of her in the case of Starr. She believed that Seven was ashamed of her same as Starr and Garden Heights.
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Juliet Ugo is an experienced content writer and a literature expert with a passion for the written word with over a decade of experience. She is particularly interested in analyzing books, and her insightful interpretations of various genres have made her a well-known authority in the field.
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There’s no special merit to films that address subjects of urgent political concern, nor to ones that advocate progressive views. Sometimes such movies offer little more than fan service, of a sort that hardly differs from canonical interpretations of superhero stories designed to please hardcore followers. In skewing their drama and characters in order to stoke viewers’ responses in favor of one particular outcome, some political movies dull the emotional experience of watching. Far from advancing and reinforcing the desired view, such numbing movies suggest that the view exacts a price in vitality; viewers will decide for themselves whether the trade-off is worth it. What’s certain is that a narrow view of advocacy and a narrowed emotional range go hand in hand, and that filmmakers, in the grip of their own persuasion, often miss that connection.
“The Hate U Give,” which is in wide release this Friday, does not fall into this trap. It’s an explicitly political movie that advocates a manifestly progressive view of its subjects, but it does so with a varied emotional energy, a set of complex characters in uncertain situations, and a perspective that emphasizes the drama’s open-ended, trouble-filled engagement with society at large. It does so with a sense of balance, of heads-up alertness that suggests a dramatic type of peripheral vision—the director, George Tillman, Jr., seems to know, and to convey that when the camera is on one character or several others are present and potent, whether just out of frame or somewhere out of view but clearly exerting an unseen influence.
It’s the story of a black family living in the predominantly black Georgia neighborhood of Garden Heights and confronting, directly and personally, legally enforced and socially reinforced norms of racism—which is to say, they’re a perfectly ordinary black American family, working and living under circumstances that, as is clear from the start, would be inconceivable for a white family to face. The central character, Starr Carter (Amandla Stenberg), a sixteen-year-old high-school student, is also the movie’s central consciousness—her presence, her conflicts, and her voice (in the form of a retrospective voice-over) dominate the film from beginning to end. The movie, based on a novel by Angie Thomas , with a screenplay by Audrey Wells (who died earlier this month), opens with Starr’s recollection of “the talk” that her father, Maverick (Russell Hornsby), gave her and her two siblings—about how to behave if stopped by a police officer, in order not to give the officer any excuse to shoot them.
Starr was nine at the time. Her half brother was ten, and his very name, Seven, is relevant to the story’s premise: he was named by Maverick in reference to point No. 7 of the Black Panthers’ Ten-Point Program, which demanded “an immediate end to police brutality and murder of black people,” and it’s precisely the police murder of a black person on which the drama of “The Hate U Give” pivots. Maverick, who owns a convenience store, and Starr’s mother, Lisa (Regina Hall), a nurse at a local hospital, arrange for Starr to attend a well-funded, predominantly white high school in a nearby community. (Starr describes the “two versions” of herself—Version One, which is her in her own neighborhood, and Version Two, which she puts forward in her school in order not to be considered “ghetto.”)
Starr Version One goes to a party with black friends in her neighborhood; when shots ring out, one of them, a young man named Khalil (Algee Smith), a lifelong friend, brings her to safety and drives her home. But during a routine traffic stop—ostensibly for a failure to signal a lane change but actually a case of a white cop catching Khalil “driving while black”—he reaches for his hairbrush, which the officer claims to believe is a gun, and shoots Khalil dead. Starr, the only witness, had started recording the arrest on her phone; ordered to put it away, she nonetheless is able to identify the officer by his badge number.
When a grand jury is convened to consider charges against the officer, Starr is asked by an attorney for Khalil’s family named April Ofrah (Issa Rae) to testify. But, as Starr knows, Khalil had been a newbie small-time drug dealer (because his family faced a catastrophic failure of the safety net) and was working for a local kingpin named King (Anthony Mackie), who pressures—and threatens—her not to testify. What’s more, Starr also faces pressure from the local police and their allies not to testify. To complicate matters, Maverick is King’s former “right-hand man.” He served three years in jail for a crime committed by King—the deal being that, after his release, he’d be released from the gang. Maverick wants Starr to testify; Lisa, however, who fears King’s gang (the King Lords), as well as the police, wants to protect Starr above all, and to keep her from testifying.
The drama is sharply delineated, the conflict clearly drawn—but Wells’s script sets them in motion by means of a wide array of complicating subplots and contextualizing incidents, which Tillman balances nimbly, energetically, and perceptively. There’s Starr’s relationship with Chris (K. J. Apa), her boyfriend, a white classmate; her friendships with other classmates, white and Asian; her relationships with her younger brother, Sekani (TJ Wright), with Seven (Lamar Johnson), and with Seven’s other half sister, Kenya (Dominque Fishback); her relationship with her uncle, Carlos (Common), who’s a police officer; and there’s the media factor, which plays a role in all of these relationships. The killing of Khalil is major local news, widely reported on television—though, because she is a minor, Starr’s identity is concealed, including from her friends.
What’s more, these media accounts are themselves a defining aspect of the movie’s societal landscape: the depiction of Khalil, the obsession with his criminal behavior, the depiction of his family, the depiction of protests that erupt after his killing, the representation of the Garden Heights community, the questions posed in interviews by a Barbie-like TV reporter are all implicated in the story. Similarly, attempts by the police to prevent residents from recording officers’ actions are also elements of the drama; so is the oppressive prevalence of gun violence on the part of the drug-dealing gang and the endemic, menacing presence of guns in the homes of law-abiding citizens as well; so is local activism, the urgency of protest, and police repression of it.
There’s also a plethora of social context in the film, regarding both Starr’s personal and familial backstory and the political framework within which Maverick is raising the family. (He instills his children with political ideals by way of a quasi-military but nonthreatening discipline.) Lisa—who nonetheless shares Maverick’s larger ideals—inculcates in the children a practical and fundamentally apolitical route to success. Despite Starr’s painful efforts to meet the unfair expectations of her white classmates, she meets with a wide range of uncomprehending judgments ranging from oblivious to insidious. The vectors of frustration, rage, and despair that rack the black residents of Garden Heights are echoed, wrongly and prejudicially, in the media in ways that only aggravate the hostility that the residents face.
The very title of the film, borrowed from the late Tupac Shakur’s explanation of his album titled “Thug Life”—The Hate U Give Little Infants Fucks Everybody—highlights the cycle of damage caused by racism. The phrase, like the film, unambiguously asserts that racist practices and attitudes, whether official or merely habitual, are the underlying engine of the movie’s very action. The movie isn’t a bold or bracing work of stylistic originality; rather, it’s one in which a familiar manner is expanded and elevated by way of insight and sensibility. “The Hate U Give” is the rare movie that puts the background into the foreground—that integrates its characters’ personal struggles and dreams with a wide and clearly observed political and historical environment. Its unstinting vigor and empathetic but unsentimental nuance mark it as a distinctive and exceptional political film.
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The Hate U Give opens with a father giving his children The Talk — not the birds and the bees, but the heartbreaking one parents of black children eventually must have about how not to get killed by the police. It’s a scene we’ve seen a few versions of at the movies this year, and a scene we will likely see many more times in the coming years, and isn’t any less emotionally charged for that. But the fact that The Hate U Give , based on the novel by Angie Thomas, opens with it rather than building up to it, tells you something about how much it’s ready to unpack over its dense, almost consistently compelling two-plus hours. At its heart, it’s the story of one girl internalizing the threat of racial violence that shapes every aspect of her life. The Talk is the ground floor, and director George Tillman Jr. and writers Audrey Wells and Tina Mabry let a hundred more questions and debates grow out of it.
The father is Maverick Carter (a mighty and heartfelt Russell Hornsby), and the middle child is Starr (Amandla Stenberg), who we catch up with some seven years later as a teenager. She lives with her parents and two siblings in Garden Heights, a poor black neighborhood in an unspecified city in the southern United States. Maverick is a reformed drug dealer who now runs a local corner shop; her mother Lisa (Regina Hall) works at the hospital. In a heavily voiced-over opening act that I suspect is largely lifted from Thomas’s novel, Starr introduces us to her world, and the different forces that operate within it: the local businesses and characters, the gangbangers (led by a stony, menacing Anthony Mackie), and the kids she’s grown up with since she was a baby.
Contrasting — quite literally — with all this is Starr’s school life. Due to an incident at her local high school that is not immediately made clear to us, Maverick and Lisa have sent their children to a largely white, affluent private high school. She’s seen stuffing her hoodie in her bag and kissing her white boyfriend (K.J. Apa) and deflecting her classmates efforts to be “down” with her. Starr’s code-switching could provide plenty of material for a novel on its own, but it’s very internal stuff for a mainstream film to tackle, and the narration Wells and Mabry depend on in this section borders on overkill. There are visual cues, as well: When Starr is at school, the light temperature goes almost comically cool, as if the rich neighborhood isn’t merely on the other side of town but in a different weather system altogether. The effect is that of an environment devoid of warm-blooded empathy; it also has the side effect of making everyone, including Starr, look whiter.
Starr is more or less able to reconcile these two modes of her life, albeit with some uneasiness. But everything is turned upside down when, after a party that turns violent, she and her childhood friend and crush Khalil (Algee Smith) are stopped in his car by a police officer. Starr has had this situation drilled into her from childhood, but Khalil is less willing to put his head down and hands on the dash. Tillman’s direction here is so crisp and effective and heartbreaking, a barrage of life-or-death moments that flash by with utter clarity in the rush of adrenaline. And the unbearably tense scene ends in tragedy.
The rest of the film deals with the aftermath of Khalil’s killing — in her two communities, and in Starr’s own heart. There are many moments that seek to underline the increasing differences in the two worlds Starr inhabits, but the one that I found most haunting comes well along in her radicalization, after she has posted an image of Emmett Till on her Tumblr page. (While other films use social media as shorthand for a mob energy either for good or ill will, The Hate U Give is better at fleshing out the ways in which a thing someone posts or likes can be incredibly formative, especially during adolescence.) Starr gets a call from her boyfriend, and as she picks up her phone, the focus shifts and K.J. Apa’s CW smile shines from the caller ID over Till’s bloated, disfigured face. There are images that are simply foreign to her classmates, no matter how much of a good, not-all-white-boys boy Chris is.
Amandla Stenberg in real life has been a forceful young voice for social justice, which is why her performance as Starr is surprising at first: methodical and withdrawn throughout so much of the grieving and thinking process, taking in everything around her, measuring it against her own feelings and experience. For much of the film, Starr is a person that watches things, not a person that makes things happen, or that things really directly happen to. But when she finally decides to invest herself in the fight for justice for Khalil, Stenberg becomes a force of nature, and the film has done such a good job of emphasizing all that is at stake for her that her performance is all the more earned and real.
Again, there are so many movies that have tackled the territory that The Hate U Give deals with — “same story, another name,” says Issa Rae’s activist lawyer during the memorial service for Khalil. There will likely be many more, but the how of Tillman, Mabry, and Wells’s telling distinguishes their story. The Hate U Give should be an epic, and it is: Yes, it’s a teen melodrama, but it’s also an elegantly constructed piece of world-building, a love story, a family history, a sociological spiderweb of cause and effect of the hate referenced in the Tupac-coined titled. If this is what the next wave of YA adaptation will feel like, we are in a good place.
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Parents need to know that Angie Thomas' New York Times best-selling book The Hate U Give won a 2018 Coretta Scott King Author Honor, a Michael L. Printz Honor, and the Odyssey Award for best audiobook for kids and teens. Inspired by the Black Lives Matter movement, it involves the police shooting of an unarmed black teen.
The Hate U Give is a didactic issues novel for teenagers. It is also a good book. Those two categories intersect only rarely, but The Hate U Give — a debut novel by Angie Thomas — manages the ...
Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.
Thomas's intimate writing style taps fully into Starr's shock, pain, and outrage during the shooting and its aftermath. The Hate U Give has many of the markers of a typical young-adult novel ...
The Hate U Give Review 'The Hate U Give' is a book that you're going to love. From its opening lines to the struggles Starr Carter had in the book, a reader is met with constant twists and turns. The issue of police brutality and racism is widely addressed. Other contemporary issues like racial profiles were widely discussed in the book.
Kirkus Prize. finalist. New York Times Bestseller. IndieBound Bestseller. Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school. Walking the line between the two becomes ...
The Hate U Give. by Angie Thomas. Publication Date: September 4, 2018. Genres: Fiction. Hardcover: 512 pages. Publisher: Balzer + Bray. ISBN-10: 0062872346. ISBN-13: 9780062872340. Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends.
Read Full Review >>. Rave Constance Grady, Vox. The Hate U Give is a didactic issues novel for teenagers. It is also a good book. Those two categories intersect only rarely, but The Hate U Give — a debut novel by Angie Thomas — manages the balancing act with aplomb ... It was probably inevitable that someone would write a YA novel about ...
The Hate U Give Book Review. "Sometimes you can do everything right and things will still go wrong. The key is to never stop doing right.". The Hate U Give is a young adult novel whose protagonist, sixteen-year-old- Starr, witnesses the murder of her friend Khalil at the hands of a police officer. She is shocked and deeply heart-broken, but ...
The Hate U Give is set to become a modern classic, a stunning contemporary read that captures with unflinching insight the current climate for growing up young and black in America, from the creative voice of an author who has lived and breathed what she writes. The most highly anticipated book of 2017, the debut YA novel from author Angie ...
Review: "Sometimes you can do everything right and things will still go wrong. The key is to never stop doing right.". Riveting, emotionally fraught and heartbreakingly honest, The Hate U Give is one of the most powerful YA contemporaries I've read till date. You know, all the hype and attention this book has been getting, all those ...
The book is called "The Hate U Give." It's a hotly anticipated book. It's gotten rave reviews, and it's Angie Thomas' debut novel. She joins us now from Jackson, Miss. Welcome to the program.
THOMAS, Angie. The Hate U Give. 464p. HarperCollins/Balzer + Bray. Feb. 2017. Tr $17.99. ISBN 9780062498533. Gr 8 Up -After Starr and her childhood friend Khalil, both black, leave a party together, they are pulled over by a white police officer, who kills Khalil. The sole witness to the homicide, Starr must testify before a grand jury that will decide whether to indict the cop, and she's ...
Amazon.com: The Hate U Give: A Printz Honor Winner: 9780062498533: Thomas, Angie, Stenberg, ... — Horn Book (starred review) "Ultimately the book emphasizes the need to speak up about injustice. That's a message that will resonate with all young people concerned with fairness, and Starr's experience will speak to readers who know Starr ...
Summary. Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.
Overall, The Hate U Give has everything that makes a story good. The characters are interesting and nuanced, and the plot is gripping. As readers, we root for Starr, grieving with her, learning with her, and cheering her on as she finds her voice. But what I loved most about this book is that it talks about important, timely issues, but instead ...
The book, though, tackles the timeline in a way that is realistic but not too somber. Digestible and enjoyable, but also eye-opening. I teared up. I got angry. I laughed out loud. The Hate U Give tugs at all your emotions and is a read you should not pass up. This column originally appeared in Sesi's spring 2017 issue.
The Hate U Give follows the flawed character Starr, a 16-year-old black girl dealing with real black girl problems. Not only does she live in an inner-city American neighbourhood that is both poor ...
Author of multiple books. Degree from University Of Nigeria, Nsukka. ' The Hate U Give ' by Angie Thomas is a gripping novel of conscience and doing what's right in society. It follows the story of Starr, who witnessed her unarmed friend killed by a police officer on their way home from a party. This novel is Angie's first and best ...
Richard Brody reviews "The Hate U Give,"directed by George Tillman, Jr., and starring Amandla Sternberg, an explicitly political movie that advocates a manifestly progressive view of its subjects.
The story starts with Starr going to a party in her neighborhood with her half brother, Seven's sister Kenya. Starr feels isolated at the party and ends up reconnecting with her childhood best ...
There will likely be many more, but the how of Tillman, Mabry, and Wells's telling distinguishes their story. The Hate U Give should be an epic, and it is: Yes, it's a teen melodrama, but it ...